"Qinyuanchun" is the name of a lyric tablet, what does it specify?

Qinyuanchun" is a common name of the word brand. Founded in the early Tang Dynasty, and from the Houmen, can also be known. Wan also said: "qinyuanchun" is an ancient tune, the author of the most prosperous, its name is the most obvious." And this tune is also known as "Shouxing Ming". The other one is "Flower Hair Qinyuanchun", which has nothing to do with this tune.

Origins

The Houhan Book - Dou Xian biography: "Xian rely on the prestige of the palace, and then to the cheap straight please take the Qinshui Princess garden field." Later, the word "qinyuan" was used as a substitute for the princess's residence, mostly in Tang poems. Cui Chik's poem "Serving Banquet at Princess Changning's East Village" reads, "Outside the Qinyuan East Village, the luan driver traveled to the disk." Cui Chik's poem "Princess Yuzhen's Mountain Residence" reads, "It is not said that the Garden of Refreshment is good, but the flowers of Wuling are hidden." Wu Song "on behalf of Guo Linggong Xie male Shang Lord table": "Door open Lu Pavilion, the land listed Qinyuan."

The method of writing

This is one hundred and fourteen words. The first three sentences are all four words, and the last two sentences have the same syntax, all of which are oblique and flat. （In the third line, it is the third word, which is the most important, and must be used in an oblique way, so it is a difficult sentence. The first and second words can be used without any restrictions. The fourth and fifth lines are four-word couplets, with a word for bean, and the second and fourth words and the first and third words can be flat or oblique. The sixth line is the same as the fifth. The seventh line is a four-word rhyme scheme, with opposite levels; however, the first word can also be flat. The eighth and ninth stanzas are also four-character couplets, the same as the first two stanzas. In the tenth line, the first word is not constrained, but the next three words should be used in the same way, which is also an argumentative sentence. In the eleventh sentence, three words should be used as flat and oblique, which is a fixed pattern. The twelfth and thirteenth lines are actually nine-word sentences, i.e., two four-word pairs with an occasional word bean, but the level and oblique tones are not as removable as those in the fourth and fifth lines. In the second section, the first two words rhyme with each other, and they are all in level tone. In the second verse, there are four characters, the same as in the previous section. In the third line, there are eight characters, one on the top and one on the bottom, which is the tenth line of the previous section. The first section of the song is about the first two lines of the song, and the second line is about the first two lines of the song.

The format

* (仄)仄平平, (仄)仄平平, 仄仄平平, 仄仄平平(韵).

Nonleveling and leveling (top and bottom four), (平)平(仄);(平)平(仄), (仄),(仄)平平平(韵).

(仄)仄平平,(平)平(仄)仄,(仄)仄平平(仄)仄平(韵).

Ping (平)仄,仄(平)平(仄)仄(上下一四),(仄)仄平平(韵).

* (平)平(仄)仄平平平 (rhymes).

(仄)仄,平平(仄)仄平平 (rhymes).

仄(平)平(仄)仄(上下四), (平)平仄;

(平)平仄,(仄)仄平平平(韵)。

(仄)仄平平, (平)平(仄)仄, (仄)仄平平(仄)仄平(韵).

Ping (平)仄(或仄平仄),仄(平)平(仄)仄(上下四),(仄)仄平平平(韵).

(The last nine lines of the first section have the same number of words as the last nine lines of the second section. This tune generally uses more counterpoint.)

Description: The double-tone is composed of one hundred and forty-four characters; the first section has four flat rhymes, the second section has five flat rhymes, and the first section has four or five lines, six or seven lines, eight or nine lines, and the second section has three or four lines, five or six lines, and seven or eight lines, all of which are required to be in counterpoint. The four five-character stanzas are all upper and lower four stanzas.

"Qinyuanchun" is rumored to have gotten its name from this. According to the "Songbook", "Qinyuanchun" is a double-toned piece with 114 characters. The first piece of 13 lines, four flat rhymes; the second piece of 12 lines, five flat rhymes.