Jiang Kun's Personal Biography

Jiang Kun is a renowned comedian and performer, a leader in the art of rap and laughter in China today.

Jiang Kun was born on October 19, 1950 in Beijing, China, and is originally from Zhuangtou Village, Zhuyuguan Town, Longkou City, Shandong Province. Jiang Kun is a descendant of the master of comedy, Mr. Hou Baolin, and the giant of comedy, Mr. Ma Ji, a representative of the seventh generation of Chinese comedy, a representative inheritor of the fourth batch of national intangible cultural heritage projects (comedy), and a national-level actor.

Jiang Kun was transferred to the China Radio Rap Troupe in 1976 and began his professional comic performance. Over the past decades, he has dedicated hundreds of comic works to the audience, such as "Taking Pictures in This Way" and "Reverie in the Tiger's Mouth", etc., and has become a household name and an artist loved by all the Chinese people and the general public.

In 1983, Jiang Kun was the host of the first CCTV Spring Festival Gala and a member of the creative team. Since then, he has participated in the Spring Festival Gala for 11 consecutive years and hosted it seven times, and has been active on the Spring Festival Gala stage for more than 30 years, bringing joy to countless audiences.

Jiang Kun's Artistic Advocacy:

During his presidency of the Association of Chinese Quartet Societies (AQSIQ), Jiang Kun put forward the strategic guiding ideology and working guideline of "Great Quartet", which was recognized by most of the people in the quartet. Through the practice, it has also made the art of music and art to get the prosperity of creation, brand activities on the enhancement of the expansion of the influence of the cause of music and art.

The "big quartet" is to make the team of quartet bigger, to make the influence of quartet bigger, to make the market of quartet bigger, and to promote the "three new" through this "big": new people, new works and new forms of performance, Through this "big" to promote the "three new": new people, new works and new forms of performance. It is hoped that the majority of music and art workers, innovative thinking to guide the creation of music and art, to "new people, new works, new forms" to show the face of the new socialist music and art.

Don't be overly attached to the traditional "program" and "mode of expression", as long as the main qualities of the basis of the laws of the opera, not opposed to other sister forms of art to learn from the nutrients, to enrich themselves.