How to mount Xuan paper calligraphy and painting

Question 1: How to mount Xuan paper painting has many steps and complicated procedures. I suggest you buy a copy of China Painting and Calligraphy Mounting.

Question 2: How to mount calligraphy and painting? Prepare a plane larger than the picture (it must be flat and clean), spread the calligraphy and painting you want to mount on it, spray water evenly on the surface of the calligraphy and painting with a watering can (just make it flat), then dilute the paste with water according to the ratio of 1: 2 or so (neither too thin nor too thick), and then spread the diluted paste horizontally in the direction of a herringbone shape as far as possible with a combination pen. Then put the prepared Xuan (a kind of thick Xuan paper) which is about 2 cm larger than the area of calligraphy and painting, and press the Xuan on the surface of calligraphy and painting with a brown brush. Similarly, you can't leave bubbles, but at this time, you can't use the rice shape, you can only press it from beginning to end. Then put a small amount of paste on the four sides of a poster, clip a few pieces of paper with a width of 2-3 cm and a length of more than 5 cm on one side, then carefully pick up this work, flatten it on a wall larger than it (it is recommended to use smooth glass), press it on the work with a newspaper, and flatten it on the wall with a brown brush through the newspaper, so as not to leave bubbles, so as not to wrinkle after drying. Finally, take down the newspaper and blow on the place where the small note was posted before. The purpose is not to stick the work completely on the wall, just stick it firmly on all four sides, so that the work is finished when it is dry and can be taken down in a day or so.

Question 3: Can the calligraphy and painting on rice paper be stained with water when it is mounted? Calligraphy and painting on rice paper must be stained with water when mounting.

Calligraphy and painting mounting tool materials

Mounting calligraphy and painting requires complete tools and materials. Tools mainly include: ① Studio, which requires bright ventilation and worry-free. (2) The counter is made of solid wood and covered with vermilion paint to make it smooth. (3) There are two kinds of large walls or walls, wooden walls and paper walls. The former is suitable for humid climate, while the latter is mostly used in dry places. Smooth and bright is required. (4) Cutter, used for cutting paper, silk, twill, brocade and other materials, digging and matching, centering and hole filling. Its blade is sharp and straight, horseshoe-shaped, also known as horseshoe knife. ⑤ Chopping board, which is used for cutting sleeping mats, is made of basswood, ginkgo wood or willow wood with straight and thin lines. 6. Cutting ruler, used as a ruler when cutting painting materials, made of nanmu and Cunninghamia lanceolata. ⑦ Brown brush, made of tree palm, is divided into south and north, the former is small and thin, and the latter is big and thick. ⑧ Combination pen, which is composed of several or even more than 20 wool rings in parallel, is used for brushing paste. Pet-name ruby bamboo, bamboo as material, sword-shaped, thin and smooth front, semi-circular top, thick back. Attending needle cone, used for puncture, flanging, hair removal, etc. Stone, used for grinding and painting the back, is made of fine and smooth pebbles. In addition, there are pulp oil paper, water oil paper and so on. The main materials are: ① paper, mostly raw rice paper, is generally used to support painting heart, silk or back. (2) Silk, a plain fabric, is made of silk and has different thicknesses. (3) Silk, also woven from silk, weaves various patterns, which are mostly used for framing ceilings, fields, water barriers, etc. (4) Brocade and silk fabrics are mostly two-way continuous or four-way continuous patterns. It is often used as the head of handmade noodles, the cover of picture books, the eyebrows and borders of scrolls. ⑤ Adhesive needed for pasting and mounting. Beat with starch or good flour that does not contain gluten and bran, and add appropriate amount of alum when beating to prevent insects from eating in the future. ⑥ Pigment, that is, traditional Chinese painting pigment, is used to dye paper, silk and silks to make up the color of damaged painting. ⑦ Glue alum water, which is a mixture of glue, alum and water, is used to enhance the color of mounted pieces and the texture of paper and silk. ⑧ Shaft head, used for hanging shaft and hand winding installation. The former is made of rosewood, mahogany, rosewood, porcelain, ivory, ox horn and metal. , mushroom-shaped. Installed at both ends of the ground pole, it not only plays a decorative role, but also facilitates hanging picture scrolls. The latter is mainly made of ivory, porcelain and metal, and the upper and lower ends of the tail are round. Pet-name ruby painting pole, divided into top pole and ground pole, is given priority to with Chinese fir, requires straight, including ground pole to have a certain weight. Attending rope, belt, pin, used to bind firmly installed objects. In addition, some chemicals must be prepared, including potassium permanganate, oxalic acid, hydrogen peroxide, acetone, ether and so on. , remove mold marks and stains.

As the old saying goes, "calligraphy and painting are three points, and mounting is seven points", exquisite mounting technology can not only better protect calligraphy and painting, but also play a role in setting off calligraphy and painting and showing charm. The steps of painting and calligraphy mounting are generally as follows: first, mount the back of the painting with paper, then edge it with twisted wire, silk, paper, etc., and then mount the shaft to form a scroll or mounting strip to form a picture frame. Traditional mounting is varied, but its finished products can be divided into three categories: hanging shafts, hand scrolls and picture books. Regardless of the size, shape and use of the original picture, there are only three steps: painting the heart, covering and mounting.

General step method

Step 1: Observe calligraphy and painting.

Try to figure out the temperament of the original, so as to better choose the mounting materials to contrast the temperament of the original.

Step 2: Support the painting heart.

1. Spread the painting center upside down on a clean painting plane, and spray water evenly on the back of the painting center with a watering can;

2. After the painting center is wet and smooth, brush the paste evenly on the back of the painting center with a combination brush;

3. Hold a special mounting brown brush and a paper tray slightly larger than the painting center, align to one side, and scan the paper tray from top to bottom with the brown brush, so that the whole paper tray is gradually attached to the back of the painting center;

4. Apply the paste evenly on the edge of the supporting paper with your fingers;

5. When the painting is slightly dry, gently uncover it and stick it on the wall to dry.

Step 3: Insert.

1. After the painting center is dried, remove it from the wall with a cutting knife and cut off the irregular corners of the paper holder;

2. Paste evenly on the four corners of the center of the painting and insert the help bar;

3. Paste the edge of the help bar and insert the top bar.

Step 4: Cover the back.

Repeat the second step after the mosaic.

Step 5: Frame.

If the finished painting needs to be mounted, it should be leveled after the painting is dried and mounted; If you make a scroll, you should match a sky pole and a ground pole at the top and bottom of the painting, and tie it with a rope and a crimson ribbon.

Matters needing attention

Generally, mounting can be collected by hand, and the quality of paste is also the guarantee of collection time. The paste of framed painting is different from ordinary paste, not only the degree of viscosity and transparency, but also the transparency. & gt

Question 4: How to use Xuan paper for mounting (brush, calligraphy and painting ink, such as "Yidege") to paint on raw or cooked propaganda, just go to the mounting shop for mounting. If it is a unified mounting, it may be that you only send the painting heart, they are responsible for mounting, and you have to pay the mounting fee.

How did you draw it?

Question 5: How to mount the Xuan paper painting? Specific steps:

1. There are many self-made processes of paste, and it is more troublesome to remove gluten. Stationery stores sell bottled ones. When in use, dilute the required amount of paste with cold boiled water, neither too thick nor too thin, and it can flow.

2. Place the workpiece flat on a smooth wooden board or glass table (face down and face up); Apply the diluted paste evenly on the back of the work with a brush, not too much. Take a piece of A Xuan paper about 2 cm wider than the work, roll up a long tube, put the Xuan paper slowly from one side with your left hand, and brush it back and forth with your right hand (until it is dry), and then put the Xuan paper slowly and continue to brush until the Xuan paper is brushed. After brushing, you can cover it with a layer of newspaper and continue to brush. The painting is solid, and the specific requirements cannot be loosened and no bubbles can be left. Then brush 2CM of paste around the edge of the work with a paste brush (do not brush in the middle to ensure that the work is easy to remove after drying); Finally, pick up the framed work, face yourself, stick it on the glass of the wall or floor-to-ceiling door, and brush it vertically and horizontally with a dry brush to draw the shape of rice. Finally, brush 2 cm around the outside work. In this way, the work is stuck on the wall or the glass of the door, and it is hanging.

3. After two or three days, when the work is dry, slowly pull it down from corner to edge by hand. Stop wrinkling!

4. After the supported works are removed from the wall, they are shaped and trimmed; Then, around the reverse side of stereotyped writing, a drainage strip is set with thick paste, and the front side should be exposed by 5MM (dark color is better).

5. Then insert: that is, the periphery of the decorative work (your favorite color). Inlay cutting: firstly, cut the long side of the work by ×5.5CM into two pieces, and stick 0.5CM wide on the long side to each side of the work; then make the top width by length (2\5 plus 3 cm of the length of the work); Cut and paste the width x length below (3\5 of the length of the work plus 10CM). Dry.

6. Cut the five finished products into rolls with a length of +20cm and a width of +5CM.

7. Brush the dried finished product according to the method of ●2 ●, then align the top of ●6 ● with the top of the work, and paste the roll paper on the work. Then stick it on the wall and dry it naturally? .

8. In two or three days, uncover 7 items and cut corners.

9. The last step is to install the rod and belt.

Question 6: How to mount a Chinese painting on rice paper? Please give me a detailed description of a complete Chinese painting, which needs to be more beautiful and easy to preserve, circulate and collect. It is impossible to install it. Because most Chinese paintings are painted on fragile rice paper or silk articles. Mounting, also known as sulfation, pond mounting and back mounting, is a unique technology in China to protect and beautify paintings and inscriptions. Just like western oil paintings, they should be put into exquisite frames after completion, so as to achieve a higher artistic aesthetic feeling.

Mounting can be divided into original mounting and re-mounting. Mounting the original painting is to mount the new painting according to the mounting procedure. Re-mounting refers to calligraphy and painting that will be handed down from generation to generation. Because of poor original mounting or poor management and storage, it falls off, gets damp, moldy, decays, is damaged, is eaten by insects, and is bitten by rats. The framed paintings and calligraphy are firm and beautiful, and easy to collect and decorate. Re-mounted ancient paintings will also continue its vitality. As the ancients said, historic sites are re-boarded. When the disease slows down, the doctor will rise at will, and if the doctor is not good, he will die at will.

So what is the procedure for mounting Chinese paintings? Generally, it is first mounted on the back of the painting with paper support, and then wrapped with twisted, silk, paper, etc. , and then installed as a layout. Traditional mounting is varied, but its finished products can be divided into three categories: hanging shafts, hand scrolls and picture books. Regardless of the size, shape and use of the original picture, there are only three steps: painting the heart, covering and mounting. It's just that the mounting of painting heart is an important process in the whole decoration process. It is quite difficult to re-mount old paintings and calligraphy. Tear down the old painting first, clean the mold, fill the hole, etc. , and then re-mount according to the mounting process of the new painting.

You'd better not try it yourself, it's more troublesome and easy to make bad pictures. You'd better go to the mounting shop to see the craft before you try it yourself. But now most of the mounting is mechanical, although the effect is not bad, but many places are not as good as manual, manual bubble pressing is very troublesome.

Question 7: How to mount the picture yourself? It's simple. First, you find a piece of smooth and clean glass and prepare a thin paste. Then you put the front of the painting on the glass. Then you gently sweep the paste off the painting with a soft broom. When it's dry, you sweep another layer and repeat it several times. Finally, when it is completely dry, you gently tear off the painting and put it in the painting basket. All right.

Question 8: What kinds of rice paper are used for mounting? After supporting two layers, it is most suitable for mosaic paper, such as the head paper and tail paper of hand roll, the secondary page and opening paper of photo album. Single layer is mostly used for painting hearts, silk, etc. Weighted single announcement, also known as "ten digits", is thicker than single announcement. Generally, it can be used to thin the heart of a painting, and it can also be used to support back paper, support album pages, and paste old calligraphy and painting folding strips (tongues). Lian Mian is the thinnest and softest kind of rice paper, which has fine paper fibers and is extremely soft. Suitable for backing paper with painting heart and hand roll. Skin cleaning, paper properties and uses are basically the same as semi-materials, but its fastness and wear resistance are better. Now this kind of paper is often used for mounting. Sandwich paper is a sandwich paper that has been copied twice in the production process. After soaking, it can be peeled off and turned into two pieces. Because it is easy to delaminate during installation, it is generally unnecessary to cover the back. This kind of paper can be used as the center of thick painting, and half a layer can be removed when it is wet. The rice paper introduced above originated in Xuancheng, Jingxian County, Anhui Province, so it is commonly known as Anhui Xuan. In addition, Sichuan, Yunnan and other places also produce Xuan paper, which is thin and uniform but not soft, so it is often used as backing paper. Paper for mounting calligraphy and painting belongs to "Shengxuan". And "cooked Xuan", as opposed to "raw Xuan", is a kind of Xuan paper coated with alum water, which is a special paper for meticulous painting and rarely used for painting and calligraphy mounting.

Question 9: How can we simply mount Chinese paintings? The simplest method is: two big sheep brushes (depending on the size of the picture frame), a stiff brush (if not, you can use a wool brush), a bottle of ordinary paste, a big plate, some newspapers, a table with a smooth countertop, a bucket, clear water, Xuan paper or folder Xuan, and lead drawing paper.

Steps:

1, spread the back of the work on the table.

2. Brush the back of the work with a brush. Be careful not to push too hard, not too dry, just brush the work flat.

3. Spread the newspaper on the job and suck the water away.

4. Dilute the paste with water, neither too thick nor too thin. Similar to porridge, it can flow.

5. Apply the diluted paste evenly on the back of the work with another wool brush. Don't apply too much. Be sure to apply it evenly. Then clean up the excess paste on the table around the work.

6. Take a piece of rice paper about 2 cm from Zhang Kuan around the work, put it in the left hand from one side, and brush it back and forth with the brush (to be dried) in the right hand until the rice paper is completely attached to the work. {For example, when we put rice paper, our left hand slowly puts it down, so our right hand brushes up and down and keeps moving to the left. (This step is very difficult. At first, one side is often covered, and the other side is not firmly covered. You can do the experiment with a slightly larger paper, and it will be good if you are skilled. Also, try not to pick up the brush with your right hand, brush it up and down and move it to the left. Don't forget to put down the rice paper slowly with your left hand, and don't move too fast, otherwise it will be easy to brush the rice paper that has not been put down. After brushing, you can cover it with a layer of newspaper and continue brushing until there are no bubbles.

7. At this time, brush the extra 2 cm with paste, and then prepare two pieces of rice paper with a width of 5 cm and a length of 10 cm, covering the 1/3 on one side of the work. This is called "chimney" to keep the back of the work breathable. Finally, pick up a corner of the rice paper with a knife or something and lift it slowly. Pay attention to the works to be posted on rice paper. It is possible that the work will still be posted on the table, which requires us to carefully open a corner of the rice paper to see if the work has worn out and whether it remains the same. If it doesn't keep up, flick it with the knife. )

8. Finally, pick up the framed work, with its face facing itself, walk to a smooth wall (board) as close as possible, take a breath and stick it on the wall. Brush the work vertically with dry brush and horizontally to draw the shape of rice. Finally, brush 2 cm around the outside work. This kind of painting is basically flat.

9. When the painting is dry in a few days, cut off the painting on the wall with a knife. After cutting, the painting is over. If you want to be beautiful, it's easy to post it yourself.

I suggest practicing a few times more. Although I have written so much, I really get started quickly. When I was in college, I saw the teacher box it once and wrote it down.

Although simple, it is practical, such as attending small-scale exhibitions and so on.

In fact, strictly speaking, it can only be regarded as an "extension", but for us, "how can a layman simply paste calligraphy and painting at home" is enough. Framed in a painting shop to 40 yuan.

Question 10: What kind of Xuan paper should be used for painting and calligraphy mounting? Usually cotton or pure leather. Machine mounting, generally with thick long roll paper.