Is Yu Qian not playing Allegro because of his qualifications?

The author saw some particularly interesting articles about Mr. Yu Qian of Deyun Society on the Internet.

The central meaning of these articles is that "Yu Qian doesn't play Allegro on the stage because of his qualifications", specifically because he learned Allegro from Gao Fengshan, and Gao Fengshan is the master of Yu Qian's cross talk. Once he plays Allegro, he becomes a peer of Shi Fukuan. Playing Allegro on the stage is disrespectful to Master Shi Fukuan.

This is really a rumor that the whole world has slipped away. How funny is it? This is even funnier than the rumor that Degang Guo personally refuted at last year's Gangsi Festival that "he only drinks the water brought by baked wheat cakes". Degang Guo himself couldn't help laughing: "I am on the same stage with the sesame seed cake three times a year. Without him to bring me water, I will die of thirst!"

In addition, many articles also explain why Degang Guo doesn't often play Allegro. First of all, Yu Qian of Degang Guo thinks Allegro belongs to beggars and disdains playing. Second, Allegro has dropped, and it is boring to play. The author can't stand such empty code articles.

The author will talk about the above three wonderful points one by one.

1. Why does Yu Qian never play Allegro on the stage?

First of all, when Yu Qian was in a class, Gao Fengshan was one of the teachers who taught him, so it was no problem to study with Gao Fengshan. However, Gao Fengshan is only one of the teachers of Quyi Troupe, and at the same time, Zhao Shizhong and other predecessors are teaching Yu Qian. How to calculate this?

In the phonological world, there are obvious differences between students and apprentices. Without an apprentice, no matter how much you learn, you are still a student. Students just learn from them, and they don't care about seniority if they don't learn from them. The most typical example is Zhao Peiru, whose teacher is Jiao Shouhai, but he often studies with Jiao Dehai at Jiao's home. You can't say that he and his master Jiao Shouhai are the same generation as soon as you go on stage to say cross talk. Also, it was initiated and studied under the horse, but his master was. If he had studied, he would be a generation, so Zhao Jinsheng became Fan Zhenyu's great-uncle as soon as he came on stage to talk about cross talk. So this is an uncertain view.

Secondly, the reason why Yu Qian didn't go on stage to play Allegro was that he said it himself. It should be said at the performance of Deyun Society 15 anniversary. His original words were probably like this: After learning from Shi Fukuan, I felt that as a disciple of the Gaomen, I had to master Allegro, so I wanted to ask Shi Fukuan to learn Allegro. Shi Fukuan studied Allegro first, then crosstalk, which means that he is a disciple of two schools in Gao Fengshan. But Shi Fukuan told Yu Qian not to learn this. I don't even say Allegro, just say it. Besides, a board in my house was sent by Gao Fengshan, so I can't give it to you. So Yu Qian went home and bought a pair of boards to practice by himself, but according to himself, he was not very proficient in musical instruments and had never practiced them. He can play Allegro, but he is not good at it, so he never makes a fool of himself on stage.

To put it simply, Brother Qian didn't play Allegro on stage because of his qualifications. In addition to his poor performance, a very important reason is the face problem of touts and touts. If an authentic disciple of the Hall of Fame beats Allegro to pieces, it will be a disgrace to his legacy. It can be seen that what he said is true and he really doesn't want to make a fool of himself on stage. Brother Qian is also aboveboard.

Second, Degang Guo doesn't often play Allegro, because he thinks Allegro belongs to beggars?

I'm sure Degang Guo never said that. It's simple. In the old society, the Taliban was indeed a beggar's thing, but after the improvement of Wang Fengshan and Gao Fengshan, Allegro artists could enter the theater to perform in the old society. After liberation, Allegro has become one of the forms of Quyi, and its status is similar to that of crosstalk. Master Xihemen is a descendant of Allegro Wang, and Gao Feng is a disciple. Lao Guo can't slander Allegro industry, so those who spread rumors can rest.

Degang Guo doesn't often play Allegro. On the one hand, he is really not good at it. Judging from some videos, he does have a clear gap with Gao Feng and Li Jing. He doesn't have to perform with his own shortcomings. On the other hand, there is a specialization in the art, and cross talk actors don't have to be proficient. Do you think Hou and Ma often play Allegro?

3. Is Allegro declining?

People who say that Allegro is declining may really know too little about Allegro. Allegro art has not declined, on the contrary, it is developing better and better.

First of all, Allegro has a long history in the army, which can be traced back to the Red Army period. After liberation, it became a reserved program in the army art troupe like Shandong Allegro, represented by Lai Baogang and Li Lishan. With such a rock-solid position, Allegro never lacks talents and status.

Secondly, Zhang Zhikuan must be mentioned. With the efforts of Zhang Zhikuan, Li Lishan and other predecessors, Allegro is moving towards standardization and combining with other musical instruments. Now the allegro industry has special teaching materials and examination committees, which means that allegro has exams like piano, and a lot of students take them every year. At this point, even the phonograph world is sighing.

Aren't you afraid to warn those who say allegro art has declined and has no place?

Allegro is equivalent to traditional rap, classical rap and national hip-hop in China. How can it be out of date, how can it decline?