What are the non-legacy cultures in Linyi?

Lantern riddles, also known as Hu Wen and Deng Hu. The lanterns on solve riddles on the lanterns, also known as lighting lanterns and business lanterns, are commonly known as "solve riddles on the lanterns" in Pingyi area. Good riddles are thoughtful, interesting and knowledgeable.

Second, Liu's flower-making skills

Liufanhua in Pingyi County has a long history and is a very old folk handicraft. The inheritor Liu Qinghuai's family turned flowers from generation to generation, and it has been passed down for five generations until Liu Qinghuai. Liu's flower turning process is more complicated, and more than a dozen processes have to be completed. It needs to go through the procedures of pasting, air drying, chiseling, trimming, covering dyeing (three colors), air drying, paper cutting, pasting, air drying, closing, setting and packaging.

Third, Liu Shan Bangzi

Liu Shan Bangzi was born more than 200 years ago, spread in Yimeng Mountain area, and was deeply loved by the masses. In the long-term artistic practice, artists learn from each other and learn from each other, from germination to maturity, because it is rooted in the fertile soil of Yimeng folk music and has formed its own unique artistic style and strong local characteristics.

Fourth, the production skills of Langya Gu Mo

The production technology of Langya Gu Mo is the cultural representation of Linyi area and the only living fossil of Langya culture. The ink-making technology of Qian Xiang Zhuang Zhang in Hedong District of Linyi City has been passed down for more than a hundred years through seven generations since the end of Qing Dynasty 1879. The production process is complex, and the finished product has the characteristics of black and moist color, solid luster, no fainting when entering the paper, non-sticky pen licking, long-term colorfastness, suitability for painting and calligraphy, rich fragrance and moth-proofing.

V. Wang Feather Painting

Feather painting is a unique painting form in China. The biggest feature of "Wang Yu Mao Hua" is to use bird feathers instead of pen and ink. After disinfection, according to the needs of screen design, the natural color image of feathers is selected as the color, and combined with the freehand brushwork of Chinese painting, it is cut and pasted into a painting. It has achieved the effect of smooth lines, natural transition, vivid image and interesting.

At the same time, in view of the shortcomings that it is not convenient to mount and hang the feather painting in the past, it is designed as a scroll feather painting of rice paper and silk, which has become a work of art for decorating temples and has high appreciation value and collection value.