Poems of Changshu ancient town

1. The poem describing Changshu says: "Seven streams and thousands of waters all lead to the sea, and ten miles of green hills enter the city half."

"Green water flows around the city, and Qingshan goes to the county seat", "

"The mountains are beautiful and wild, the southeast wins, and the sky is even the light of the lake."

2. Regarding the culture of Changshu, what is the folk art of poetry and songs? In the 3000-year development of Guqin art, among musicians with various artistic viewpoints and playing styles, some people with the same characteristics are called Qinpai.

Their similarities and differences generally depend on the local color, the origin of the teacher and the score. From the sounds of "Wu" and "Shu" in the Tang Dynasty to "Shen" and "Zhu" in the Song Dynasty, and then to Jiangxi Pu in the Song Dynasty, the development process of the Qin School before its formation was recorded, which accumulated increasingly mature conditions for the formation of the Qin School.

Because the Qin school refers to a group of Qin people, the early "sound" or "spectrum" is not a formal Qin school, but only its embryonic form. The famous Qin schools in history mainly include Zhejiang School, Yushan School and Guangling School. At the end of Yuan Dynasty and the beginning of Ming Dynasty, Xu was born in Xiaoshan, the grandson of Xu, the founder of The True Story of Xu Men, and a famous teacher of Zhejiang School. Therefore, it can be said that he prepared the conditions for the emergence of Changshu Yushan School, a generation of master, the founder of Yushan School Yan Cheng (No. Tianchi) and Xu Shangying (no castle peak) are both the same teachers.

At the end of the Ming Dynasty, Yushan School flourished in Changshu, Jiangsu Province, and was named after the local Yushan School (also known as Shu School and Qinchuan School). Its founder, Yan Tianchi, organized the first piano club organization in China-Yiqinchuan Piano Club in Changshu. He inherited Chen's excellent tradition, absorbed the creation of Qin school and formed a piano style of "clear, subtle, light and far-reaching".

Yan Tianchi emphasized the artistic expression of music itself in the preface to the piano score of Songxiange. In the 3000-year development of Guqin art, Yushan Qinpai, a folk art, is called Qinpai among many musicians with different artistic viewpoints and playing styles.

Their similarities and differences generally depend on the local color, the origin of the teacher and the score. From the sounds of "Wu" and "Shu" in the Tang Dynasty to "Shen" and "Zhu" in the Song Dynasty, and then to Jiangxi Pu in the Song Dynasty, the development process of the Qin School before its formation was recorded, which accumulated increasingly mature conditions for the formation of the Qin School.

Because the Qin school refers to a group of Qin people, the early "sound" or "spectrum" is not a formal Qin school, but only its embryonic form. The famous Qin schools in history mainly include Zhejiang School, Yushan School and Guangling School. At the end of Yuan Dynasty and the beginning of Ming Dynasty, Xu was born in Xiaoshan, the grandson of Xu, the founder of The True Story of Xu Men, and a famous teacher of Zhejiang School. Therefore, it can be said that he prepared the conditions for the emergence of Changshu Yushan School, a generation of master, the founder of Yushan School Yan Cheng (No. Tianchi) and Xu Shangying (no castle peak) are both the same teachers.

At the end of the Ming Dynasty, Yushan School flourished in Changshu, Jiangsu Province, and was named after the local Yushan School (also known as Shu School and Qinchuan School). Its founder, Yan Tianchi, organized the first piano club organization in China-Yiqinchuan Piano Club in Changshu. He inherited Chen's excellent tradition, absorbed the creation of Qin school and formed a piano style of "clear, subtle, light and far-reaching".

Yan Tianchi emphasized the artistic expression of music itself in the preface of Songxiange Qinpu, and severely refuted the lyrics-writing atmosphere at that time. In addition, Yan Tianchi, the son of Wen Jing Na, was once a magistrate, and his prominent position has always been concerned.

Another disciple of Chen achieved even greater success. He summarized the aesthetic view of piano performance into 24 articles, namely "The Case of Xishan Piano, an Important Town in the Aesthetic History of China". He made up for Yan Tianchi's one-sided emphasis on "late" and advocated that there are late and fast, such as cold and summer seasons. He also included Allegro Luo Chaofei, Wu Yeti, Xiaoxiang, etc., which were rejected by the Yan family, in the Great Ring Qin Song Book, which can be said to be a comprehensive inheritance and enrichment of the piano research of Yushan School.

Yan Tianchi has a deep relationship with Qin studies and profound theoretical achievements, so Yushan School is popular all over the world and has a very wide influence. There are more than a dozen of its main scores, which are covered by the flowing wind. Even the Guangling Qin School that appeared later is considered to be "the same taste as the familiar Qin School" (the essence of the Erxiang Qin School). From a historical point of view, Yushan School inherited the essence of Zhejiang School, inspired Guangling Qinfeng and made outstanding contributions, so it was later called "authentic ancient sound" and "vulgar sound".

Over the past 300 years, there have been many disciples of Yushan Qinpai, and many famous artists have come forth in large numbers, especially Mr. Wu Jinglue, a contemporary pianist. Mr. Wu Jinglue has a profound knowledge of Jiangnan folk music, the courage of Bona and the innovative spirit of pioneering.

His playing style is coherent and smooth, gorgeous and colorful, with the characteristics of lyricism, femininity and song style, which is unique in southern China. In femininity, there are often ups and downs, passionate charm, novel style and fascinating today.

He not only perfectly interpreted the aesthetic essence of the Guqin art of Yushan School, but also pushed Guqin to the level of professional colleges and trained a number of contemporary masters such as Wu and Li Xiangting. Their contribution and influence in the field of Guqin can be described as enormous and far-reaching. Calligraphy Changshu calligraphy has a deep foundation and a long history.

Zhang Gu's "Advocating Leisure" in the Tang Dynasty tells the story of Zhang Xu, a cursive master known as "the sage of books", and an old man in Changshu discussing books. According to the statistics of China Artists' Surnames Dictionary, there are nearly 200 Changshu calligraphers selected.

There are so many calligraphy talents that there are only a handful of similar cities in China. Although Zhang Xu is not from Changshu, his calligraphy is getting better and better because he met a good calligrapher when he was a county captain in Changshu, so his personal achievements are outstanding and he has reached the point of perfection, which has opened up the atmosphere of cultivating literacy with calligraphy for Changshu.

Up to now, there are still monuments and legends of books such as Zuiwei Street and Xiyan Lake in the city. Since the Yuan Dynasty, there have been many calligraphers in Changshu, especially Yang Yisun, Weng Tonghe and Xiao Tuo, who emerged in the late Qing Dynasty and the early Republic of China.

Yang Yisun devoted himself to the study of calligraphy since childhood, especially the study of seal script. His seal script absorbed the seal script of inscriptions on bronze, bronze, bronze and bronze, and was unique. Wu Dacheng, Wu Changshuo and Luo Zhenyu, great calligraphers in Jin Dynasty, all studied Yang's seal script.

Xiao tui has been diligent in learning calligraphy and practicing calligraphy since childhood, and his calligraphy attainments are quite famous in his prime. Seal script is rich but not bloated, official script is good and beautiful, cursive script is pure and natural, and running script is round and lively. It can be said that all four books are excellent and are known as.

3. The sentence encyclopedia describing the beautiful scenery of Changshu is 1. The green mountains and green waters in Shang Hu are amazing and fascinating. The wide lake and the mountains and rivers of Shiliyu Mountain set each other off, and the scenery is beautiful and refreshing. The long dike around the lake lies across the lake, dotted with seven islands, forming a unique landscape with islands in the lake and lakes in the island. At first glance, the outer lake is misty, and the inner lake is blue and beautiful. Come here to play, you can have a close contact with nature, and let the troubles on weekdays disappear.

There are many peony gardens in Shanghai. Beautiful peony flowers have many colors, such as yellow, purple, pink and white, and clusters are dazzling. As you approach, an attractive smell comes to your nose. It's really wonderful!

Jiang Shang sat there, fishing rod in hand, looking into the distance. "Jiang Taigong is here and everything is forgiven!" In this way, he sheltered the "blessed land" of Yushan. Since then, Shang Hu is as pure as a polished bronze mirror, burning and shining, making a city bright and vivid. In the bronze mirror, we see the past, present and future of Changshu, a blessed land. ...

History and culture can be expressed in many ways, so the thinking of memory becomes colorful and beautiful. When we open the door of Changshu's memory, the first thing that catches our eye is always the unique scenery: green hills, clear water and Shang Hu, surrounded by mountains and water, singing in the breeze ... gazing at the lakes and mountains, we see the cultural background behind this vivid scenery.

D8 Shang Hu, a world-famous city, is located in the west of Changshu and at the southern foot of Yushan Mountain. It has beautiful scenery and green hills surrounded by blue lakes. It can be said to be like a fairyland. The so-called "Shang Hu" was renamed "Shang Hu" because Jiang Shang fished here. As soon as I entered the gate, my eyes lit up. A huge stone tablet stood in the center with the title "Shanghufu", which described the beautiful scenery of Shanghu and enriched the painting and calligraphy atmosphere of Shanghu.

D9, there are many flowers in Shang Hu in spring, mainly these kinds: peony flowers with national colors, red, yellow, purple, white, green ... with diverse colors, which are very beautiful. Tulip, the national flower of the Netherlands, has petals tightly wrapped around the pistil, like a small colored wine glass. The golden winter jasmine is like a little golden star, constantly flashing.

4. Joy's poem about Yushan Mountain in Changshu, "Zen House Behind the Mountain Temple" is a wall poem often written by poets in the Tang Dynasty, and there are many existing versions.

In the Tang Dynasty, a Buddhist retreat behind the Broken Mountain Temple: a clear morning, in Changjian near the ancient temple, where the early sunshine points to the treetops. A secluded place with bamboo paths, branches and flowers, to a Buddhist retreat.

Here, birds live in the mountain light, and people's hearts feel quiet in the pond. All is silent here, but the bell is ringing.

(Version 1) In the pure morning, near the ancient temple, the early sunshine points to the treetops. A winding path leads to a hidden place, and the Buddhist temple is surrounded by branches and flowers.

Here, birds live in the mountain light, and people's hearts feel quiet in the pond. A thousand voices were silenced by the breath of church bells.

(Version 2) On a pure morning, near an ancient temple, the early sunlight points to the treetops. A secluded place with bamboo paths, branches and flowers, to a Buddhist retreat.

Here, birds live in the mountain light, and people's hearts feel quiet in the pond. A thousand voices were quiet, but the bell rang.

(Version 3) On a pure morning, near the ancient temple, the early sunlight pointed to the treetops. A winding path leads to a hidden place, and the Buddhist temple is surrounded by branches and flowers.

Here, birds live in the mountain light, and people's hearts feel quiet in the pond. A thousand voices were quiet, but the bell rang.

Remarks: 1. Broken Mountain Temple: A temporary temple named Fushi, located on Yushan Mountain in the northwest of Changshu City, Jiangsu Province. It was built by Ni Deguang, the secretariat of Chenzhou.

2. Morning: Good morning. Enter: Enter.

Ancient temple: refers to the broken mountain temple. 3. The first day: the morning sun.

Figure: Shining. Gao Lin: A forest of tall trees.

4. Bamboo Path: One is a "winding path" and the other is a "path". Tong: Have a "chance encounter".

Quiet: Quiet. 5. Zen room: the place where monks live and practice.

6. Yue: It is used to amuse .... 7. pool shadow: the reflection in the clear pool water.

This is causative usage, making ... empty. The meaning of this sentence is that the water in the pool is empty and the beach is photographed, which makes people's thoughts disappear.

8. Various sounds. Lai, sound coming from the hole, generally refers to sound.

This: here, that is, in the Houchan Temple. All: one is "all".

9, but in: only stay. One is "only surplus" and the other is "only smell".

Zhong Qin: A percussion instrument used to summon monks in Buddhist temples. Qing, a curved percussion instrument made of jade or metal in ancient times.

Commentary: Walking into this ancient temple early in the morning, the rising sun reflected the Woods on the mountain. The path hidden by bamboo forest leads to the depths, and the flowers and trees before and after the meditation room are lush and colorful.

Bright mountain scenery makes birds happier, and the clear pool water makes people feel relaxed and happy. At this moment, everything was silent, except the sound of ringing the bell.

About the author: Chang Jian, a poet in the Tang Dynasty. Kaiyuan (the year number of Xuanzong of Tang Dynasty, 7 13-742) was a scholar, and was tied with Wang Changling.

He used to be Xu Yiwei. Frustrated in his official career, he lived in seclusion in Wuchang, Ezhou (now Hubei).

His poems are mostly five words, often taking mountains and temples as the theme. And some frontier poems.

There is also often. Extended data:

This poem is about Buddhist temples, expressing the author's seclusion of forgetting the secular world and expressing his feelings for mountains and rivers.

The poet climbed the mountain in the morning and entered Xiaofu Temple. The rising sun shone on Shan Ye Woods. Buddhists call the place where monks gather "jungle", so it means to praise Buddhist temples, which shows the feeling of praising Buddhism and metaphor in the scene of lighting up the forest.

Then, the poet crossed the bamboo path in the temple and went deep into the backyard, and found that the meditation room for chanting and worshipping Buddha was deep in the flower forest in the backyard. Such a quiet and wonderful environment makes the poet amazed, intoxicated and ecstatic.

He lifted up his eyes and saw the green hills behind the temple being illuminated by the sun, and the birds flying and singing freely; When I walked to the clear pool, I saw the world and my own figure shaking in the water. Zhan Ran was empty and bright, and the worldly distractions in my heart were suddenly washed away. At this moment, the poet seemed to understand the mystery of Zen, get rid of all worldly troubles, and be as free and carefree as a bird.

It seems that other sounds in nature and the world are silent, and only the sound of Zhong Qing is melodious and loud, bringing people into a pure and pleasant realm. Obviously, the poet appreciates the beautiful residence of this Buddhist temple, appreciates the artistic conception of this empty door, and places his feelings of seclusion.

This is a five-character poem, but it is archaic in style, simple in language and flexible in meter. Its first couplet is a flowing pair, and the second couplet does not match because of the need of conception and conception.

This poem has been highly appreciated since the Tang Dynasty, mainly because of its beautiful artistic conception and rich interest. The poem expresses seclusion by chanting Buddhist temples, ends with the praise and detachment of the morning visit to the mountain temple, and simply writes scenery and expresses emotion, which is still unfinished.

This kind of euphemistic and implicit idea. Most of the landscape poems in the prosperous Tang Dynasty praised seclusion and interest, all of which had an artistic conception of leisure, but each had its own unique style and achievements.

Chang Jian's poem, written in Jueyou, has the general artistic conception of landscape poetry in the prosperous Tang Dynasty, but its style is elegant, which is different from Wang Wei's loftiness and Meng Haoran's plainness in art and is really unique. Broken Mountain is located in Changshu, Jiangsu, and the temple refers to Xiaofu Temple. It was rebuilt by Ni Deguang, the secretariat of Chenzhou in Southern Qi Dynasty, and is an ancient temple in Tang Dynasty.

This poem expresses the impression of the Buddhist temple after visiting the temple in the morning. It has simple style, simple description, profound image, vague artistic conception and quite complete art. It is a unique masterpiece among the landscape poems in the prosperous Tang Dynasty. Baidu Encyclopedia-Buddhism behind the Broken Mountain Temple.