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Pingju in Tsing Yi and Hua Dan. Formerly known as Yang Shumin. Originally from Jiangsu, he was born in Suzhou in the 1920s. Be sold to Tianjin. Later, it was designed by Mr. Lao She on December 23rd of the lunar calendar as his birthday.

When I was a child, I studied Peking Opera with "big sister" Yang Jinxiang. When I was thirteen, I visited Wang Xianfang, Deng, and others. And began to play the leading role at the age of fifteen. During this period, New Xia Feng starred in Wulongyuan, A Woman's Red Butterfly, Poor Autumn Fragrance, Double Marriage and San Xiao Dianchouxiang, which were well received by audiences in Tianjin, Shanghai, Jinan and Qin.

1949 after the liberation of Beijing, he came to Beijing and formed the Beijing Drama Club, playing the leading role. 1950, under the guidance of * * * producer's drama reform policy, the Jingshi experimental drama review group was established, with Xin as the protagonist and head. 195 1 year, newly transferred to the Liberation Drama Troupe of the General Political and Cultural Art Troupe of China People's Liberation Army as the leading actor and deputy head. From 65438 to 0953, he was newly transferred to China Pingju Troupe of China Opera Research Institute as an actor. 1955, China Pingju was established, and he is the new actor, deputy director, director and honorary director of China Pingju.

In the early days of the founding of New China, Xin devoted himself to the party's literary and artistic team with deep feelings and great political enthusiasm, and embarked on the artistic road of serving socialism and the broad masses of the people. With her personal experience as the theme, she wrote and performed a large-scale Pingju modern drama "Yi Hai Revenge", which left a deep impression on the audience. "Liu Qiaoer" is a drama starring the new youth, which has great influence in the whole country. In this play, he has successfully created a new artistic image and created his own unique singing method of Pingju. After the premiere of "Liu Qiaoer" and its film in China, there was a nationwide upsurge of learning to sing Liu Qiaoer. People have entered thousands of households through understanding Pingju and new names, and new singing art has been established and loved by Pingju audience. In the process of writing Liu Qiaoer, Xin received enthusiastic help from many literary and art workers. The cooperation between Xin and these comrades was pleasant, which initiated the joint creation of traditional opera workers and new literary and art workers and set a good example for the innovative development of traditional opera art. Later, in the novel Xianglinsao adapted from Lu Xun's novel of the same name, Xin successfully shaped the artistic image of Xianglinsao, a working woman who was devastated and persecuted in feudal society. Her singing also shows profound artistic charm, which further develops the new singing art.

The new art has made remarkable achievements, and the new art is unique among many Pingju schools, becoming the representative of Pingju innovation. This is because of her talent, knowledge and profound artistic foundation in traditional Chinese opera art, and also because of her love for the new society and artistic creativity. Xin is never conservative in art, she dares to absorb and innovate, learn from sister operas with an open mind and learn various singing methods, and has accumulated rich singing experience. In the good artistic environment of the China Theatre of the National Grand Theatre, new artistic creativity has been brought into play as never before, and new artistic schools have been greatly developed. Abstract: The traditional Pingju "Taking Flowers as Media" is a classic of the new school of art. With skillful singing and meticulous characterization, Xin has shaped this young, beautiful and personalized artistic image and pushed the new school art to the peak. After the drama was made into a film and shown in the whole country, including Hong Kong and Southeast Asian countries, the new school of art swept the whole country and Southeast Asia again. The pingju actors from all over the country have learned from the new experience, and the new pingju art has been carried forward and spread unprecedentedly. During this period, Xin Xiafeng starred in the fiancee of the Volunteer Army, The Accountant Girl, The Story of Chunxiang, Gan Kun's Belt, The Edge of Jinsha River, The Story Without Matches, Yang Naiwu and Chinese Cabbage, Feng Haichao, Three Visits to Big Friends, Flowers as Media, Yang Sanjie's Complaints and Ngu. She created a series of artistic images such as Liu Qiaoer, Xianglinsao, Zhao Shuhua, Li Xiuying, Chunxiang, Princess Silverscreen, Homa, Wu Shuang, Chinese Cabbage, Yan Yan, Liu Jinding, Zhang Wuke, Yang San 'e and Ruan Shijuan, which added colorful chapters to the Pingju Gallery and left a valuable artistic legacy for future generations.

Together with musicians, she created many new plates and new tunes in these plays. In Gan Daikun, he wrote and sang adagio, in which all the characters tuned. In The Story of the Warrior, he wrote and sang Adagio, which was contrary to the tune. He composed music and sang in triple time in "Biography of Spring Fragrance". Composed and sang the Geden tune in "Jinsha River"; In "Three Visits to Otome", he composed and sang "Luoxiangdiao"; He composed and sang the dragonfly tune in Romantic Tune. In "Sixty Years' Change", he wrote and sang a song to send. These new discs and new tunes have greatly enriched the singing art of Pingju, made unprecedented contributions to the development of Pingju into a large-scale drama, and promoted the development and progress of the whole Pingju art.

Letter 1957 was wrongly classified as Rightist and was treated unfairly. She was persecuted during the Cultural Revolution and deprived of the right to be an actress, which was a great destruction to her body and mind. 1975, she suffered from hemiplegia due to cerebral thrombosis and had to bid farewell to the stage of drama evaluation. 1979, the new was completely rehabilitated. After the Third Plenary Session of the Eleventh Central Committee, the Party once again blew into a new heart. With amazing perseverance, she stood up her injured body and took a staggering step, once again pioneering and enterprising in new artistic fields. She teaches, writes, speaks, teaches and writes. Xin dragged his heavy body and sat in a wheelchair to tell his disciples and students a drama and demonstrate singing. She overcame mobility difficulties and went to the theater to watch students' performances many times to encourage and support future generations. Under her selfless teaching, a large number of disciples and students, such as Gu, Zhao, Zhao Sanfeng, etc., have become outstanding successors of Everbright's new school of art and become the backbone and backbone of today's pingju career. Tao Li's innovation in the world is an outstanding drama educator with many children in the field of Chinese drama.

With her only free right hand, she overcame unimaginable difficulties with her bumpy life and rich experience, and made great efforts to create and publish four volumes of Dai Naidie's translation of New Memories, Popularity, Drama Queen, Writer's Husband, Up and Down on the Stage, Me as a teenager, New Businessman, Me and Emperor Puyi, which were published in English and Urdu.

Xin is a disciple of Qi Baishi, a famous master of Chinese painting. After leaving the stage because of disability, New Xia Feng is still full of enthusiasm for life. Her traditional Chinese paintings are as unpretentious, fresh and elegant as her singing art. 1994 The Cultural Department of the General Political Department held a solo exhibition for Xin in Junbo.

New Xia Feng aspires to be a glorious party member. As early as the early days of the founding of People's Republic of China (PRC), Xin solemnly applied to join the Party. But the rough experience made her wish never come true. After smashing the Gang of Four, Xin applied to join the Party again. Xin Yu 1982 was approved to join the Party, which realized her long-cherished wish for many years and became a glorious China * * * production party party member. Since then, she has devoted herself to her later artistic career with a higher attitude and a high sense of responsibility for the art of Pingju.

As a member of the Chinese People's Political Consultative Conference (CPPCC) and a representative of the art of pingju, Xin has been calling for the revitalization of opera and the prosperity of pingju for many years. Newly won the first gold record award in China. 1997 was awarded the China Artist Lifetime Achievement Award by the Meihua Art Society in new york, USA. He has lectured in Hong Kong and Singapore and is an internationally renowned artist.

Birthday:1927 65438+1October 26th, the 23rd day of the third lunar month.

Death:1April, 998 12, March, Lunar New Year 16.

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