Traditional Culture Encyclopedia - Traditional stories - Why do Chinese traditional musical instruments sound more "tacky" than foreign ones?
Why do Chinese traditional musical instruments sound more "tacky" than foreign ones?
I won't say much. I just want to say that a few days ago, I was fascinated by a China erhu player, Mr. Gao Shaoqing. Although he has now become a Canadian citizen, he is a native of Gansu and a Canadian Chinese. He not only integrated the traditional erhu performance into the music culture of many countries, but also held many large-scale performances at home and abroad. At the same time, he made excellent music for some famous movies, TV series and documentaries, and even trained a large number of talents. I have to say that there is no distinction between high and low for music itself, and there is no distinction between beauty, ugliness, vulgarity, elegance and vulgarity for musical instruments themselves, but if we really have to say the only difference, it is that people who play the piano don't care whether you like it or not.
One of the songs that impressed me most was Wan, which he played with a foreign symphony orchestra. Can you imagine how our most localized local music feels after it is integrated into foreign symphonies? You would never expect the erhu to be so outstanding, really like a spirited horse galloping on the vast grassland, and many foreign musical instruments have just become one of these followers, which has to be said to be the "precipitation" charm of traditional musical instruments. Yes, I used the word "precipitation". China is a vast country with a history of thousands of years. We have experienced too many wars and peace. You don't like it because of its bitterness, and we like it because of its bitterness. After all, every musical instrument has enough "precipitation" for our history and our nation. This is incomparable between the two, so in the end, I hope you can enjoy this music without hindrance.
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