Traditional Culture Encyclopedia - Traditional stories - What is the culture of Qingdao Mao cavity

What is the culture of Qingdao Mao cavity

1, Mao cavity is popular in Weifang, Qingdao, Rizhao and other places in the local opera, legend has it that because of a week of nuns singing and named "Zhou Nun tune", which is initially a folk humming ditty, but also folk artists elbow suspension of the snare drum beat the rhythm of the singing of the name of the "elbow drums "It was originally a folk humming tune. In the process of its formation and development, the Mao cavity in the Qing dynasty around the Daoguang period has been widely spread around the Shandong Peninsula. Because of its upper and lower sentences at the end of the "Oh Ho Han" three words play cavity, the formation of the characteristics, so, also known as "Oh Ho Han" or "old crutch tune".

2, Qingdao region of Jiaozhou Maoqiang is a typical representative of Shandong Maoqiang, Maoqiang original name of the elbow drums, elbow stock, began as a rural and urban folk circulating spoken, sung in a simple style of drama. Because of the development process, there is a Dan actor singing the end of the next sentence over the high octave of the singing method that is "playing the risk" and named, generally used to express women's grievances and social ethics and morals.

3, historical traceability: the origin of the Mao cavity can be considered to be from the Ming and Qing folk tunes, and with the nature of the rap, the initial countryside for the circulation of the spoken, sung in a simple local ditty. Later, on the basis of the folk rap form "elbow drum", the performance form and repertoire of the flower drum rice-planting songs were absorbed, and the "elbow drum" vocal system was gradually formed.

4. Artistic characteristics: As far as Chinese opera is concerned, no matter whether it is a widely known big opera, or a small local opera surviving in the countryside, its artistic characteristics serve as a force supporting the survival of a kind of opera. However, the small folk opera and the big opera types in the degree of programmatic differences still exist.