Author of traditional crosstalk classic "Empty City Plan"

What adjectives like "acting bursting" are very popular in cinemas? It is inappropriate to use this expression in the field of cross talk. Another word may be more appropriate, and that is "stunning".

What do you mean "amazing"?

First, you may not have heard a similar cross talk before, and you are amazed at the novelty of this cross talk.

Second, you may have heard similar cross talk before, but you are amazed at the expressive force of this cross talk.

Third, you won't get tired of listening to this cross talk many times.

There are many excellent crosstalk works, but most of them can be described as excellent, wonderful or ordinary, and few can make the author feel "incredible". I list six paragraphs for your reference:

I, Zhu,,, On Playing Cards

This cross talk was created in the 1940s and caused a sensation in Beijing and Tianjin. It has been said for decades after liberation, and it can be said that the classics have been circulated for a long time.

This cross talk is adapted from "On Gambling", but it is more concentrated and faster than "On Gambling". Its real work is to describe two people, one is a gambler who plays mahjong, and the other is a housewife who plays "Ten Summons". Guo Rongqi vividly described the psychology, language, movements and expressions of the two men. It is said that in order to create this cross talk, Guo Rongqi went deep into the Mahjong Club and the old ladies' group for many days, and sometimes brought water radish as a gift, just to watch them play cards and listen to them before the old ladies' festival.

When I first heard this cross talk, I had a feeling of "flowing".

Second, Hou and Guo Qiru's "Three Bangs and Drums"

There are many classic works of Hou Chuanshi, such as "Empty City Plan" and "Guan Gong vs", which are all extremely classic. However, the author feels that Master Hou's works are "amazing" by the less well-known "bang bang drum". However, although crosstalk is not very famous, it is also included in the seven works that Master Hou is most satisfied with.

Bangbanggu is also adapted, and the prototype is Xuepingju. There are two places worth mentioning in Bangbang Valley. The first is to keep the ballads of early Pingju, such as the case of Hualien Boat, Yu Tang Chun written by Bai Lao, and Mom Open Pound listened to by her second aunt.

The other is a person who imitates the old lady. If you are the best person to learn from the old lady in Tianjin, you are the best person to learn from the old lady in Beijing. The dialogue between this strange man and the old lady is all pictures, and you can feel the embarrassing scene without watching cross talk TV. It's a rare good joke.

The author's evaluation of this cross talk is "vivid and immersive".

Third, the "dispute" between Ma Zhiming and Xie Tianshun.

"Dispute" is adapted from a small incident that Ma Zhiming occasionally saw while working in the police station. This cross talk itself has almost no burden, that is, it describes the process of two people from the beginning of the dispute to the settlement. It's not like stand-up comedy, but Xie Tianshun really doesn't have a few words. It's a different kind of crosstalk work.

The beauty of this kind of crosstalk is that its lines are flawless, which is similar to Hou's Bang Bang Drum. You don't need to look at the photos. Just listening to the cross talk, you can see three people standing in front of you, Ding, Zhu, Zhu and the police station. Except for the native voice of the police station, Ding He interpreted it in his own voice.

The author's evaluation of this cross talk is "distinctive personality and unforgettable."

Fourth, Li Jindou and Chen Yongquan's "Song Wu Da Hu"

This is a famous work by Li Jindou and Chen Yongquan. With this crosstalk, they won a series of awards. During the rehearsal, the crosstalk was written by Lian Chunming and directed by Li Wanchun, a famous Peking Opera artist. So this cross talk became an instant hit as soon as it came out.

"Song Wu Da Hu" is very rich in performance content, pure Beijing opera, funny and ridiculous, realistic times, with spicy irony in the middle.

Li Jindou's performance is even more remarkable. First, he plays four roles. Besides, he not only has the burden of Tik Tok's aria, but also has wonderful action scenes. The only regret of this cross talk is that you can't just listen to it, which is also the characteristic of TV cross talk in the new era.

The author's evaluation of this cross talk is "the combination of old and new, colorful."

Five, Jiang Kun and Tang Jiezhong's "Dream in the Gate of Hell"

No matter how many people criticized Jiang Kun, Jiang Kun did make a unique contribution to cross talk. TV cross talk didn't start in Jiang Kun, but it was Jiang Kun who laid the benchmark and style of TV cross talk, the most noteworthy of which was Dream of Tiger Head.

Liang Zuo and Jiang Kun are the authors of Dream in the Tiger's Mouth, and its prototype is taken from Liang Zuo's novel Life in the Tiger's Mouth. According to this novel, Jiang Kun transformed it into a cross talk language, forming a "dream in a tiger's mouth".

The content of Dream in Tiger's Mouth is absurd, and the theme is "Things that have never happened in real life but are not absolutely impossible", but it did not happen in the 1980s. In recent decades, it has really happened several times that tourists feed tigers themselves.

This crosstalk is strong. At the same time, the rhythm is extremely fast, and all luggage can keep up. It's almost a burden, which makes your ears overwhelmed. Just now you were laughing at the last one, and the next one will come out soon, so that you can form a continuous hilarious scene with excellent results. When I first heard it, it was really stupid. I just laughed and didn't have time to think. It feels like eating a buffet for the first time. Oh, how delicious is it? This is not a dream.

It can be said that "Taking a Tooth from the Tiger's Mouth" has set a very high benchmark for the development of TV cross talk, and there are not many works that can reach the level of cross talk. The Adventures of the Elevator, which was also co-produced by Liang Zuo, Jiang Kun and Tang Jiezhong, had a similar effect, as did The Thief Company written by Liang Zuo to Feng Gong, Niu Niu.

The author's evaluation of this cross talk is "the whole process of high energy is unparalleled."

Six, Degang Guo, Yu Qian "Xi Zhengmeng"

Xizhengmeng was adapted from the traditional cross talk "Victory Map", originally named "Dreaming for the Soldiers", and was later adapted by Zhang Shouchen as "Playing Bai Lang", which is also a mature work in traditional cross talk.

When Degang Guo became famous in 2004-2005, his masterpiece was "Dream of the West", which was also the magic weapon of his fame that year, that is, the stuff that adapted traditional cross talk and integrated into the new era. When I first heard this cross talk, I was immediately attracted. What can cross talk say? !

Like Map of Victory in structure, Degang Guo makes its content more absurd and achieves the effect of "nonsense", which is also the charm of this work to quickly capture a large number of old and new crosstalk lovers, let the old audience hear the traditional crosstalk flavor and let the new crosstalk lovers hear the funny way of the new era. Degang Guo's later crosstalk works are many, but many of them are imitations of Xi Zhengmeng, and none of them can surpass Xi Zhengmeng in art. ..

The author's evaluation of this cross talk is "Make the past serve the present".

Of course, the above six cross talks are just amazing works in the author's mind. They are really good crosstalk, which is refreshing when they come for the first time. Everyone has different habits of listening to cross talk, but we all have the same hobby. Listen to the cross talk.