Traditional Culture Encyclopedia - Traditional stories - Hand-painted steps in interior design?
Hand-painted steps in interior design?
2. Before using black Gou Xianbi to paint, it is necessary to clearly prepare the part that is the key performance, and then paint from this part, showing the light and shade and texture of the object at the same time. Note: Large structural lines can be drawn directly with tools, especially silk fabrics such as sofas and carpets, to avoid the dullness of the picture.
3. After depicting the visual center of gravity, begin to stretch the space and blur the visual position. After finishing, decorate the scenery and trinkets in place, further adjust the lines and faces of the picture, and break the dull feeling.
Note: Pay attention to the collection of jewelry materials at ordinary times, and put different shapes of jewelry according to different styles of space.
4. First consider the overall tone of the picture, and then consider the local color contrast, even the application of the overall brush strokes and the changes of the detailed brush strokes. Do it before doing it. Like a black-and-white manuscript, we should start with the visual center of gravity, describe it in detail, and pay attention to the texture and light and shadow of the object. There is also the change of brush strokes. Don't draw flat, from shallow to deep, pay attention to the change of reality, and try not to let the color seep out of the outline of the object.
5, the overall spread of touch-up, the use of flexible strokes, one point to be mentioned here is colored lead, which can play a great role in the coordination of the whole picture, including visual depiction and special feeling depiction.
6. Adjust the balance and density of the picture, pay attention to the change of the color of the object, take into account the environmental color, further strengthen the blurred structural lines, modify the colors of the wrong structural lines and oozing contour lines with correction fluid, and improve the high light spot of the object and the luminous point of the light source.
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