What kind of Mongolian folklore is reflected in "Haiqing Taking Swan"?

The "Haiqing Taking Swan" is the music and dance reflecting the ancient custom of Mongolian people to release Haiqing (a kind of eagle) to take the swan. The sea green was once the totem of Genghis Khan's tribe. This reflects the traditional customs of the Mongolian dance, in the Yuan people's poetry has been described. Yang Yunfu "Luanjing Miscellaneous Rhymes": "For the love of the pipa tune with love, the moon high to put the wine cup stop. The new cavity was turned over to the tune of Liangzhou, and the swan was played to avoid the sea green." Naixian's "Songs on the Seaside": "Treading songs to get drunk at night in the camp, whipping and drumming to the sound of the sea green." These words suggest to us that the music played by the pipa depicts the image of the swan and the sea green, and that there is a trace of this folk dance in the sound of the whip and drums in front of the tent camp. The hunting dance at the southern foot of the Xing'anling Mountains, "Haiqing Takes the Swan", recorded in Zamusu, Inner Mongolia, consists of two people playing the role of the little swan and Haiqing, the little swan begging Haiqing to let her return to the blue sky, but Haiqing wants the little swan to sing and dance, and then Haiqing lets the little swan go. It is rumored that the Mongolian dances, such as the "Shunquan" (顺拐) and "Xiaxie" (小碎步奔跑) are imitations of Haiqing's movements.

The Yuan Dynasty is the period of Tibetan Buddhism in China is more prosperous, Buddhist music and dance is an excellent image. Sakya Temple in Tibet painted on the canal Kabuki, is a good proof.