What is the focus of ancient brush painting?

Question 1: What is the focus of brush painting brushwork, is the use of neat, detailed, meticulous techniques to depict the object. Work brush is divided into two categories of work brush white drawing and work brush heavy color. Work brush white drawing is completely ink lines to depict the object, stalks painted color. Originally, white drawing was largely used for sketching, Song Dynasty painter Li Gonglin developed it into an independent type of painting, his white drawings such as flowing clouds and water, changes in the infinite richness of a strong expressive power. He painted the "five horses", people and horses are outlined with a single line, accurate proportions, muscle and bone structure is clear, and even the horse's coat color has a glossy and detailed performance, dynamic and extremely vivid, is the first-class white drawing works in ancient times. Work-brush and heavy color, refers to the Chinese paintings that are neat and fine and layered with heavy colors. In the early stage of Chinese painting, the heavy color of the brushwork occupies a major position. The paintings on silk found in the Mawangdui Han Tomb in Changsha, Hunan Province, are all authentic brushstrokes and heavy colors, especially the T-shaped "non-clothing" in the tomb of Princess A, which is cleverly composed, finely detailed, and brilliantly colored, showing that brushstrokes and heavy colors had reached a high level of achievement at that time. Ancient paintings commonly used dansha and green and other heavy pigments, so called painting for the "Danqing", which shows the important position of brushwork in ancient paintings.

Write painting is the opposite of brush painting. It requires the use of rough, concise brush and ink to draw the shape and spirit of the object to express the author's mood. According to legend, during the Tang Dynasty, Emperor Xuanzong ordered the painters Li Sixun and Wu Daozi to paint the landscape of the Jialing River in Datong Hall. Li Sixun, who was good at heavy brushwork and coloring, took several months to complete the mural. Wu Daozi, on the other hand, painted more than 30,000 miles of Jialing landscape in one day, which is conceivable that he could not have painted it with brushwork and heavy color techniques, but must have been more rough and concise. This shows that painting at that time already had the difference between brushwork and writing. In the Song Dynasty, Su Shi put forward the "scholar's painting", advocating that paintings "do not seek resemblance", but should be written to express the author's subjective thoughts and feelings. He left behind only one painting works "dead wood", painting a dead tree, a stubborn stone, stone behind the exposure of one or two branches of bamboo, a few grass under the tree. This painting expresses his ideological feelings of political displeasure, but the great calligrapher gave a very high evaluation, saying that the branches and trunks "gnarled and flexing without end", the stone "is also strange and strange, such as its chest coiled Yu also". After the Yuan Dynasty, concise brushwork, modeling, vivid, hearty, and interesting painting.

In this way, the writing painting and abide by the tradition, abide by the law of the brush painting formed a very different style of the two schools, long-term competition in the painting world, passed down from generation to generation.

Question 2: What is the focus of the brushwork D. Meticulous realism.

Answered this question. The answer to this question.

Question 3: What is the focus of Gongbi painting? The foundation, painting is about the foundation and patience, to paint a good painting requires patience and skills

Question 4: Ancient painting and calligraphy according to the style, "work brush" painting focus on what? Realistic and smooth brushwork

Question 5: What do I need to pay attention to when I paint with a brush? (I hope my answer can bring you help, if you are satisfied, please choose as the best answer, thank you!) Work-brush painting is generally the first to draw a good script, a complete Pennybook need to be repeatedly revised to finalize, and then compound on the gum alum on rice paper or silk, first outlined with a small brush with a wolf-hair, and then with the type of color, layer by layer rendering, so as to achieve the artistic effect of the shape of the spirit of both. For example, Chen Zhifo's Autumn Yan drawing. What kind of pigments are used in Chinese painting?

The pigments used in Chinese painting are plant pigments (water colors) and natural mineral pigments (stone colors), as well as synthetic chemical pigments. Vegetable pigments include blue, cochineal, and vine yellow. Mineral pigments include ochre, cinnabar, cinnabar fat, stone green, stone green, stone yellow and so on. Most of the Chinese painting pigments packed by zinc tubes are chemically synthesized pigments. These are collectively called Chinese painting pigments.

Water color (vegetable pigment) is transparent color, can be used in harmony with each other, no covering power, unstable color quality, easy to fade. Stone color (mineral pigment) is opaque color, can not be reconciled with each other, strong coverage, stable color quality, not easy to fade. Stone color and water color can not be reconciled with each other.

Q: What is the method of brush application in Chinese painting?

A: Beginners, first of all, you need to know how to hold the brush, the posture can be correct, to achieve the pen and ink freely, you should pay attention to the following points:

(1) the pen is: the pen is positive, then the front is correct. The bone method of using the pen to the center of the front as the basis.

(2) finger solid: finger pen should be firm and strong, but also flexible not to die.

(3) palm of the virtual: finger pen, do not hold, finger to leave the palm, the palm is empty, in order to run the pen freely.

(4) hanging wrist, hanging elbow: refers to the large area of the pen to hang the wrist or elbow, so that the pen can follow the heart, the force of the whole situation.

What kind of ink is used in Chinese painting?

Ink has a unique position in Chinese painting, and there are two kinds of ink: solid ink and liquid ink. The traditional ink used in Chinese painting is solid ink, which is categorized into oil smoke ink, lacquer smoke ink and pine smoke ink due to the different raw materials used. Oil smoke ink - is made of tung oil and other oils burned into smoke. Its black warm, used for painting, and other transparent colors and harmonize with very coordinated. Pine Smoke Ink - made of burnt smoke from pine branches, its black color is cold and is mostly used for calligraphy. Lacquer ink - made from traditional lacquer, its black color is fine and glossy, suitable for painting. The texture is fine, moist and bluish-purple in color. Ink grades are divided into "top, top, tribute and choice". Liquid ink to maintain the characteristics of the soot ink, due to the ease of use, is now very popular, but for the better for the painting. Among them to "Tianjin painting and calligraphy ink" and Beijing "one of the Court ink" is good.

What kind of paper is used for brush painting?

Work brush painting with cooked rice paper or cooked silk, is raw rice paper or raw silk after a certain proportion of glue alum water brush. Its performance is not seepage. Cooked Xuan paper currently has many varieties, such as water calligraphy and painting Xuan, ice and snow Xuan, calligraphy and painting paper, cicada wing paper, mica paper and so on. The above cooked rice paper in thin and thick, glue alum water has a thick and light. Generally speaking, the thin one is suitable for painting light color, thick one is suitable for painting heavy color. Cicada wing paper is the thinnest, ice and snow Xuan the thickest. Another gold paper and a variety of dyed paper can be used to paint brushwork silk for pure silk products, divided into round silk, flat silk two kinds. Round silk, also known as "original silk", commonly used in ancient painting. Now commonly used is flat silk silk, is woven in the silk after the pounding, so that the silk is flat, in order to reduce the gap between the silk, so that the silk brush on the gum alum water is not easy to leak alum. This silk has a white and antique color and so on several kinds.

What kinds of brushes are used in brush painting?

(1) Line sketching brushes

The brush is mostly used for sketching fine and even lines with a medium stroke. Generally use the wolf hair class fine and pointed pen. Commonly used pens are clothes pen, leaf tendon pen, big red hair, small red hair, crab claw, wolf kui, purple kui and so on.

(2) coloring pen

Commonly used coloring pen: large white clouds, white clouds, small white clouds and other soft hair pen. Pure sheep's hair pen is too soft, generally not very good, white cloud pen is better, because it is the outer layer of sheep's hair, the middle part of the hard and quite hair, so it can contain moisture and flexibility.

(3) board brush class

Brush painting often need to paint the base color, or do a large area of painting and rendering, so need to have a variety of width of wool board brush or row of brushes.

What are the main coloring methods for brushwork?

1. Separate dyeing: the most important coloring technique in brush painting. A pen dipped in color, another pen dipped in water, the color drag dye away, forming a gradual effect of color from thick to light.

2, unified dyeing: in the process of painting brushstrokes, according to the needs of the picture light and dark treatment, often need a few leaves, a few petals unified rendering, emphasizing the overall light and dark and color relationships, known as unified dyeing.

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Question 6: What are the characteristics of ancient Chinese paintings There are many types of ancient Chinese paintings, which can be divided into two categories according to the different techniques of brushwork and writing

Brushwork: emphasizes the modeling of the line, and only expresses the intrinsic color of the object, discarding the influence of the environment on the object.

Write: also emphasize the line modeling, but more emphasis on the feeling of ink and brush, said: there is a pen and ink is called painting. Color follows the law of "color does not hinder ink, ink does not hinder color". The use of raw Xuan paper permeability characteristics, give full play to the function of the brush and ink, showing the ink focus, heavy, thick, light, clear characteristics.

Whether it is brushwork or writing. Both do not emphasize the portrayal of light, and only express the inherent color of the object itself, and the yin and yang of the object itself. The portrayal of space, the use of imagery space (i.e., white space). Can be seen in the "cold river fishing alone") and scattered composition (can be seen in the "Qingming Shanghe Tu") and so on.

Ancient Chinese painting is, first of all, the art of brush, ink and line, and it is the power of the brush, the ink and the line that creates the unique flavor of Chinese painting and the different styles of each painter. Secondly, Chinese painting takes the method of "scattered perspective" to shape the image, and is not limited by space, time and the actual proportion of things, which is more free and dynamic. Finally, Chinese painting is a comprehensive art that combines calligraphy, poetry, inscription, seal and framing.

I hope it is adopted by you!

Question 7: What should I pay attention to when learning Chinese brush painting? Here is a comprehensive introduction to the characteristics and techniques of Chinese brush painting, so that those who want to learn Chinese brush painting have a basic knowledge of it. First, what is brush painting? The concept of "Gongbi" corresponds to the concept of "Wanyi", which, in simple terms, is the use of neat, detailed and meticulous techniques to depict the object. It can be broadly divided into four categories: white brushwork, light color, heavy color and boneless brushwork. From the performance content can be divided into: landscape, birds and flowers, figures. Second, what are the characteristics of brush painting? Work-brush painting in the long-term historical development has established a set of strict technical system, thus forming the unique style of this body of paintings, its characteristics are summarized as follows: (a) line. Modeling with lines is the characteristic of Chinese painting technique, and it is also the foundation and backbone of Gongbi Painting. The requirements for line in Gongbi painting are neatness, delicacy and rigor. Generally, more strokes are used in the center of the brush. (ii) Color. Inherent color is the main, generally colorful, calm, bright, elegant, have a unified tone, with a strong Chinese national color aesthetic interest. (C) Decorative and flatness. Decorativeness is an indispensable factor in brush painting. From the composition, line drawing, coloring to the detailed treatment of the image, all of them have a certain sense of flatness and decorativeness. On the one hand, the decorativeness comes from the traditional programmed techniques, and on the other hand, it is the aesthetic effect formed by the author's refinement, exaggeration and creation of the images in life. Third, what kinds of brushes are used in brush painting? (I) Outlining brushes. Work-brush painting mostly uses a medium stroke to outline fine and even lines. Generally use wolf-hair class fine and pointed pen. Commonly used pens are clothes pen, leaf tendon pen, big red hair, small red hair, crab claw, wolf kyu, purple kyu and so on. Commonly used coloring pens are: large white cloud, medium white cloud, small white cloud and other soft hair brush. Pure sheep's hair pen is too soft, generally not very good, white cloud pen is better, because it is the outer layer of sheep's hair, the middle part of the hard and quite hair, so it can contain both moisture and elasticity. (ii) Board brush type. Work brush painting often need to paint the base color, or do a large area of flat paint and rendering, so need to have a variety of width of wool board brush or row of brushes. What kind of paper is used for brush painting? Work brush painting with ripe Xuan paper or ripe silk, is raw Xuan paper or raw silk after a certain proportion of gum alum water brush made. Its performance is not seepage. There are quite a few varieties of cooked rice paper, such as clear water calligraphy and painting Xuan, ice and snow Xuan, calligraphy and painting paper, cicada wing paper, mica paper and so on. The above cooked rice paper in thin and thick, glue alum water has a thick and light. Generally speaking, the thin one is suitable for painting light color, thick one is suitable for painting heavy color. Cicada wing paper is the thinnest, ice and snow Xuan the thickest. Another gold paper and a variety of dyed paper can be used to paint brushwork silk for pure silk products, divided into round silk, flat silk two kinds. Round silk, also known as "original silk", commonly used in ancient painting. Now commonly used is flat silk silk, is woven in the silk after the pounding, so that the silk is flat, in order to reduce the gap between the silk, so that the silk brush on the gum alum water is not easy to leak alum. This kind of silk has white and antique color and so on several kinds. In addition, a variety of leather paper, paper, watercolor paper, and linen, cotton, etc. can be used to paint the brush, but only after appropriate treatment. . 5, brush painting how to use the brush? Work brush painting in the outline of the line when the line should not be too fast, to have a rhythm. When sketching a short line, hold the brush to the wrist and elbow on the desktop, with the main finger activities; hook a little longer line should be hanging wrist and elbow on the desktop, with the main wrist activities, the fingers should be solid, so that the wrist is flexible; hook longer line should be wrist on the desktop and elbow hanging, the line moves with the wrist. In short, no matter what kind of brush method, should keep the line round and smooth. Lu, what is heavy color painting? It is the painting method of heavy color. Mineral pigments and powder pigments are mainly used, and the picture is color-based, with heavy, gorgeous and luxurious colors, giving people a feeling of elegance and opulence. Heavy color generally uses the method of accumulating and dyeing colors, the so-called "three alum nine dye" refers to this painting method. Each application of color thin, deepen layer by layer, after several passes plus dyeing again after the gum alum water to fix the color that has gone up, making the picture color heavy, calm. There are two kinds of heavy coloring: the hook and fill method and the hook and dye method. Choke-dyeing method is to render the base color with plant color and then set dyeing stone color. In the Choke and Fill method, the ink line is left to fill in the stone color. What is brushwork and light color painting? Heavy color painting refers to the painting method of powdery opaque pigments, while light color refers to the painting method of transparent pigments and ink colors. Light color emphasizes the beauty of lightness, simplicity, simplicity and purity, so basically ink is the main plus transparent pigment to depict an illusory, hazy mood. What is boneless brush painting? Work-brush painting takes the line as the backbone, so the general work-brush painting is to outline the ink line first and then color it. The reason why it is called "boneless" is that it does not outline the ink lines, but directly renders them with color or ink. Sometimes the picture still has a "line" feeling, this "line" is the effect of rendering or "empty" out of the effect, not hooked out. 9, ...... >>