Paper cutout illustration design - how to copy a paper cutout drawing on a cell phone

What are the illustration art styles 1.flat illustration. Flat illustration is relatively strong versatility, because it is simple and intuitive, weakened the details and perspective, recognition degree and the degree of relatively faster to get started, fits the young people on the lovely and cute aesthetic requirements, is the easiest to make the picture out of the overall effect of the technique; usually use the rules of the geometric shapes or irregular vector graphics to retain the object's original recognizable form, with the large surface of the color, with a minimalist Graphics to make the main form more abstract or minimalist, the use of a broader range of common posters, packaging, banners, app splash screen, game interfaces, etc. 2. gradient illustration. Gradient illustration is characterized by a large number of low-saturation gradient techniques, and in the use of color in general to take a similar color; its details are rich and delicate, the screen style is realistic, visually stable and atmospheric, so that the picture is very visual impact and sense of hierarchy. Among them, gradient illustration is subdivided into two-color gradient, translucent gradient, grid gradient, gradient blur and other forms.3. MBE illustration. This illustration style is characterized by simple, rounded and lovely, generally with extra thick dark tracing lines, Q version of the cartoon image, rounded lines, vector drawn lines + surface combination of design style, the overall very fresh, lovely tone, generally used in icons and blank interface reminders and so on.4. Texture Illustration. Texture illustration is generally based on the basis of flat painting, and finally integrated into the texture effect, the final presentation of texture, and light and shadow effect of the picture; this painting method generally does not have a tracing line, most of them are through the light and dark of the color block to distinguish between each element; through the increase of texture, miscellaneous colors, etc., to increase the level of illustration and three-dimensional sense, can be effective in the carving of works of art in detail; to give a person a very simple feeling, more relaxed and casual; The granularity in the texture increases the details of the picture, which is also more durable and more personal style at the same time.5. Three-dimensional illustration. Three-dimensional illustration can show three-dimensional things in two-dimensional space, bringing a sense of perspective and space to the picture, and conveying the information better.6. Stroke illustration. Stroke illustration can be simply understood as a combination of many lines and surfaces combined with icons combined together, echoing each other to form a big picture, more with the handling of the stroke; more use of lines and strokes, the overall picture is relatively clean and tidy, commonly used in H5/App; in the application of the strokes of the thickness of the contrast to be measured whether to comply with the conventional. 7. paper-cut illustration. Paper-cut style illustration is to use paper-cutting to create illustrations, by cutting, stacking layered paper cuts to create different content. Compared with the traditional flat illustration, paper-cut illustration can make the picture more layered and three-dimensional, and the form is more novel and interesting. 8. National tide in recent years is highly respected, in short, the national tide is to Chinese culture and tradition as the tone, set fashion, style and accent in one, is the traditional and modern cultural trends collision, is the Oriental aesthetics of the most show. Therefore, the illustration integrates the national trend culture, accelerates the communication strength of the picture, and has a more fashionable sense; at the same time, it also gives the brand more symbols and cultural values. The brand can use this to burst out unlimited charm and marketing potential.9. Light and shadow illustration. Light and shadow illustration can utilize the combination of light and shadow to bring the atmosphere of the picture to the extreme, which is a perfect collision between imagination and reality. Through the light and shadow and shadow level change, let the visual more three-dimensional sense, so as to form a solid image, let the picture more attractive and visual sense of space.10. Hand-drawn illustration. Hand-drawn illustration is one of the most primitive illustration expression methods, which is a test of the creator's form and painting skills; through the use of hand-drawn texture and graphics to intuitively convey the emotion of the art design language, which allows the audience to more directly accept the emotion, extremely intuitive image and real life sense and rapid emotional infectivity, more than other illustration forms of a humane meaning. Mostly used for artistic activities or animation, poster design, the overall flamboyant and casual, with a lot of life, very affinity. How to copy a paper-cut drawing on the phone out the first step: drawing ideas paper-cut style copying ideas: the first step to establish the form, the second step to shape the effect, the third step copying the plucking. This copy you will practice to pen path drawing, Boolean operation, shadow effect superimposed, texture effect superimposed, this copy is about 15-20 minutes, come on! Step 2: Create a new drawing board using the shortcut keys (F/A) to create a new 700PX ^ 475PX drawing board, and fill the board with the background color # 9E6437. Click on the lower right corner of the tip button to select the shortcut keys guide can view the shortcut keys, more convenient for your later creation. Step 3: Draw shapes 1, use the rectangle tool (shortcut key R) to draw a rectangle larger than the drawing board, because the later will use the zoom function, if the rectangle is very small zoom will appear after the vacant part. 2, following the use of the pen tool (shortcut key P) to draw an irregular shape as a basis for the form, and fill with any color, which can be based on their own personal preferences randomly drawn. 3, select two shapes, the two shapes, the two shapes will be used to create a new shape, the two shapes will be used to create a new shape. Use Boolean operation will be two shapes to subtract the top layer, after the completion of the skeleton shape we need. Step 4: the following levels need to produce multiple levels, first we first copy a layer (shortcut: Command/Ctrl + D) and then isometric scaling (shortcut: K) for 90% scaling, and then move the copied layer to the next layer to produce hierarchical relationships (shortcut Command/Ctrl +), continue to repeat the previous operation to get multiple layers. Here you need to note: In order to achieve a brightness transition effect, each copy of a layer, you need to set the color of the shape, you can use the color values given below as a reference. Step 5: Drawing embellishments we need to enrich the level so draw some embellishment elements, our graphics were clouds and branches, clouds are obtained by four circles plus a rectangle for Boolean operations, branches are outlined through the Pen tool (shortcut: P). Duplicate the drawing a few layers and then adjust the layer order, so that the elements and shapes are interspersed to create a sense of card stacking. Get the look of the picture below, now not yet added effects can already reflect the feeling of layers. Tree Branch Color: #C9A179 White Cloud Color: #F2F2F2 Step 6: Adding Shadows The effect of the paper cutout style is mainly shaped by the shadows, and we need to add cast shadows to the individual elements. I've given the parameters I used below, so you can adjust them accordingly. Projection parameters: light color (X = 4, Y = -6, blur = 20, expand = 0) Step 7: add texture this step is more important, but also the most effective step, the layer effect is well differentiated, we need to shape the texture effect, we drag the texture material (material file:) dragged to the drawing board, move to the top layer, and then adjust the blend mode to overlay, opacity of 28%, (here you can lock the top layer of texture layer). top texture layer lock, easy to drop the whole bottom content later.) This effect is to add some texture to the skeleton layer to simulate the life of paper. Step 8: Drawing elements we can see that we have done the graphic paper-cut effect has come out, but there are still some empty, so the next step we will carry out some of the difficulty of the enhancement, I will be in the picture to add some complex embellishments elements, embellishments contain elements of the characters and animal elements. After drawing the figure, I will also add shadows to the parts of the body in the same way as the above steps, to create a feeling of paper cutouts. You can seize this point to try different content for creativity. Of course, for drawing difficult children's shoes, we have also prepared the character elements & animal elements material for everyone to use. Material File: Step 9: Detailed adjustments to the illustration of a pair of paper-cutting style is basically finished, the back can be adjusted in some detail, such as the shadow value, etc., the purpose is to create a feeling of paper-cutting, tutorials in the corresponding material I put on the left side of the drawing board for your reference and learning. We began to try to apply the paper-cut style to your design and work it. Style extension of the same method can also do some other effects, you can be based on the paper-cutting style of sky-high creativity, applied to a variety of design scenarios. Looking forward to your work! The hottest contemporary fashion illustrator! How was it made? He is the hottest illustrator and fashion's best advocate David Downton. David Downton was born in London in 1959. As a child, the best hospitality he was offered was a large blank page. However, what David did not expect was that he would be able to make a living from his drawings a long time later. ▲David. David Downton was a young man when he was painting ▲The studio is a painting of its own, and it's as beautiful as Picasso's studio. ▲The "fun and interesting" workbench is the place where you can create amazing works of art. David originally studied graphic design and his first work was a cover for WhichComputer magazine in the early 1980s. ▲David. Fashion illustration by David Downton in New York in 1998. The material is ink and acetate paper. ▲David. David Downton's 1998 fashion illustration for Christian Lacroix. Fashion illustration by David Downton for Christian Lacroix in 1998, on ink and color box paper. For 15 years, David was a freelance illustrator. He enjoys the life of a freelance illustrator no matter what is going on. ▲David. David Downton was a freelance illustrator in 1999 for Jean. David Downton's 1999 illustration of Jean-Paul Gaultier's fashion designs. Gaultier's fashion illustrations. A black dress with black sunglasses is a nice touch. David used Kate Moss as his model. David modeled his illustration after Kate Moss, showing the classic glamour of fashion in a pop style. This work is well known in the fashion industry and is one of the most representative works in fashion illustration in recent years. ▲David Downton Downton's fashion illustration for Valentino in 1999. Similar to the style of Lacroix, Eric and others, his use of color is modern. ▲David Downton's 1999 London-based fashion illustrations for Valentino. David Downton's 1999 fashion illustration Paloma Picasso in London, on gouache and ink cartridge paper, laminated on acetate. ▲David Downton's 1999 London fashion illustration PalomaPicasso. David Downton's 1999 London cut-out bottle sticker, modeled by Iman, drawn in ink on Pantone paper laminated with acetate. David's works are simple and smooth lines, very textured, and the style is not pretentious, which can show the beautiful body very well. Because of this unique drawing style, some people began to invite him to produce fashion illustrations. Among them, there is the 85-year-old ageless myth of Carmen Dell'Orefice, who is also one of David's muses. ▲David. Fashion illustration by David Downton of New York in 2000, modeled by Carmen Dell Oliphant, one of David's muses. Dale Oliphant. Orpheus, with clothing designed by Thierry Mugler. This piece was first drawn with oil sticks on Pantone paper, laminated on acetate and then inked. ▲David. David Downton's 2001 portrait of Anna Peggy, editor-in-chief of Europe's leading fashion magazine. David Downton's 2001 portrait of Anna Peggy, the editor-in-chief of Europe's leading fashion magazine, captures the soul of the "godmother of fashion" with great success. The exaggerated color scheme, playful expression, and uninhibited attitude combined with the seemingly wild, yet very skillful brush strokes combine to perfection! ▲David. David Downton's 2002 portrait of Chanel's design director Amanda Harlequin. He has always been fascinated by Lacroix, L'Oréal, and the other two women in the world. He has always admired artists like Lacroix, Antonio and Eric. As a result, there were similarities in color and line in his early paintings, and in 1996 he illustrated couture shows for magazines, and in 1997 he became active in the Paris couture shows. At first he was dazzled and totally unprepared, but the Paris fashion shows are real and inspire an artist. Paris has the most beautiful women and the best design work. And everything here is mesmerizing. David never painted while the models were walking the runway. Because he found it impossible to do so, he simply photographed or watched from the sidelines and literally felt every moment that struck. He took every other opportunity to paint, and no moment when the model was still could escape his eye. For example, during a fitting, or sometimes even during a resting moment of a model at a presentation... ▲Cosmetics are also his tools, moving between the beginning and the end of the brush, both thick and light. David says, "When I first started painting, I thought it was my responsibility to restore the clothes themselves to the way they looked on the runway. However, the first time I attended a fashion show was at Versace, before Kate Moss disappeared. However, the first time I attended a fashion show was at Versace, and I was only able to draw Kate Moss's arms before she disappeared! So it's best to enjoy whatever details the model is showing at the moment." David believes that the most important thing is the feeling of the body underneath the clothes, and then the proportions, colors, and other details, which can be difficult to achieve. David draws countless sketches of his designs and picks out the best ones, and when he's almost done, he starts eliminating them, "breaking them down and rebuilding them". He continues to draw until they look natural. He has written about fashion for leading media outlets around the world, such as The Times, The Independent, and Harper's Bazaar (australia). He has also held three solo exhibitions in London and one in New York. In recent years, he has also designed visual images for shopping centers in Hong Kong and illustrated for Vogue's women's fashion line. ▲David. David Downton's 2004 cover for the Saturday Evening Post. This work was created in Paris with gouache, watercolor and paper. ▲David. Downton's advertising poster for TopShop's September 2004 fashion show. This brand is for young designers. ▲David. David Downton's illustration Valention Fitting, commissioned by Vogue (China) in 2005. ink, gouache and paper on acetate. ▲David. David Downton's 2006 fashion illustration for YSL. The material is ink, watercolor and paper. ▲David. David Downton's 2006 fashion illustration for YSL, based on ink, gouache, charcoal and paper. ▲David. David Downton's 2007 fashion illustration commissioned by Madame Magazine (German edition). This work was first drawn with oil stick on paper, laminated with acetate paper, and then drawn with ink and gouache. ▲David. Downton's 2007 illustration commissioned by The Times, London. Ink, gouache and paper. ▲David. David Downton's 2008 illustration for his magazine PourquoiPas, modeled by Dita Ventis and dressed by Lacroix. The model is Tita Vantis and the clothes are designed by Lacroix, in ink, gouache and paper, laminated on acetate. David is not the best drawing of the dancer ~ to work hard to grind an iron bar into a needle ~ want to have the ability to go beyond what others have beyond, you have to cultivate the ability to the extreme!