Beautiful traditional guzheng music accompaniment

Zheng solo was developed by Lou Shuhua according to the ancient song Return, and another theory was adapted by Jin Zhuonan according to the traditional Shandong Double Board. Now widely circulated Louben, the first half is the same as Jinben, and the second half is unique to Louben. At the beginning of the music, with beautiful and elegant tunes and soothing rhythm, a picture of the sunset reflecting the blue waves is painted. Then 66 1 16 was used as seed material, and the music was lively and interesting. When changing repeatedly, swing around 356 1 55 2356 33 with a pentatonic scale. This melody is not only very stylish, but also beautiful, and it is really interesting to sing late. Finally, the melody that rises first and then falls is combined into a circular circle, which is repeated many times, and the speed is accelerated one after another, showing the scene that happy fishermen are leisurely, white sails drift with the tide, and fishing boats return home with full loads. The poetic Zheng music of the richest man has been adapted into, guzheng duet and violin solo. This song can be seen in most music textbooks.

Guzheng solo "Fishing Boat Singing Night" is a famous northern school guzheng music. The title of "fishing boat sings late" is taken from the word "fishing boat sings late" in Preface to Wang Tengting written by Wang Bo (649-676) in the Tang Dynasty. The poem vividly shows the sunset scene in the ancient Jiangnan water town, where fishing boats come home one after another and the river is full of songs? Psst? Hey *? br/>； As for the origin of this piece of music, it is generally believed that Lou Shuhua, a guqin player, adapted it from the material of the Shandong ancient song Return in the mid-1930s. Another way of saying this is that Jin Zhuonan, a Shandong guqin player, adapted it from the traditional folk guzheng song "Shuangban" spread in Liaocheng, Shandong Province, and its two evolution songs "Three Rings Set the Sun" and "Running Water Exciting the Stone". /kloc-in the 1930 s, Jin Zhuonan passed it on to Lou Shuhua, and Lou Shuhua made full use of the "flower finger" technique in the second half of the music to make the music artistic. ?

The current music score is selected from the Guzheng Playing Method edited by Cao Zheng and published by 1958 Music Publishing House.

This piece of music was adapted into various forms of performance, while Li adapted it into a violin piece based on the Zheng piece of the same name.