Related articles of Zhuang Lijing

The famous landscape painter, Mr. Zhuang Lijing, is a professor of Chinese painting at the Nanjing Arts Institute. His works "Tiger and Dragon" and "Iron forged by the ancient rivers and mountains" were selected for the Sixth National Art Exhibition and the Eighth National Art Exhibition respectively; "Wind and Rain under Zhongshan" was selected for the 60th Anniversary of the Founding of the People's Liberation Army National Art Exhibition, and won the Second Prize, and "A Look at the River" was collected by the National Art Museum of China; he was honored with the Bronze Prize of the International Calligraphy and Painting Artists in 1993, and his artistic achievements were compiled into a number of famous people's dictionaries. He is now a member of the Chinese Artists Association, a special artist of Xinhua Painting and Calligraphy Institute of Xinhua News Agency, an art advisor of the Chinese Art Garden of the China Bookstore in Taiwan, a director of the Japan Shudao Painting Association, and an executive director of the International Artists' Gallery of Jiangsu Province.

Mr. Zhuang is a scholarly painter, combining teaching, writing and creating. Viewing his landscapes and listening to him talk about his art, you will experience his academic wisdom and the simple character that a scholar should have. He attaches great importance to and effectively solved the relationship between inheritance of tradition and innovation and development, in the nourishment of life to form their own personalized artistic language, paintings have both the sages of the ink and brush and the rationale, but also the concepts of modern art and composition, the integration of the North and South of the painting of the strengths of the majestic and magnificent atmosphere and the beautiful and moist charm of the blend, presenting a bold and generous, fresh and colorful artistic construction and interest.

Jiangsu Province Bird and Flower Painting Research Association, Nanjing Normal University College of Fine Arts, Professor Pei Chen, a famous painter, commented on Mr. Zhuang Lijing's landscape paintings: "Zhuang's, the South and the North, indulgent brushwork, good at harnessing the great works, the use of the mountains to create momentum, the complexity of metallurgy and simplicity, the painting of the appearance of a strong, outstanding family." Former vice chairman of the Jiangsu Art Association, the famous painter Zhao Wenyuan commented on his landscape painting: "Now, many people brush the landscape of the road, the face of the similar, and Mr. Zhuang Lijing landscape and they are clearly separated from the distance, from the many landscapes jumped out of the painting, rich in a strong artistic personality, a glance at it is known to be his work."

Born in March 1947 in Zhenjiang, Mr. Zhuang Li Jing was a painter when he was young, and in high school he wrote a letter to Qian Song Yan, then president of the Jiangsu Academy of National Painting, because of his love of the artist's paintings, who instructed him to respond to the letter on his behalf, so that he could study with a teacher nearby and build a good foundation. This letter he kept so far has been more than thirty years, Mr. Zhuang talked about this as if it were yesterday. He settled in Nanjing at the age of twenty and worked in a factory. During the Cultural Revolution, Mr. Zhuang, a keen painter, was at a loss as to what to do with his life. Soon afterward, through the painter Zhang Zhengyin, he had the opportunity to meet Qian Songyan, a master of the Jinling school of landscape painting and the head of the Jiangsu Academy of Guopainting. At this time, Mr. Qian was being persecuted because of an article written by Deng Tuo in praise of him, and because of unfounded historical issues that had led to his being "sidelined. When Mr. Zhuang Lijing came to visit him, he was delighted to see the young man copying many of his own paintings as an amateur, and took him on as a disciple. Subsequently, he also got Yaming, Song Wenzhi and other predecessors of the guidance. 7 years later, he entered the South Arts with honors, scholarly painters Liu Haisu, Chen Dayu, Zhang Wenjun professors of the personal instruction. The saying that "a famous teacher produces a great student" is once again true in his case.

After systematic art training, Mr. Zhuang graduated with honors from the South Arts and stayed in the school to teach, teaching, writing and painting for decades, focusing on the history of Chinese paintings, theories, and the study of law. He has explored the landscape of contemporary masters of painting and traced their "flow". He converses with the sages, immerses himself in the study of ancient painting and calligraphy, searches for Mei Qing's clear and sparse and the "four kings" of the clear and meaningful, and traces Shi Tao's smiling indulgence and Gong Xian's recklessness and richness. He has made in-depth inquiry into the aesthetics and theories of Chinese landscape painting, so as to know its inheritance and seek its development in the use of brush, ink, color and water.

He believes that tradition is the "stream" and life is the "source", and that "to learn from the outside, to get the source in the middle" and "the mountains and rivers and the rest of the gods meet and trace" are all emphasizing the importance of Chinese landscape painting. "All these emphasize the essence of inheritance and development, which is to learn from nature. In order to "go in with the greatest strength and come out with the greatest courage", it is still necessary to learn from nature. His artistic point of view is: emphasize the tradition, learn from the tradition, dig deep into the tradition, go deep into the life for the development and innovation of modern Chinese landscape painting, and create works that have the essence of the tradition as well as the atmosphere and height of the times. To this end, he climbed the mountains and waters, twelve times to Mount Huangshan, three times to Guilin, two times to Changbai Mountain, on the Jiuhua, under the Kuanglu, traveled to Tai Dai, watching the sea, wading in the river, footsteps and to the famous mountains and beautiful waters of God's country, to the nature as a teacher, taking the landscape into their own bone marrow. Especially between 1984 and 1993, with the famous landscape painter Yaming as the head of the Jiangsu Province landscape painting sketching group for the "Yunnan and Guizhou line", "Northeast line", "Northwest line", in-depth life, observation, sketching. In-depth life, observation, sketching natural scenery, in life to find and summarize the various artistic laws of landscape painting, in the shape of the structure, spatial processing, the bones of the mountains and rivers, the wind and clouds of the gas, ink and color, the mood of the creation, ink and other aspects of the sublimation of rationality. In sketching, he ate all the hard work without fear of hardship and danger, and he liked to go to places that were off the beaten track. When sketching on the way to Sichuan and Wumeng Mountain in Guizhou, he often encountered rain, and when people were sheltering from the rain, he preferred to walk in the rain, and when he couldn't sketch with a pen, he drew silently on the plain silk of his mind. The misty mountains and rain are also strange, he comprehended the wonderful meaning of dripping ink and water in the wind and rain in the landscape, waving the brush and splashing ink on the landscape, giving full play to the role of water, firstly, he dipped the big brush into the thick ink and splashed writing the mountains, then he used the light ink and water to break through the thick ink that hadn't dried, and then he roamed the brush and drove the brush to seek for the relationship between black and white and changes in the line, and in the lively and smooth ink and brush, letting the person feel the wind and rain and the sound of thunder. His paintings such as "Strange Cave in the Valley", "Cloud and Rain" and "Cloud and Rain in Qianshan Mountain" are his masterpieces in which he realized the relationship between water and ink in the rain and fog. His masterpiece "Scenic View of Qinglong Ancient Cave" was improvised and written in Qiandongnan, Guizhou Province. The brushwork is mainly based on lines, and the trembling lines of golden stone and roof leakage marks express the zigzagging and twisting hilltops; the old trees in the mountains are lush and verdant, and the ancient temples are reflected in the luxuriant forests; and the clear river and light boats are at the bottom of the mountains. This work appropriately expresses the individuality of the mountain structure, and seeks to achieve the unity of heaven and mankind in the meaning of the painting.

In 1984, Mr. Zhuang Lijing's "The Tiger and the Dragon" was selected for the Sixth National Art Exhibition. In this work, the composition is vertical and takes a far-reaching perspective. In the near view, the river is vast, the white sails are dotted: the craggy rocks of the river, the heavy timber and the absolute shore, the layers of green, and the heavy mountains are pushed by splashing color and ink. In the middle view, a trembling line in the center front is used to depict today's Jinling, with skyscrapers lined up one after another. Later, the distant view is painted with light ink and blue and white ink, with a vivid atmosphere of smoke and mayflies. The technique of this picture is far after Dong Yuan's dotted line chafing, seeking natural broken pen and charred ink effect, following the Shixi, Gong Xian, Li Keran's ink accumulation method, ink and brush gas unity, the best of the interest of Jiangnan moistening, and the poetic meaning of "the tiger on the dragon plate is better than the past".

Collected by the China Military Museum, "Wind and Rain at Zhongshan" is another artistic construction. This picture to Zhang Daqian, Liu Haisu's broken ink method, first splash and then broken, ink and water to show "Zhongshan wind and rain, millions of heroes across the river" of the situation. In the foreground, heavy ink performance of smoke and willow, a piece of ink roof more set off the "Presidential Palace" pale, the vanguard is charging into the city; in the middle of the scene, is the ancient city wall of jinling and heavy Zhongshan: and then far away, the clouds and mist, the division of the sails and shadows. Although the whole picture is not a write natural wind and rain, but let a person feel the wind and rain blowing, the atmosphere is haunting and overwhelming. This work with far-reaching sense of history and poetry and painting, the expression of serious themes, in the People's Liberation Army 60th anniversary of the founding of the National Art Exhibition stood out and won the second prize, and included in the People's Liberation Army military history of the collection of paintings.

The Ten Thousand Miles of Rivers and Mountains Cast in Iron is his work selected for the Eighth National Art Exhibition. This picture absorbs the essence of Song Fan Kuan's powerful and strong and Li Tang's majestic ink and brushwork, and writes "the world's first river and mountain" - Zhenjiang Beigushan Iron Urn City with the method of accumulating ink. Or light to break the thick, or thick to break the light, back and forth plus accumulation of multiple, rocks and woods of light and dark and ink lines and chapped contrast, strengthened as iron as the mountain rocks, presenting a majestic, majestic, reckless momentum.

The man of benevolence enjoys the mountains, the man of wisdom enjoys the water. Mr. Zhuang Lijing's physique is stout, straight character, benevolence and wisdom, treating people warmly, let people feel that he grew up in the south of the Yangtze River like the northern man, the so-called painting like his person, can be said to correspond to him. The paintings of Xiling Gorge and Deep Interest in the Gully show that the artist has absorbed much of the ink and brushwork of the master Qian Songyan, and that the rocks and pines are outlined with a trembling brush, rarely chapped, and with heavy, strong brush marks. The peaks behind the rock are painted with a single stroke of ink, while the rocks in front of the rock are painted with green and green, turning the accumulated ink into accumulated color, and providing strong color. The whole picture has strong and varied contrasts of density, thickness, thickness, black and white, warm and cold, with both traditional ink and brushwork and modern artistic flavor. Its "Autumn Mountain Sunset", "Fuchun River" is more absorbed Li Keran master's artistic qualities, the integration of Western painting methods in the common backlighting effect, ink dots composed of forest light and dark blocks, generalized to highlight the idea of the layers of forests, temples, maple bridges and boats are outlined with lines, lines and surfaces, light and shadow, the contrast is harmonious and full of composure. "Zhongshan snow and clearing", "Shu River victory map" is more to Fu Baoshi landscape writing, "Baoshi chafed" appearing mountains, ink and now thick clouds and mist, straight to the heart of the wonders of the manifestation of the world. Its painting road is very wide. Cloud light wind show, tree old yin sparse, creek bridge hidden, woodcutting fishing river village, trestle path, lofty layer pavilion, gargle flying springs, peaks and forests, jinling shapes and scenery ...... are all present under his pen, his unique spiritual temperament and unique feelings, the pursuit of the art of painting heavy beauty, inheritance, development of the use of splash ink splash, cumulative ink and cumulation of color and a variety of painting language He has inherited and developed various painting languages such as splashing ink and color, accumulating ink and color, etc., to construct the landscape painting's mood and poetry, and his paintings present a bold, flamboyant and individualistic style, which inspires people with more than reverie. Over the years, many of his landscape works have been exhibited in Beijing, and he has also been invited to hold solo exhibitions in the United States, Canada, Japan, Singapore and other countries, as well as in Hong Kong, Macao and Taiwan.

Writing is a matter of the past, and the gains and losses are known by the heart. Mr. Zhuang Li Jing governance, teaching commitment, authored the "Yunnan and Guizhou trip painting painting", "landscape painting", "landscape painting research" and other paintings, of which "self-study of Chinese painting - landscape" published by Jiangsu Fine Arts Publishing House, won the Provincial General Administration of Publication, the State General Administration of Publication awards. The newly written book "Study of Landscape Painting Techniques" was published by Jiangsu Publishing House.

Art is endless, exploration is endless. Mr. Zhuang Lijing knows that as a painter, his works should not only stand the test of contemporary times, but also the test of history. For this reason, he is indifferent to life, light on fame and fortune, in the art of exploration and art practice in a solid step of his own.

Over the years, he has had many landscape works exhibited in Beijing, also invited in the United States, Canada, Japan, Singapore and other countries and China, Hong Kong, Macao and Taiwan to hold a solo exhibition. Last May, Xinhua News Agency, Xinhua Painting and Calligraphy Institute for its "Jinling Resort - Zhuang Lijing landscape painting exhibition", the former president of Xinhua News Agency, Mu Qing, etc. for the exhibition of the ribbon-cutting, the Central Academy of Fine Arts, the Central Academy of Arts and Crafts, the Chinese Painting Academy, Beijing Painting Academy and the Li Keran Foundation of the arts of the relevant leaders, professors and painters to the scene to congratulate. Dozens of news media in Kyoto, such as Xinhua News Agency, People's Daily (Overseas Edition), China Youth Daily and China Culture Daily, reported on his exhibition. This spring, he in the central shopping mall in nanjing, the second floor of the central painting institute and held a landscape painting exhibition, once again attracted people's attention. On the day of the exhibition, some people in the collection industry in Jinling purchased four masterpieces at one time.