What is considered prose, be detailed, thank you.

The form is scattered but the spirit is not, the article writing is casual but the words and sentences are related to the theme center. Short, beautiful, vivid and interesting. China's traditional meaning of prose, its history can be traced back to the oracle bones, is in addition to poetry, drama, novels, rhetoric outside of all the prose articles, including political commentary, history, biographies, travelogues, epistles, diaries, sermons, sketches, tables, preface, and other bodies of thesis, miscellaneous essays. Because these essays are not only the carrier of beautiful thoughts and feelings, but also a model of language art with high aesthetic value, in the process of long-term circulation, it has watered the literary garden of all times, but also irrigated all generations of literati, and it still benefits people today. Prose is mainly divided into narrative prose, lyrical prose, philosophical prose, and argumentative prose The Yin and Shang Dynasties had writing, and there was also prose to record history. In the Zhou Dynasty, the historians of the vassal states further recorded the historical facts among the states in simple language and concise words, such as the Spring and Autumn Annals. With the needs of the times, historical literature describing reality was produced, with historical works such as Zuo Zhuan, Guoyu, and Zhan Guo Ce. Zuo Zhuan, short for Spring and Autumn Zuo's Biography, also known as Zuo's Spring and Autumn, is said to have been written by Zuo Qiu Ming, a historian of the state of Lu in the late Spring and Autumn, ****180,000 words, which recorded the political, military and diplomatic activities and speeches of the great states as well as matters of heavenly ways, ghosts and gods, calamities and divination during the 240 years of the Spring and Autumn Period. This book is rich in dramatic narrative, compact plot, the battle description is especially excellent, the language is refined, rich in images. The State Language is a country-specific history, recording the Zhou Dynasty and the vassal states (BC990- BC353), which is more of a record than a record, and most of the records are the words of the enlightened nobles who were more far-sighted at that time. The author of "Strategies of the Warring States" is not available, and the current edition was compiled by Liu Xiang of the Western Han Dynasty. Like "The Language of the Warring States", it is also a record of the affairs of different states, recording the affairs of the Western and Eastern Zhou Dynasty and the states of Qin, Qi, Chu, and Zhao, etc. The content is the activities and speeches of the strategists and advisors. The essay of "Strategies of the Warring States" is characterized by long storytelling, good use of metaphors, and extremely vivid characterization. The pre-Qin historical essays laid the foundation for Chinese historical literature and had a profound influence on later historians and ancient writers. The Spring and Autumn Period and the Warring States Period were times of great social change, when various academic schools wrote books and argued endlessly, forming the situation of a hundred schools of thought. The writings of thinkers representing different classes or strata promoted the development of reasoned prose. These thinkers included Confucianism, Mohism, Taoism, and Legalism. Books recording their remarks have been handed down to the present day, such as The Analects, Mencius, Mozi, Zhuangzi, and Hanfeizi. The Analects and the Mencius are Confucian writings on the interpretation of ren. The Analects is a record of the words and deeds of Confucius and his disciples, mostly consisting of short conversations and questions and answers. Mencius is a record of the words of Meng Ke. Meng Ke was a great debater, so his language is clear and quick, and full of agitation. Mozi" represents Mo Zhai's "favorite" ideas, simple language, clear reasoning, and strong logic, "love", "non-attack" and other articles are very representative. Zhuangzi" represents the proposition of Zhuang Zhou, a Taoist, "to rule by doing nothing". Zhuangzi's prose is unique among the sons. This is manifested in the author's fantastic imagination and keen observation, the good use of folk fables, long metaphor, so that the article is rich in literary interest. Han Fei Zi represents the legalist's idea of "adapting to the times". Han Fei's prose is well-structured, sharp and profound. Xunzi" represents the doctrine of Xunfu, there are 32 articles, many long. Xunzi's prose is characterized by clear arguments, clear hierarchy, neat syntax and rich vocabulary. The Spring and Autumn Annals of Lu Shi is a collective work of the disciples of Qin Prime Minister Lu Buwei. It consists of eight overviews, six treatises, and twelve chronicles, and includes the doctrines of Confucianism, Taoism, ink, law, and agriculture. The book preserves a large number of documents and anecdotes from the pre-Qin era. It is a kind of systematized, collection of many single rationale text, layer by layer in-depth, most see the organization. Like the prose of the sons, it often uses fables and stories as metaphors, and thus the text is rich in imagery. The reasoning prose of the pre-Qin scholars had an obvious influence on the development of later prose, both in terms of thought and artistic style. At the beginning of the Han Dynasty, there was a development of political prose. Jia Yi (200 B.C.E. - 168 B.C.E.) was an outstanding literary scholar in the early years of the Western Han Dynasty. His essay, "Essays on the Qin Dynasty," summarized the reasons for the downfall of the Qin Dynasty, drew lessons from the peasant uprisings at the end of the Qin Dynasty, and developed the pre-Qin ideology of people-oriented thinking. His prose made good use of similes, and his language was rich in figurative qualities. In addition to Jia Yi, there were many other prose writers in the early Han Dynasty, most of whom either discussed the gains and losses of the Qin Dynasty or put forward their own ideas on the ills of the time, among which Chao Kao and Zou Yang were the most accomplished. Among them, Chao Cao and Zou Yang were the most accomplished. Chao Cao is best known for his two essays, "Advising Farmers to Keep the Border" and "On the Precious Corn", which advocated the collection of people to prepare for the siege. During the reign of Emperor Wu of the Han Dynasty, when the Hundred Schools were dismissed and the Confucians were exclusively respected, there was an urgent need for the feudal dynasty to summarize the ancient cultures and to give philosophical and historical explanations to the ruling situation of the great unification, and Sima Qian's Historical Records came into being. Its emergence brought pre-Qin historical prose a step forward. Under the influence of Shiji, the Eastern Han Dynasty produced a number of historical prose works, of which Ban Gu's Book of Han is an outstanding representative. In the Han Dynasty, a new style of writing "fu" appeared. The name "Fu" began with the "Fushi" of Zhao Xunqing in the Warring States period, and a specific system was formed in later times. It was characterized by elegance, rhyme and rhythm, and had the dual nature of poetry and prose. Those close to prose are called "Wen Fu", and those close to parallelism are called "Eun Fu". In the early Han Dynasty, Jia Yi's Hanging Qu Yuan Fugue and Peng Bird Fugue, Sima Xiangru's (118--179 BC) Zixu and Shanglin, Yang Xiong's (53--18 BC) Ganquan Fugue, Feather Hunting Fugue, Chang Yang Fugue, and Hedong Fugue in the last years of the Western Han Dynasty, Ban Gu's Liangdu Fugue, and Zhang Heng's (78--139) Erjing Fugue in the Eastern Han Dynasty. 139) of the Eastern Han Dynasty Zhang Heng (78---)'s Two Capitals Fugue, are all famous pieces of Han fugue. In the period of Wei, Jin and North-South Dynasties, parallel writing prevailed and prose declined. However, there were still some simple and beautiful words of narrative, lyricism and landscape writing in Li Daoyuan's Water Scripture Commentary and Yang Hengzhi's Luoyang Galaxy Records and other academic works. Tang Dynasty Han Yu vigorously opposed the flashy parallelism, advocating for the ancient text, a time from the crowd, and then got Liu Zongyuan strong support, the performance of the ancient text creation increased greatly, the impact is even greater, becoming the main trend of the literary world, literary history called it the ancient text movement. The victory of the ancient literature movement headed by Han Liu set up a new style of writing that got rid of the stereotyped language and freedom of expression, and greatly improved the artistic functions of lyricism, narration, argumentation, and satire in prose. After the Middle Tang Dynasty, the ancient literary movement declined for a while, and in the Song Dynasty, Ouyang Xiu once again set off the ancient literary movement, followed by Wang Anshi, Zeng Gong, Su Shi, Su Xun, Su Zhe and so on, all of whom made their own achievements under the influence of the ancient literary innovation movement, and they are collectively known as the "Eight Greats of the Tang and Song Dynasty" together with Tang Dynasty's Han Yu and Liu Zongyuan. Si Ma Guang, a historian and writer of the Northern Song Dynasty, compiled a historical masterpiece called "Ziji Tongjian", which is of great literary value in addition to its historical value. Southern Song prose writers in the Northern Song dynasty, under the influence of the great, produced a part of the book on the matter of the political papers, showing the author's distinctive political attitudes, Hu Quan, Chen Liang, Ye Shi is a representative of the writer in this regard. The success of the ancient movement, so that the prose is more practical, the Southern Song Dynasty, a large number of notes and essays is a clear evidence. Hong Mai's "Rongzhai Suibi", Wang Mingqing's "Dust Record" is a masterpiece of notebooks and essays, in addition, Zhu Xi (1130 - 1200) of the ancient text is long in reasoning, attainments are not shallow. Early Ming Song Lian (1310--1381) is "the first of the founding ministers", part of his biography of the text is very relevant, the more famous works are "Qin Shi Records", "Wang Guan biography", "Li Doubt biography" and so on. After the middle of the Ming Dynasty, in response to the constraints of the Cheng and Zhu theories and the eight-legged essay, the former Seven Sons, led by Li Mengyang and He Jingming, initiated the "Restoration of the Ancient Movement", advocating that the text must be Qin and Han. While they played a positive role in sweeping away the eight-legged style of writing, they embarked on the path of blindly simulating the ancients. Later, Li Panlong and Wang Shizhen, as representatives of the "Seven Sons of the Posterior" retro movement, also repeated their mistakes. The "Tang and Song School", including Gui Youguang, was the first to rise up against the restorationists, and then the Public Security School during the Wanli reign joined in the fierce attack on antiquarianism. The Public Security School was represented by Yuan Zongdao, Yuan Hongdao, and Yuan Zhongdao, then known as the "Three Yuan", with Yuan Hongdao (1568--1610) being the most famous. Yuan Hongdao (1568--1610) was the most famous of them. They believed that there were different literatures for different times, and therefore opposed the idea of simulating the ancients by emphasizing the ancient over the modern. Yuan Hongdao even put forward the "spirit of nature" out of the subjective requirements of writers. The Public Security School's prose writing was characterized by the following: breaking through the traditional rules and regulations of the ancient texts, revealing individuality naturally, and not carving up the language. At the same time with the existence of the Public Security School, there was also the Jingling School, represented by Zhong Xing and Tan Yuanchun, who also advocated the expression of the spirit of nature. The direct product of the innovations of the Public Security School and the Jingling School was the emergence of a large number of small prose pieces in the late Ming, which was a development of traditional prose, and Zhang Dai (1597--?) was one of the more prominent writers of small prose pieces. Zhang Dai (1597-?) was one of the more accomplished writers of miniaturized prose. His essay has a wide range of subjects, such as scenic spots, customs, opera techniques and even antique toys, and so on, can be included in his text. His prose language is fresh and lively, vivid image, wide view of simple to take, "West Lake in July half", "Lake Pavilion snow" is his masterpiece. At the end of the Ming and early Qing dynasties, the late Hou Fangwei (1618--1654) achieved high artistic achievements in his prose, represented by Li Ji Biography, Ma Ling Biography, Ren Yuan Yu Biography and so on. The Tongcheng School of Ancient Literature was one of the most famous schools in the mid-Qing Dynasty, and its main writers, Fang Zhao, Liu Polaris, and Yao Nai, were all from Tongcheng, Anhui Province, hence the name of the Tongcheng School. Fang Zhao (1668--1749) inherited the tradition of Gui Youguang and put forward the idea of "righteousness", which became the basic theory of the Tongcheng School. The Tongcheng School's ancient writings only emphasized on clarifying the meaning of materials, instead of piling up the materials, thus the writings were generally concise and natural, but lacked of vitality, represented by Fang Zhao's Miscellany in Prison, Zuo Zhongyi Gong Yiqi, and Yao Nai's Ascent to Mount Tai, etc. The Tongcheng School was opposed to the Tongcheng School, which had been in existence since 1668. In opposition to the Tongcheng school were the writers of the Restoration Society, who advocated "ekphrasis", of which Wang Zhong (1744--1794) was the most accomplished. In the early Qing Dynasty, there were many outstanding prose writers, such as Wang Yuding and Wei Xi. Wang Yuding's (1599--circa 1661) legendary prose broke with the traditional ancient writing style by using the novel's legendary style, and his masterpieces include Li Yifu's Biography, Tang Pipa's Records, and Yi Hu's Records. Wei Xi (1624--1680) was most prominent in biographies, with his masterpiece The Biography of the Great Iron Spine. Kang Youwei (1858--1927) and Liang Qichao (1873--1929) were the representative figures of the improvement movement in the late Qing Dynasty, as well as the representative writers of the academic improvement school. Their prose ignored the program of traditional ancient texts, expressed their views and spoke freely, and was an effective tool for political struggle. Liang Qichao's new style of prose is a fierce impact on all the traditional ancient texts, for the late Qing Dynasty style of liberation and the "May Fourth" of the vernacular language movement opened up the way, his "Young China Speaks" that is such a typical work. Along with the criticism of feudalistic literature and the vernacular language, the earliest batch of modern new literature was born, and argumentative prose was one of them, which was the source of modern prose. In the early stage of the birth of new literature, the most influential writers who published expository essays in newspapers and magazines were Chen Duxiu, Li Dazhao, Lu Xun, Zhou Zuoren, Qian Xuantong, Liu Bannong, etc. Their works were written in the form of essays. Their works were mainly in the form of essays, with a wide range of contents, focusing on ideological and literary revolutions. Lu Xun was the most accomplished writer of expository prose. The expository prose of the birth period served as the vanguard of anti-feudalism, and the object of its discussion was close to life, specific and subtle; its form was free and could be long or short; and its language could be strong and tragic, as well as humorous and ironic. After the argumentative essay, narrative essays, essays also came out one after another, modern prose into the vigorous development stage. During the development period, the style of prose is different, different styles, presenting a prosperous scene. As far as the form is concerned, there are narration, landscape writing, lyricism, aspiration, and commentary; the style has formed Lu Xun's cold and precipitous, Zhou Zuoren's calm and light, Zhu Ziqing's and Bing Xin's freshness and elegance, Guo Moruo's and Yu Dafu's boldness and extravagance, Ye Shengtao's and Xu Dishan's simplicity and straightness, and Xu Zhimo's colorfulness and splendor, and so on. The language society Zhou Zuoren is one of the pioneers of small essays, representative works of the hometown of wild vegetables, the black-topped boat, the rhombus, the summer dream, etc. Most of the description of small subjects as the object, the tone of the pen from the relaxed, idle, in the fun, knowledge of the cultivation of the love of life in a subtle way. His polemical prose also occupied an important position at that time. Similar to Zhou Zuoren's artistic style was Lin Yutang, who was also a member of the Words and Silk Society. His masterpiece Jianfu ji (The Collection of Jianfu) satirized the ills of the times, criticized the traditional philosophy of mediocrity, and emphasized the struggle against the old world. Yu Pingbo's collections such as Miscellany and Yan Zhi Cao are similarly elegant to Zhou Zuoren's, but at the same time have a more obscure flavor. Guo Moruo and Yu Dafu belonged to the same school of exuberant and dashing style. Guo Moruo's prose poetry collection of "six chapters of the sketch" exquisite writing, language carving, set the scene taste long; Yu Dafu's travel prose "clog marks everywhere" and "fishing platform of spring day" is representative of his style of work, especially the latter, wrote the beautiful scenery of the Fuchun River, in the ancient mourning, between the lyrics of the reality of the resentment of the feelings. He Qifang's lyrical prose in the 1930s had a distinctive style, known as the "poet's prose". As a modernist poet, He Qifang infiltrated some of the modernist methods into his prose to achieve the purpose of expressing his emotions, as represented in The Record of Painted Dreams. The language of He Qifang's prose, like that of his poems, is carefully crafted and has a strong sense of sensibility. Among the narrative prose, Li Guangtian's (1906--1968) chapters about people are very representative. His characterization has no storyline, but only intercepts some slice of life and adds a few lyrical strokes in order to achieve the effect of evocation. The outbreak of the war of resistance, especially after the Anhui Incident, the fighting miscellaneous writings issued the strongest voice of the times. Guo Moruo's Salute to the Nine Gods of the New Muse, Repudiation of Reactionary Literature and Art and other essays have become important documents on the ideological and cultural fronts in the Nationalist Region; Wen Yiduo's "Last Lecture" demonstrates the valor of a strong democracy fighter in the face of a pistol; Feng Xuefeng's miscellaneous essays focus on the analysis of the human mind, showing strong theoretical power; Nie Konyunzu's miscellaneous essays have made many useful explorations on the art of writing. Nie Konyu's (1900--1986) miscellaneous essays made many useful explorations in art, and he made good use of interesting ancient stories to subtly attack reality. In addition, many writers such as Feng Zikai (1898-1975) and Lin Mohan (1909- ) also wrote a large number of miscellaneous essays. Prose combining narrative and lyricism excelled in the Nationalist Region. Mao Dun's Salute to the Poplar and Scenic Talk, Ba Jin's Beyond the Abandoned Garden, The Lamp, and The Dragon are all masterpieces, and Shen Congwen's Scattered Remarks on Western Hunan is a beautiful narrative of natural and human conditions. In the early years of the founding of the PRC, writers and amateur authors fighting on all fronts consciously sang hymns reflecting the new era, new people, new things, and new styles using prose. Because of the large number of authors, the life reflected in their works reached a wider extent than ever before. The style of the works is also diverse, such as Bajin's passionate gravity, Bingxin's delicate softness, Jin Yi's enthusiasm, Liu Baiyu's excitement, Huashan's humor, although the styles are different, but they are all true and simple feelings painted with the brilliant colors of the new life. A major feature of the prose creation in this period is the interplay of the two contents of anti-American aid to North Korea and socialist economic construction. The works on the theme of anti-U.S.A.-North Korea have a greater influence: Liu Baiyu's North Korea Advancing in Battle, Jin Yi's My Mother's Date, Hanzi's Peace Museum, Ba Jin's Living Among Heroes, etc. The famous works on socialist economic construction include Liu Qing's Huangfu Village in 1955, Qin Zhaoyang's Wang Yonghuai, Shading's Lu Jiaxiu, and Jin Yi's Going to Fozi Ling, Huashan's The Age of Fairy Tales, Li Ruobing's In the Qaidam Basin, Zang Kejia's Chairman Mao Smiling at the Yellow River, Yang Shuo's Petroleum City, and so on. Variety of forms is also one of the rewards of prose writing in this period. Travelogues, sketches, essays and miscellaneous essays played their roles in the new era to varying degrees, and many works were welcomed by readers. Travelogues include He Jingzhi's Returning to the Embrace of Mother Zao in Yan'an, Fang Ji's Songs and Flutes, Yang Shuo's Red Leaves on Fragrant Mountain, Biye's Record of Scenes in Tianshan, Ye Shengtao's Traveling to the Three Lakes, Mao Dun's Miscellany in Stockholm, and Junqing's Brief Accounts of European Journeys, etc.; essays include Hanzi's Little Cow Ranges and He Wei's Two Sisters; and miscellaneous essays include Mao Dun's Stripping off the Masks of the Masked Bandits and Ba Ren's The Mask of the Conditioned Bells, and Ba Ren's The Mask of the Conditioned Bell. Ba Ren's The Pen of Fuzzy Bell, Ren Xi's Doubts on the Theory of Abolition of Names, and Ma Tieding's Miscellaneous Thoughts. Although the prose creation in this period was richly rewarded, from the viewpoint of the whole literary field, prose was not emphasized enough compared with other literary genres, and the miscellaneous essays in particular appeared to be even weaker. In addition, sometimes due to the influence of abnormal political life, the whole literary world is generally afraid to boldly expose the reality of contradictions and conflicts, prose writing is no exception. After 1957, prose writing was emphasized by all walks of life, and both the quantity and quality of works greatly exceeded those of the previous period, with famous writers competing with each other. The old writer Ye Shengtao's "Remembering the Two Caves in Jinhua" is another durable travelogue work after "Touring the Three Lakes"; Bingxin's "Cherry Blossom Praise" and Bajin's "Photographs Brought Back from Kamakura" are two hymns of internationalism and friendship; Wu Boxiao's "Singing" and "Remembering a Spinning Wheel" are the remembrances of Yan'an's hard years; Fang Ji's "Waving Hands Between Hands" records that at the crucial moment of history, the great Mao Zedong was calm and graceful; and Fang Ji's "Waving Hands Between Hands" records that the great man Mao Zedong was not afraid to take action. Tao Chui's "Style of Pine Tree" is an aria with deep meaning; Bino's "Snow Road and Cloud Journey" and "Wudang Mountain Records" are full of picturesque feelings between the onion mountains and beautiful water and snow road and cloud journey; Chen Zuoyun's "Shore of the Pearl River" and "Shatian Shuixiu" depict the changes of the people on the shore of the Pearl River; Yu Min's "Scenery of the West Lake" and Li Jengo's "Climbing Mount Tai in the Rain" will bring the people into the hazy picture world with a lot of poetic meaning; Jian Bozan's Ancient Visit to Inner Mongolia is written with the historian's rich cultural background to make the travel prose full of richness and rhetoric; Shen Congwen's The Journey to Xinxiang in which the mountains and waters as in the past are glowing with the new atmosphere of new life; Han Shaohua's The Prelude and Xu Kailai's The Legend of the Sculptor are the excellent chapters in the prose of the depicted characters. In addition, Han Zi's A Short Memoir of Huangshan Mountain, Yan Zhen's A Memoir of the Peony Garden, Feng Mu's Along the Rapids of the Lancang River, Zong Pu's Ramblings on West Lake, Jun Qing's Fugue of Autumn Colors, and Li Ruobing's Qilian Snowflakes in Flurry are all superior works of travelogues and lyrical prose. This period of prose garden into a mature harvest period, Bing Xin, Ba Jin, Ye Shengtao and other old writers with tireless search for the spirit of the art of pure perfection. What is even more gratifying is that the young and middle-aged prose writers represented by Yang Shuo, Liu Baiyu and Qin Mu are maturing and forming their own artistic styles. Yang Shuo's prose is as fresh and graceful as a gentle breeze caressing a willow, Liu Baiyu's prose is as unrestrained and fiery as an eruption of molten lava, and Qin Mu's prose is a blend of knowledge and fun, as if he were counting the days of his family and telling the story of his life. Other prose writers also have their own characteristics and distinctive personalities, such as Bino's bright and touching, Chen Huiyun's light and beautiful, Deng Tuo's profound and sharp, Wu Boxiao's concise and sincere, Cao Jinghua's simple and plain, Junqing's far-reaching and profound, Li Ruobing's bold and cold, Tao Chui's frank and craggy, Hanzi's gentle and delicate, and Zong Pu's elegant and elegant....... Every writer has The real skill of writing prose has been demonstrated by all of them. In the Cultural Revolution, culture was devastated, no culture, there is no prose. After the Cultural Revolution, the sky opened up and the clouds cleared, and people's emotions, which had been suppressed for ten years, gushed out, and in the field of prose writing, the first thing that came out was a mournful song of elegiac lamentation. This song with high melody, sad color, simple style, opened up a generation of literary style. Prose reminiscent of Mao Zedong, Zhu De, Zhou Enlai and other proletarian revolutionaries of the older generation include He Wei's "Record of the Linjiang Tower," Mao Yanqing and Shao Hua's "I Love the Red Azalea of Shaoshan," Liu Baiyu's "The Lofty Taihang," Yuan Ying's "Fly," Zhang Chang's "Reminiscence of the Water Festival," Han Zi's "Crossing of the Yangtze River," Xue Ming's "A Report to the Party and the People," and Tao Siliang's "A Letter Finally Sent," etc.; and memorials to honor the memory of literary writers who had been Excellent works in memory of the persecuted literary figures, artists, scientists and other national elites include: Ding Ning's "The Poetic Soul of the Swallow" in memory of Yang Shuo, Huang Zongying's "Star" in memory of Shangguan Yunzhu, Jinshan's "Don't Pay Blood Hatred to the Autumn Wind" in memory of the dramatist Sun Weishi, Ding Yilan's "Memory of Deng Tuo", Arak Coal's "Memory of He Qifang", Bajin's "Nostalgia of Xiaoshan" in memory of his beloved wife, Lou Shiyi's "Mourning of Fu Xue" and the "Poems of Establishment Still to Be Continued" in memory of Liu Qing. Venture Poetry to be Continued, Thousands of Autumn's Legacy of Hatred on Earth" and so on. The characters in these works are familiar and admired, their deeds are little-known, the works of the emotions expressed not only touching, but also a wake-up call, promote people to advance. The new period of prose, like a spring swallow, dexterity, agility, the first with the breath of the times into people's hearts. After the reform and opening up, the boiling life of the whole society was firstly reflected in the prose. In addition, prose reflecting various aspects of life, such as reviewing personal experiences and feelings, and revealing the philosophy of life, also reappeared with a smile, and blossomed with luster. Some of the best works of this kind are Ding Ling's Cowshed Sketches, which recounts her life in the cowshed with her husband; Narcissus, in which Yan Zhen remembers a female professor's high moral character; Underground Forest Reflections, in which Zhang Antan celebrates the infinite power of the masses; and Bamboo and Fairy Blossoms, in which Guan Huah and Ding Ning put their faith in things and send up their spirituality and aspirations. Travelogue essays are also becoming more and more prosperous, and most of them have inherited the traditional method of classical essays of placing emotions in scenery and expressing one's feelings in a mountain and a water. Among them, the works on international themes are unique, Ding Ling's The United States as I See It, Xiao Qian's A Journey to the United States, Wang Meng's Chronicle of Germany and the United States, Mu Qing's Under the Leaning Tower, Liu Baiyu's A Song of the Seine, and Wei Junyi's The Love of the Old Country are all powerful works. After entering the turn of the century and the new century, there is also a trend of diversification and multi-polarization of prose. Yu Qiuyu's great cultural prose, Liu Liangcheng, Wang Chonglu, Wang Jianbing, Zhou Tao, and others start from the history, and begin to reflect on the times and culture. Ink and color for the nation and for ideas. Youth school essayists took over the old generation's prose writing style, Liu Weidong's historical prose, Han Han's travelogue prose is unique.