Known as "the ninth running script in the world", Huang Tingjian's running script is the best. Where is it now?

In the history of China's calligraphy, there is a famous Ten Running Scripts in the World, which has been popular in the book world since the Southern Song Dynasty and is still praised by later generations.

This 10 work is familiar to everyone, and it is the best calligraphy that has been verified for thousands of years. The top three are Wang Xizhi's Preface to the Lanting Pavilion, Yan Zhenqing's Sacrifice to My Nephew, Su Shi's Cold Food Post, and Tie, Jiu Hua Tie, Tie and Zhang Hansilu.

Huang Tingjian's Song Fengge Poetry is a long volume.

This ranking of 10 is not based on the level of calligraphy. From an artistic point of view, each has its own strengths, and each work is a classic model worthy of being copied by future generations.

1 102, which was the first year of worshipping Ning in the Northern Song Dynasty, that is, the first year of Song Huizong's administration. In September this year, there was a low mountain near a temple in the northwest of Ezhou City, Hubei Province, which was a scenic spot for future generations. This place is remembered by future generations because a great masterpiece in the history of calligraphy was born here.

This work is Huang Tingjian's Song Fengge Iron Stone, which is now in the National Palace Museum in Taipei and is his "calligraphy treasure". Because it is too precious, it is rarely exhibited.

Huang Tingjian's Song Fengge Poetry is a long volume.

This work was written by Huang Tingjian in "Song Feng Ge" when his friend * * * visited Fanshan in the first year of Chongning. At the time of writing this work, Huang Tingjian was in his twilight years, and his understanding of calligraphy had gone far beyond the Jin and Tang Dynasties, reaching the realm of god and enlightenment.

The style of this Song Fengge poem post is stirring, and the style of pike and spurge is vividly reflected in this post. As far as artistic achievements are concerned, this post is no less than Wang Xizhi's Preface to Lanting, and comparable to Yan Zhenqing's Sacrifice to My Nephew. It is the best work in the running script of the Song Dynasty, and the running script works of later generations are rarely second to none!

Huang Tingjian's calligraphy achievement is so high that some people even list him as the first of "Song Sijia". He is a rare famous artist in Song Dynasty who can compare with Jin and Tang Dynasties. In his works, the realm of "interest" and "enlightenment" has created a brand-new realm of calligraphy for future generations!

Huang Tingjian's Song Fengge Poetry is a long volume.

Huang Tingjian once bluntly said that his early study of Zhou Yue's calligraphy was disturbed by habit, and he finally realized the wonderful brushwork until he saw the original works of Zhang Xu, Huai Su and Gao Xian in the Tang Dynasty. He even said in "The Postscript of Benjunxuan Poetry":

"Modern scholar-officials seldom use the ancient method, but use a pen to wrap it around, hence the name cursive script. I don't know whether tadpoles, seals and officials agree with the same method. For hundreds of years, only Huai Su and Yu, the mad monks in Yongzhou, knew this method. Su Caiweng was enlightened, but he couldn't bring his religious interest into play, and the rest were useless. "

It means that the brushwork of the ancients, except Zhang Xu, Huai Su and me, also includes Su Dongpo, and others have never experienced the real brushwork at all.

It can be seen that the beauty of Huang Tingjian's brushwork is far from that of Jin and Tang Dynasties, which can be seen from his Song Fengge Poems.

Huang Tingjian's Song Fengge Poetry is a long volume.

If one of Huang Tingjian's calligraphy posts handed down from ancient times can represent his highest level of calligraphy, it will definitely be this Song Fengge poem post.

Although Iron Stone with Song style is a kind of running script, its brushwork and changing method can be applied to cursive script.

Huang Tingjian's calligraphy is different from that of Zhang Xu and Huai Su in the Tang Dynasty. He didn't reach a state of "no self" by drinking, but through the state of "mind enlightenment". When creating, everything flowed from his heart, and he realized that it was not wonderful, it was not wonderful!

Huang Tingjian's Song Fengge Poetry is a long volume.

Huang Tingjian's pen in Song Fengge Poetry Post, as Feng Ban said:

The pen starts from painting and returns to the left wrist. It actually draws to the right house, but it jumps again, just like a cloud meets the wind and goes back.

If you can't understand the meaning of this passage, you can think carefully about Huang Tingjian's Song Fengge Poetry Post.

Huang Tingjian, who came from Yan Zhenqing's Song Fengge Poems, is magnificent and magnanimous, which is far behind later generations.