Traditional Culture Encyclopedia - Traditional stories - How to practice eloquence in cross talk

How to practice eloquence in cross talk

The skills of practicing eloquence in cross talk are as follows:

1. Know the meaning of words: Before speaking a cross talk, the cross talk actor must first understand the meaning of this cross talk work. Understand the theme and character thought of the work. The theme idea is the content elaborated by the author through his works. Character thinking refers to the way of thinking of the characters in the works, and the characters created by the author in the works are all living people with thoughts and personalities.

Second, you must tell the truth: if you want to be a crosstalk performer, you must be eloquent. Crosstalk is not only the art of language, but also the art of laughter. Therefore, actors are required to be true, and the words should be sent to the audience's ears so that the audience can hear them clearly before laughing. If the audience can't hear clearly, they can't laugh. Articulation is not true, just like "cutting meat with a blunt knife"

3. Pronunciation should be accurate: Pronunciation mainly refers to the five phonemes of lips, teeth, teeth, tongue and throat. Crosstalk actors pronounce in dantian. Although they don't want to have a good voice like China traditional opera actors, they should be able to speak and sing. Dantian is full of gas fields, with good voice, good speech and delicious singing. Nowadays, many comic dialogues are combined with rap, which requires actors to have a good voice.

Fourth, the air intake is even: to tell the whole story, it is even more important to talk about air intake. For example, in a geographic map, a section of 100 place names should be completed continuously. At this time, we must know how to speak, know how to steal the breath, and master the uniform intake, so that the audience will be better. Infiltration has infiltrative content.

Crosstalk characteristics

The performance forms of cross talk are mainly divided into four points: speaking, learning, teasing and singing. These four ventriloquism skills all imitate the characteristics of the music art "octagonal drum". As far as its form is concerned, this kind of music is based on singing and speaking first. Whether studying or singing, it always tells a short story before the topic begins and then enters the topic, so it occupies the word "say".

Its "learning" is double learning, called double spring, and it is also used in the front shop to talk about learning, and learning is the main thing. "Teasing" means using skillful artistic language skills to lead to colorful humorous jokes.