What are the customs of Tibetan opera?

Customs of Tibetan Opera: The opening drama Arova, the main drama Bear, and the auspicious ending drama Tashi.

At the beginning, it is also called "Wimbledon" or "Jaruwenba", which is mainly to offer sacrifices to the audience, pray for the gods to exorcise evil spirits, pray for blessings, persuade people to do good deeds, and introduce the plot. Generally speaking, there are two people present: Jia Lu, seven in Wimba and seven in Ram.

All the actors, whether they are characters or not, appear in half a circle. When it's their turn to perform, they come out to perform, and the rest of the time they participate in backup singing and dancing.

Its basic performance form is: first, the dramatist introduces a story, then a character sings a story, and then all the actors dance or perform skills together, and so on. Its performance is divided into scenes and time, and the storyteller and the backup singer and dancer actually play the role of the scene.

Value at purchase price

Tibetan opera is the product of history and the crystallization of people in Xizang's diligence and wisdom. It records and reflects the formation and evolution of Tibetan opera culture, contains a lot of historical information, is a materialized and concrete historical resource, and has extremely rich inside information. Therefore, its historical value is undoubtedly the most concrete and fundamental value.

Without historical value, there is no other value. Specifically, the historical value of Tibetan opera cultural heritage is embodied in the history of literature, religion and art.

The artistic value of Tibetan opera cultural heritage is mainly manifested in singing art, costume art, mask art, etc. These materialized and figurative art forms greatly enrich the connotation of Tibetan traditional culture and make it easier for people to appreciate the profoundness of Tibetan culture.