Traditional Culture Encyclopedia - Traditional stories - Words describing intangible cultural heritage
Words describing intangible cultural heritage
Kunqu Opera Chinese Guqin Art Xinjiang Uygur Muqam Art Mongolian Long-tune Folk Songs (jointly declared with Mongolia) On September 30th, 2009, 22 new items were added: China sericulture and silk weaving skills, Fujian Nanyin, Nanjing Yunjin, Anhui Xuanzhi, Guizhou Dong folk songs, Guangdong Cantonese opera, Gesar epic, Zhejiang Longquan celadon, Qinghai regong art, Tibetan opera, Xinjiang Manas and Tibetan opera. China's intangible cultural heritage Wuhu Iron Painting Iron Painting, also known as Iron Flower, is a specialty of Wuhu, Anhui Province and one of the unique handicrafts in China. Iron paintings are all kinds of low-carbon steel decorative paintings forged and welded with iron sheets and iron wires. It combines folk paper-cutting, carving, mosaic and other artistic techniques, adopts Chinese painting composition, contrasts black and white, and combines reality with reality, which has a unique taste. The production of iron paintings originated in the Song Dynasty and prevailed in the Northern Song Dynasty. During the reign of Kangxi in the Qing Dynasty, the iron paintings in Wuhu, Anhui Province became self-contained and gradually became world-famous. Iron painting is forged with iron as ink, anvil as inkstone and hammer instead of pen. The varieties of iron paintings can be divided into three categories: one is small-scale scenery, with pine, plum, orchid, bamboo, chrysanthemum and eagle as themes. This kind of iron painting is framed and hung on the powder wall, which is more dignified and eye-catching. The second kind is lanterns, which are usually composed of four or six iron paintings, with paper or plain silk pasted inside and silver candles lit in the middle. They are dazzling and touching. The third category is screens, mostly landscapes, which are simple and elegant and spectacular. Wuhu is close to the Yangtze River with convenient transportation. It was once one of the four rice markets in China, and its iron smelting industry has been very developed since ancient times. The developed iron smelting industry and superb forging technology provide the innate foundation and conditions for the creation of Wuhu iron painting. Wuhu iron painting takes hammer as the pen, iron as the ink, anvil as the paper and forged iron as the painting, which is ingenious and full of charm. Wuhu iron painting has a long history, unique style, exquisite craftsmanship and superb skills. Iron painting began in the Kangxi period in the late Ming and early Qing dynasties, and has a history of more than 340 years. It was made by Tianchi, an iron court in Wuhu, and Xiao Chimu, a painter in Wuhu. Wuhu iron painting, which originated from Chinese painting, has the basic artistic characteristics of Xin 'an Painting School. Its writing style is thin and concise, and its style is cold and stubborn. It is a pure manual forging art. It is made of iron as raw material, melted in a red furnace, and then forged, drilled, welded and filed. It not only has the charm of Chinese painting, but also the three-dimensional beauty of sculpture, and also shows the flexibility and ductility of steel. Wuhu iron painting has participated in the Paris World Expo in France and the plastic arts exhibition in Budapest, Hungary, and has been exhibited in more than 20 countries and regions such as Japan, Kuwait, Italy, Nigeria, Saudi Arabia and Hong Kong. 1959 to 1960, the large-scale iron paintings "Welcome Pine", "Meishan Reservoir" and the iron book "Qinyuan Spring Snow" made by the old artist Chu Yanqing and several disciples were arranged in the Great Hall of the People. Wuhu iron painting has been inherited and developed for more than 340 years. On the basis of traditional small-scale scenes, lamps and screens, three-dimensional iron paintings, bonsai iron paintings, porcelain plate iron paintings and gold-plated iron paintings have been created, forming more than 200 varieties in five series, including seating screens, murals, calligraphy, decorative furnishings and cultural gifts. With its unique artistic style and charm, it is unique in the art world. The state attaches great importance to the protection of intangible cultural heritage. On May 20th, 2006, Wuhu Iron Painting Forging Technique was approved by the State Council to be included in the first batch of national intangible cultural heritage list. On June 5, 2007, Yang Guanghui, Wuhu City, Anhui Province was recognized as the representative inheritor of this cultural heritage project by the Ministry of Culture and included in the list of 226 representative inheritors of the first batch of national intangible cultural heritage projects.
2. Write good words and sentences about world heritage. China's world natural and cultural heritage represents China's eternal natural landscape and profound cultural essence. It is a valuable and non-renewable resource and wealth of the Chinese nation, and it needs every Chinese descendant to cherish and protect the Great Wall. The Great Wall is one of the world-famous miracles, and it is like a dragon entrenched in the vast land in northern China. It is the crystallization of the ancient working people's blood method in China. It is also a symbol of China's ancient culture and the pride of the Chinese nation. The Great Wall of Beijing, like a sleeping golden dragon, lies in the mountains and defends the great motherland. This Tiananmen Square is like scales on a dragon. This huge fortress is like a dragon forest. After Qin unified the six countries, Qin Shihuang mobilized1800,000 migrant workers to connect all the Great Walls into the Great Wall of Wan Li. Jiuzhaigou: Zhaimen in Jiuzhaigou was established after 1992, when Jiuzhaigou was listed in the World Natural Heritage List. Zhaimen reflects the Tibetan rural customs here. Look at this kind of art which is quaint and full of modern flavor, and is directly packaged with the bark of garden trees. It seems to tell us that Jiuzhaigou stands out in the modern world because of its wonderful natural scenery. Huangshan Mountain: As the saying goes, "When the Five Mountains return, they don't look at the mountains, and when Huangshan returns, they don't look at the mountains." Huangshan Mountain is famous for its strange pines, strange rocks, sea of clouds, hot springs and winter snow. The pine of Huangshan Mountain at home and abroad can survive in the crevices of rocks and has strong vitality. They have different shapes and postures: black tiger pine, dragon claw pine and dragon claw pine. Welcome pine is one of the famous scenic spots in Huangshan Mountain, and its shape is even more special: its trunk stretches out from the middle with two branches as long as 7.6 meters, reaching forward, just like a hospitable host, waving his arms and warmly welcoming domestic and foreign guests to visit Huangshan Mountain, which has become a symbol of Chinese hospitality. Temple of Heaven: The Temple of Heaven,1998165438+10 was listed in the World Heritage List in October. It is a place where emperors in Ming and Qing dynasties sacrificed to the gods of heaven and earth and prayed for a bumper harvest of grain. The Temple of Heaven is not only a pearl in China's ancient architecture, but also a treasure in the history of world architecture. East-west length 1.700 m, north-south width 1.600 m, planting area of 2.73 million square meters. The Temple of Heaven includes Qiu Huan and Guqi Ertan, and its walls are divided into two layers and zigzag. The north wall is square. This north-south circle, commonly known as the "wall of heaven and earth", symbolizes the old adage of "a land with a round sky". Summer Palace: Kunming Lake in the Summer Palace, with an island in it, is lush. You can go to the island to play through the bridge in front of us. This bridge has seventeen bridge opening, which is called seventeen-span bridge. There are hundreds of stone pillars on the railing, on which many lions are carved.
3. Write a micro-writing topic: intangible cultural heritage praise requirements: 150 words or so, there is an "intangible cultural heritage festival?" This is a new festival. It's only five years since I came to my hometown. But it is this novel festival that evokes people's infinite feelings about the ancient rhyme.
"Tick, tick, tick, tick, tick, tick, tick, tick, tick, tick, tick, tick, tick, tick, tick, tick, tick. Red sedan chair, special sedan chair, occupation
The MC team really seems to have taken us back to that big day many years ago. People gathered around, and the old people kept saying, "We used to be kind-". Yes, if it wasn't such a special nostalgic festival, who would?
Can recall the old days that will be forgotten? Walking in the old street, I found quite a few similar folk programs. Woven baskets, straw sandals, clay sculptures, paper-cuts ... dazzling. Not as loud as rumbling.
Machines, just hand-made, can also make a special delicacy and delicacy.
An old woman in her late eighties caught my attention. White hair and wrinkles seem to announce the weather and frost experienced by the owner. But she has not been crushed by ruthless years, but has maintained a lightness after experience. A wooden frame and several wires, it may be hard for you to imagine how this is woven into a good, but solid and practical cloth. But in grandma's hands, this time, the hooked and brightly colored zodiac image came into being. This line is connected with that line, and that line is pressing this line. One end of the thin silk thread is connected with modernity, but the history at the other end seems to be drifting away from us.
Behind the grandmother is an antique building, which displays many antiques searched by landlords from all over the world. From carved wooden beds to pots and pans, the patterns on them are all exquisite and lifelike. flat
At first glance, ordinary wooden pots also have extraordinary places, and the eight characters carved by the Eight Immortals crossing the sea have different expressions. Some are unruly, some are unruly, and some are kind-hearted. Almost all of these eight immortals will be engraved.
"People used to be so smart!" I express my sincere admiration. "So modern people are not smart?" Mom asked, and I was speechless. An unknown uncle next to him spoke, "It's not that modern people are not smart, it's that we are lazy!" " "
Are we getting lazy? Indeed, the birth of a series of industrial civilization machines made us forget the handwork and the learning and exploration of our ancestors. But can these really replace everything? Modern technology may imitate it.
The appearance of a child, but a little less agile; Can do more than them, more colorful, but a little less ancient history. Just as I can't infer that those incredible handmade masterpieces cost the producers.
How much time and energy, in these days, few people are so "slow" to do something.
Nowadays, we are eager for everything, but we don't know that greater spiritual wealth is the real heritage. I think this is one of the meanings of intangible cultural heritage!
4. Please ask LU ZHOU LAO JIAO CO.,LTD Co., Ltd. to cherish the advertising words of intangible cultural heritage, explain and appreciate them in detail, and add LU ZHOU LAO JIAO CO.,LTD Co., Ltd. to them. Intangible cultural heritage refers to all kinds of traditional cultural expressions that exist in intangible forms and are closely related to people's lives and passed down from generation to generation, including oral traditions, traditional performing arts, folk activities, ceremonies and festivals, folk traditional knowledge and practice about nature and the universe, traditional handicraft skills and cultural spaces related to the above traditional cultural expressions.
Intangible cultural heritage is a people-oriented living cultural heritage, which emphasizes people-centered skills, experience and spirit and is characterized by living changes. In the practical work of intangible cultural heritage, the criteria for identifying intangible cultural heritage are father and son (family), master and apprentice, or school inheritance for more than three generations, and the inheritance time is more than 100 years, which requires a clear pedigree.
Basic Features The distribution of intangible cultural heritage The biggest feature of intangible cultural heritage is that it is not divorced from the special way of life and production of the nation, and it is a "living" expression of national personality and national aesthetic habits. It exists on the basis of human beings, with sound, images and skills as the means of expression and word-of-mouth as the cultural chain. It is the most fragile part of "living" culture and its tradition.
Therefore, for the inheritance process of intangible cultural heritage, human inheritance is particularly important. Intangible cultural heritage is spatio-temporal.
The cultural space of intangible cultural heritage is a new and important concept with the spatial nature of culture as the main research and expression object. From the general concept of cultural anthropology, the study of intangible cultural heritage is a new and important applied research discipline of cultural anthropology, and the study of cultural space of intangible cultural heritage is a brand-new field to be explored and discovered.
In the past application and research, we have a lot of imaginative research and understanding, which not only opened our horizons, but also confused our intelligence. Today, we study the cultural space of intangible cultural heritage as an important topic, in order to give the cultural space in intangible cultural heritage a concept that is more in line with the theoretical reality of cultural anthropology, thus promoting the research and development of intangible cultural heritage culture.
It is an indisputable fact that human beings and culture are important components of human beings. In anthropology, physical anthropology has uncovered the "mystery" of human origin, answered how "man" came from and solved the problem of human origin, but it has not been able to solve the problem of what man is, because physical anthropology has only solved the physical existence of human beings, but not the cultural existence of human beings.
Man's physical existence is only physical man's existence, and man's existence is not only physical man's existence. Only the existence of physical people and the existence of cultural people together constitute the existence of real people in the world. This is the basic reason why we define people as "animals+culture".
Animals are the meaning of human physical anthropology, and culture is the meaning of human cultural anthropology. Whether we regard the manufacture of tools or the application of fire as a sign of "separation of apes", its significance is the same, and it is the beginning of the significance of human culture as a whole person.
Only with this beginning can people we understand today appear. It is nature that creates the meaning of human material existence, and human culture creates the meaning of human cultural existence.
The origin of human culture stems from what we call the existence of self-consciousness today, and this kind of "self-consciousness" is triggered by the apes in nature for their own physical anthropology survival. Whether our ancestors used fire or made tools, they did not appear for the purpose of "self-awareness" as we understand it today, but these behaviors made our ancestors aware of their existence, thus starting the creation of our human culture.
"Self-consciousness" is produced by human beings in their own material survival needs, that is to say, people have created their own culture and further lived in it. We say that human beings are composed of two elements, one is animals, and the other is culture, which gives birth to many concepts of existence, such as "material survival" and "spiritual survival".
We human beings have created our own culture and lived in it. However, in the initial cultural creation, human cultural consciousness was subject to material, and human culture was mostly confined to the existing form of material, which was the accumulation of human cultural consciousness in material form. At this time, all human consciousness is chaotic, only the difference between natural matter and human consciousness, but there can be no difference between material consciousness and spiritual consciousness as we say today.
Later, when people have the ability to add the consciousness they feel to matter, so that the existing form of matter changes from natural existence to the existence based on human consciousness, people "discover" their own existence in the existence of this unnatural material form. Since then, people's consciousness is mainly manifested in this kind of material culture, and the basic value orientation of this culture is mainly people's material ability and material interests.
This aspect is very important, which is the basic guarantee for the complete separation of human beings from all animals. On the basis of this material consciousness, people have discovered a more important form of human culture, which is the form of spiritual consciousness.
Material consciousness has a strong ability to construct material forms, but it cannot be separated from the materiality of forms. If it leaves the material form, it can't have its own construction ability. Moreover, material consciousness can acquire meaning in its own form, but its ultimate meaning depends on the form of spiritual consciousness.
No matter in material or immaterial form, spiritual consciousness has a powerful and basic construction force. In these senses, it is human beings who create themselves and live in an increasingly complex culture created by themselves.
The culture created by human beings not only transforms human attributes, but also transforms human nature. We say that physical people and cultural people are important elements of human beings, but in fact, the cultural strength of human beings and physical people is no longer equal.
If nothing else, it is the term "physical anthropology", which is a manifestation of human cultural strength. Otherwise it can be called "some kind of zoology". Even so.
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