Zheng related school

Traditional Zheng music is divided into two factions, North and South, and now it is generally divided into nine factions:

First, Shaanxi Zheng's "Real"

Second, Henan Zheng's "Zhongzhou Classical Tune" (or "Voice of Zheng Wei")

Third, Shandong Zheng's Qilu taipan.

Four, "Han Jiang Si Zhu" Chaozhou Zheng

Five, "Gao Han Ancient Rhyme" Hakka Zheng

Six, "Wulin" Hangzhou Zheng (that is, Zhejiang Zheng)

7. Fujian Zheng is in southern Fujian.

Eight, Inner Mongolia grassland "denture" denture (Mongolian)-Mongolian guzheng

9.Gayakog (Korean), the "Kayeqin" in Yanbian area-Korean Zheng.

Shaanxi Zheng

Shaanxi Zheng originated from Shaanxi, the birthplace of China Zheng. The distinctive features of Shaanxi Zheng music are firstly the particularity of melody and the vagrancy of two tone sandhi. The fourth tone in the heptatonic scale is high, while the seventh tone is low. Delicate style, euphemistic more grief; Generosity is urgent, and there is lyricism in agitation.

Shandongzheng

Shandong Zheng: According to Qi Ce of the Warring States Policy, "Linzi is rich and practical, and its people are happy, so many people call Shandong Zheng Zheng Qi". Its spread is mainly in Heze area, including Yuncheng and Juancheng, and Liaocheng area in western Shandong, especially in Heze area, where folk music is very popular and known as the "hometown of guzheng". Shandong Zheng music is mostly directly related to Shandong Qin Shu and folk music. Most of them are Gongdiao, which consists of eight boards. When playing, the big finger is used frequently and forcefully. Even if it is a "flower finger", it is mostly a big finger playing with a "brace"; The left hand's singing, rubbing, pressing and sliding are both rigid and soft, with a deep sonorous and simple playing style.

Chaozhou Zheng

Chaozhou Zheng is an important school in the history of ancient Zheng in China, which is famous for its softness, delicacy and tolerance. There are several unique styles of Chaozhou music in the mode, such as "light 36", "heavy 36", "lively 5" and "light 36", supplemented by quiet and euphemistic tunes and delicate decorative sounds such as singing, rubbing, pressing and sliding, forming a smooth and beautiful charm.

Hakka Zheng

Hakka Zheng, namely Guangdong Han, is one of the outstanding traditional music in Guangdong. When playing, Hakka Zheng often uses the middle finger to make Hakka Zheng melodious, simple and elegant.

Hangzhou Zheng

Zhejiang Zheng: Wulin Zheng, also known as Wulin Zheng, is popular in Zhejiang and Jiangsu. It is said that the Zheng was introduced to Jiankang (Nanjing) in the Eastern Jin Dynasty, which was more common in poetry and writing in the Tang Dynasty. The application of "finger shaking" in Zhejiang Zheng is played with the slight jitter of thumb, and its effect is very similar to that of bowstring instruments.

Fujian Zheng

Fujian Zheng is popular in Zhangpu County, Yunxiao County, Dongshan County, Zhao 'an County, Shanghang County, Yongding County and other counties in southwest Fujian. It is customary to call Fujian Zheng "Minnan Zheng". The style is simple and elegant, and it still retains a strong traditional charm.

Meng guzheng

Mongolian guzheng, namely Yatog, is an ancient national musical instrument popular in Xilin Gol and Yikezhaomeng in China, and its expressive force is very rich. Its structure, tuning method and playing style are different from those of Han Guzheng. Mainly by pressing, rubbing, sliding and vibrating strings. Obviously, Yatogo's gameplay is older.

North Korea Zheng

Korean Zheng, namely gayageum, a plucked instrument of the Korean nation, has been passed down from Silla era to now, with a history of 1500 years. It is said that King Jiaxi of Kadoorie imitated Han Zheng of China. Shaped like A Zheng, it is also a string of columns. At present, gayageum has 2 1 strings, and the scales are arranged into seven and five tones. The technique of right hitting and left pressing is basically the same as A Zheng's, with unique artistic style and colorful playing skills.