Traditional Culture Encyclopedia - Traditional stories - Let's talk about the appreciation of the Spring Festival Overture.
Let's talk about the appreciation of the Spring Festival Overture.
Its melody is elegant and popular, and its theme is a grand festival with a mass base, so it has gradually evolved into a small tradition attached to the Spring Festival since its birth. Especially after the TV Spring Festival Evening became popular, this song became more familiar.
1, music introduction
The Spring Festival Suite was written in 1955-1956. Based on the tone and rhythm of folk yangko in northern Shaanxi, the music has a lively melody, which vividly shows the scenes of China people's excitement, jubilation, beating gongs and drums, singing and dancing in traditional festivals.
This music describes the scene of people dancing yangko during the Spring Festival. The rhythm of gongs and drums was added to the music. The theme consists of two northern Shaanxi folk suona songs, and the middle part is a melodious northern Shaanxi folk song.
The introduction of the Spring Festival overture is equivalent to crossing the street. The first part is warm Allegro, which describes the scene of singing and dancing in the stadium. The middle part is lyrical medium board, which describes a small dance performance. Then go back to the first part of the music and describe yangko with drama. The last conclusion repeats the second half of the introduction.
2. Introduction to the author
Li Huanzhi (19 19-2000) is a famous composer, conductor and music theorist in China.
19 19 was born in Hong Kong, and his ancestral home is Jinjiang, Fujian.
1936 He entered Shanghai National Conservatory of Music in the spring and studied acoustics as a child.
1August, 938, went to Yan 'an and studied in the Music Department of Lu Xun Art College. After graduation, he continued to learn composition and conductor from Xian Xinghai in the advanced class. Stay in school as a teacher after graduation.
After War of Resistance against Japanese Aggression's victory, he came to Zhangjiakou from Yan 'an and served as the head of the music department of the College of Literature and Art of North China United University.
Since the founding of New China, he has been active in the music front, serving as the head of the music working group of the Central Conservatory of Music, the artistic director of the Central Song and Dance Troupe, and the head of the Central National Orchestra.
1954 Up to now, he has served as the executive director, secretary of the secretariat, vice-chairman of the China Musicians Association, director of the creative committee of the Music Association, and editor-in-chief of Music Creation. 1985 was elected president of China Musicians Association.
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