How to correctly evaluate Wang_Yu?

The first time I saw Wang Peiyu was in the program "Oddball Assembly", this girl who sang the old student, Boss Yu stood there, did not show the mountains and did not show the water, contained but did not send, but let a person azure respect. Wang Peiyu appeared in a Cantonese movie, she said: I have waved my beard 1641 times, in the 367th time, I have a nickname, called the boss of the Yu ...... Once I saw the boss of the Yu, my heart, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom, boom. The look is spiritual, the voice is spiritual, the situation is spiritual.

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There are only two kinds of people in the world: one likes Peking Opera, and the other doesn't know that he likes Peking Opera.

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When Wang Peiyu, dressed in a black tunic, uttered these words at the "Oddball Conference" in Man language, many people were captivated by her airy and dignified demeanor.

When I met Wang Peiyu, I could feel the quiet strength in her, and the hour hand seemed to jump half a beat slower in that moment, and time just slowed down.

Wang Peiyu is recognized as a representative figure in the Pear Garden community for learning about the rest of the world. She has a distinctive style of articulation and pronunciation, and her voice is high and wide, with a clear, mellow flavor. She sings the words "The lady doesn't have to be too strong" in Searching for Orphans and Rescuing Orphans, and "Listening to his words scares me" in Catching and Discharging Cao, which are simple and timeless, smooth and pleasant to the ear. Wang Peiyu, who appears to be thin and frail, sings with a high, clear voice that is penetrating and infectious.

What I personally admire most about Wang Peiyu is her extreme love of Peking Opera. This is not only reflected in her own pursuit of art, but also in the fact that she spares no effort to publicize and spread the art of Peking Opera. We all know that Peking Opera is in decline, and its development can be characterized as a struggle. But Wang Peiyu, who is willing to be the spokesperson for Peking Opera and travels to many variety shows to spread the knowledge of the national art, is, in my opinion, a very good business card for Peking Opera. She has said many times that there are only two kinds of people in the world: those who love Peking Opera and those who don't know they love Peking Opera. I don't agree with this statement, because no matter what period of time there will always be a group of people who know Peking Opera and despise it at the same time. Take some literati, they despise the lyrics of Peking Opera, and the elegant Kunqu Opera is their art. But no matter what, her passion for Peking Opera is unquestionable. There are indeed many examples of opera crossovers into the entertainment industry, from comedians, to variety hosts, and of course, to singers. This to Li Yugang's opera + song and dance + singer of the most representative of the cross-border, can be called in recent years few typical cases. Today's "Sound of Dreams" brings a famous Peking Opera artist Wang Peiyu, who has won the Plum Blossom Prize in Chinese Drama and has been awarded the title of Peking Opera Prodigy at a young age along with Tao Yang (of the Deyun Society)***, a talent that is hard to match by ordinary people. Speaking of Wang Peiyu's plays, the one that sticks out the most is the 2014 production of Red Mane Blazing Horses in which she collaborated with Zhang Huoding. I remember a friend saying that the performance that night made him feel as if he had gone back to the time of Tan Xinpei and Mei Lanfang 100 years ago, and saw what Peking Opera was like then. He was referring more to the theater atmosphere. It's not uncommon for the Peking Opera world to move on, but due to the two men's unique temperament and the intellectual audience base each has amassed, coupled with Zhang Huoding's return to the Peking Opera stage, the show received extra attention. The play "Wujiapo", Xue Pinggui and Wang Baoshuan's duet is a famous section of Peking Opera, "that Su Long, Wei Hu for the matchmaking witness, Wang Prime Minister is my main marriage which ......", there are many Peking Opera actors sing crisp, coherent, loud, with a playful flavor. Wang Peiyu's Xue Pinggui is deep and measured, and even sings a bit of sadness, coupled with Zhang Huoding's wind-blown high cold, the two men's cooperation is indeed rare. When I saw Wang Peiyu backstage at the show, she took off her costume and thick-soled boots and wore a white tunic, and as I watched her signing picture albums for her fans in a somewhat exhausted manner, I was struck by the question of whether this somewhat petite woman was taking on too much pressure. So how did Ms. Wang Peiyu's crossover performance go? The piano accompaniment on the original version of "The Heart is Beating" was a lazy direct application of the vocal melody, relying especially on Dawn's vocal performance. Wang Peiyu's cover of "The Heart Is Jumping" has a very big change in the arrangement. The arranger has written a new 30-second intro for the song, and used the piano to start, with nylon guitars and strings stacked on top of each other, which is a very suitable combination for this kind of delicate and deep lyric song. The choice of keys was within Ms. Wang Peiyu's control, but since the AB's are still a bit large, raising the pitch is a must if you want to create contrasting moods in the passages. In this way, Ms. Wang Peiyu needs to firmly control the transition between the sound area and the breath in the B section, especially in the case of the answer, which is very easy to catch. However, Ms. Wang Peiyu, as expected from an opera practitioner, repeated the phrase several times and handled it very well, and the high notes were also held up, so I can only say that I am a great teacher! In addition to this, Ms. Wang Peiyu's emotion and intonation were of an upper-middle level among crossover singers, and she had a few breaks, bites, and lengthening of the end notes, all of which were noteworthy, and which exceeded my expectations. However, if you ask her to be a first-rate singer, Ms. Wang Peiyu's tone lacks flexibility, her range is slightly narrow, and her precise control of rhythm is a visible shortcoming. As a new generation of Peking Opera performers, she dares to appear on stage with her face uncovered, removing unnecessary forms and "gimmicks"; she is confident in her own kung fu, and faces the audience calmly; she tries to make the traditional art fashionable, and spreads Peking Opera in a rich form to attract the young audience, all of which is refreshing, and it takes courage and strength! It takes courage, it takes strength, and not everyone can do it. Pui-Yu has a handsome face, elegant temperament, a strong sense of bookishness, and a confidence and calmness that is rare among her peers, which makes her a great person. Her singing is simple, timeless and memorable. Among the Peking Opera genres, the Yu School is easy to learn and difficult to master. Wang Peiyu, after several years of study, has mastered the way, mastered the essence of the Yu school of singing, in the spitting, pronunciation, gas, the cavity of the careful scheduling of all aspects of the integration, without revealing traces of the axe, the pursuit of "calm and graceful, the connotation of the sinews and bones," the realm, in the light of the charm of the divine. The strict and neat spitting, standardized and regular lines, y reveals her superb style of the Yu school. Boss Wang not only has a good image, but also a good character, with a face like a crown of jade and a handsome look. In various programs, she is sometimes funny, sometimes alternative and uninhibited, and can be said to be both an artistic person with substance and a trendy star. Although she has already made a name for herself in the industry, she doesn't want to stop being stuck in her ways. In order to break away from the state-owned system of opera and pursue an innovative approach to development, she resigned from her job, created her own studio, and became self-financing. Although the final result is not as expected, but also counted for the dream of struggling, struggling. Although she was brought up to be "gender-neutral", she is a self-made person. In singing, she is not inferior to professional singers, she has dabbled in photography, tea ceremony, incense ceremony, especially in the process of communication with people to show the temperament, are y impressed. Peking Opera, with her dedication to watering, injected with fresh blood glowing out of the new era of delicate ...... salary, turning themselves into the art of Peking Opera's endless thoughts. Wang Peiyu, inheriting the classics of the Yu school of art, drawing on the wisdom of the old generation of masters, the long-lost splendor of another perfect display. If you love Peking Opera, you can find your happiness in Peking Opera! "Yuyin Society" is a Peking Opera's Garden of Eden, where the future and tomorrow of Peking Opera are touched...

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