Reading notes on books related to commercial environmental design No less than 1500 words

Concept

In accordance with people's functional and spiritual requirements for interior space, the following definition: interior design is to grasp the space from the inside of the building, according to the nature of the use of the space and the environment in the use of material, technical and artistic means, to create a functional and reasonable, comfortable, beautiful, in line with the human psyche, the human physiology, the user's mood is happy, and easy to live, work and study the ideal place of interior space environment design. Life, work, study, the ideal place of internal space environment design.

Interior design consists of four aspects: interior space design, interior architecture, the design of decorative components, interior furniture and furnishings design, indoor physical environment design.

The styles of interior design: postmodernism, high technology, deconstructionism, post-modernism, minimalism.

Modern interior design has both high artistic requirements, which involves the design content and high technical content, and with some emerging disciplines, such as: ergonomics, environmental psychology, environmental physics, etc. extremely close relationship. Modern interior design has developed into an independent emerging discipline in environmental design.

Difference and connection between interior decoration, decoration and design

Interior decoration or decoration, interior decoration, interior design, is a few usually recognized, but the inner meaning of the word is actually a difference.

Interior decoration or decoration: the original meaning of decoration and decoration is "objects or commodities appearance" of the "modification", is focused on the appearance of the visual arts perspective to explore and study the problem. For example, the treatment of the interior floor, wall, ceiling and other aspects of the surface, the selection of decorative materials, may also include the selection of furniture, lamps, furnishings and accessories, configuration and design.

Interior decoration: Finishing the word has the meaning of the final completion of the interior decoration focuses on engineering, construction technology and construction practices, as the name implies, mainly refers to the completion of civil construction, the interior of the various interfaces, doors, windows, partitions, and other final renovation projects.

Interior design: as this section of the meaning of the above, modern interior design is a comprehensive indoor environmental design, which includes both the visual environment and engineering technology, including sound, light, heat and other physical environment, as well as the atmosphere, mood and other psychological environment and cultural connotations and other content.

Modern interior design needs to meet people's physiological and psychological requirements, need to comprehensively deal with the relationship between people and the environment, interpersonal communication and many other relationships, the need to serve people under the premise of a comprehensive solution to the use of functionality, economic efficiency, comfort and aesthetics, environmental ambience and other requirements. The process of design and implementation will also involve materials, equipment, quotas and regulations, as well as the coordination of construction management and many other issues. It can be considered that modern interior design is a comprehensive and strong system engineering, but the starting point and destination of modern interior design can only be for people and interpersonal activities.

From the service of people as the "cornerstone of the function", the designer needs to be meticulous, put themselves in people's shoes to create a beautiful indoor environment. Therefore, modern interior design attaches special importance to human engineering, environmental psychology, aesthetic psychology and other aspects of the research, used to scientifically, in-depth understanding of people's physiological characteristics, behavioral psychology and visual perception of the interior environment design requirements.

For different people, different objects, accordingly should consider different requirements. For example: kindergarten indoor window sill, taking into account the scale to adapt to young children, the height of the window sill is often reduced from the usual 900 ~ 1000cm to 450 ~ 550cm, the height of the stair treads are also about 12cm, and set up to adapt to the scale of children and adults of the two-stage handrail; some public **** building taking into account the access and activities of people with disabilities, the difference between the indoor and outdoor heights, vertical communication, Gu wash and many other aspects of accessibility design; underground spaces in recent years, the accessibility of the design of the indoor environment should be considered accordingly. In recent years, the evacuation design of underground space, such as Shanghai's subway stations, has introduced a 1-min extra margin of evacuation time for the safe evacuation of elderly people and people with slow reaction to activities in the formula for the safe evacuation of these people. The above three examples focus on the behavioral and physiological characteristics of children, the elderly, and people with disabilities.

In the organization of indoor space, color and lighting selection, as well as the corresponding use of the nature of the indoor environment atmosphere, etc., more need to study people's behavioral psychology, visual perception of the requirements. For example: the church towering indoor space with a sense of mystery, the conference hall regular indoor space with a sense of solemnity, and entertainment venues brilliant colors and colorful flashes of lighting to give people excited, happy psychological feeling. We should fully utilize the present feasible material and technical means and the corresponding economic conditions, to create the first of all to meet the human and interpersonal activities required for the indoor artificial environment.

Interior design and architectural design is the same, from the large categories can be divided into:

1, residential building interior design;

2, public **** building interior design;

3, industrial building interior design;

4, agricultural building interior design.

Between the different types of buildings in various types of buildings, there are a number of indoor spaces with the same function, such as: foyer, lobby, elevator hall, atrium, washroom, bathroom, and general function of the janitorial room, office, conference room, reception room and so on. Of course, in the design of specific projects, the scale of these indoor spaces, standards and the corresponding use of the requirements will have a lot of differences, the need for specific analysis.

The classification of various types of architectural interior design and the design of the main room is as follows:

Because of the nature of the use of indoor space and different characteristics of the function, the main room of the various types of architectural interior design of the cultural, artistic and technological processes and other aspects of the requirements of the process, but also focus on their own. For example, the main hall of monumental buildings and religious buildings with special functional requirements, the design of monumental, artistic, cultural connotations and other spiritual functions of the requirements of the design is more prominent; and industrial, agricultural and other productive buildings, workshops and rooms, relative to the production process and the creation of the indoor physical environment of the requirements of the more stringent.

Indoor space environment according to the type of building is extremely functional design classification, the significance of the main is: so that the designer in the acceptance of the interior design task, the first should be clear about the nature of the use of indoor space designed, that is, the so-called design of the "functional positioning", this is due to the determination of the interior design modeling style, color and lighting considerations, as well as the selection of decorative materials, the design of the interior design of the design of the interior space is not a good idea. This is because the determination of interior design style, color and lighting considerations and the selection of decorative materials, all with the nature of the use of the designed interior space, and the design of the object of the material and spiritual functions are closely linked together. For example, the interior of residential buildings, even if economically possible, it is not appropriate in the shape, color, material to make the "residential decoration hotel", because the residence of the living room and the hotel lobby, amusement parks and the basic functions and requirements of the environment between the atmosphere is very different.

Modern interior design to consider the starting point and the ultimate goal is to serve people, to meet the needs of people's lives, production activities, to create an ideal indoor space environment for people, so that people feel that they are living in it, be cared for and respected; once determined the indoor space environment, the same can also be inspired, guided, and even to a certain extent, to change the people's activities in the way of life and behavioral patterns between them.

In order to create an ideal interior space environment, we must understand the basis and requirements of interior design, and know the characteristics of modern interior design and its development trends.

Interior design basis

Interior design as a series of environmental design in a "ring", so the interior design must be in advance of the functional characteristics of the building, the design intent, structural composition, facilities and equipment to fully grasp the situation, and then to the building in the region of the outdoor environment, etc. also have an understanding. Understanding. Specifically, the interior design of the following bases:

One, the human body scale and people stay indoors, activities, communication, access to the spatial range

First of all, the human body's scale and the action domain required size and spatial range, people's interaction with the psychological requirements of the interpersonal distance, as well as people in the indoor access, the width of the tangible and intangible channels everywhere. The scale of the human body, that is, the human body in the room to complete a variety of actions in the scope of activities, is that we determine the indoor such as the height and width of the door, the height and width of the step, the height of the bay window and balcony, the size of the furniture and its distance, as well as staircase platforms, the minimum height of the indoor net high basis. When it comes to people's psychological feelings in indoor spaces of different natures, the optimal spatial range to satisfy people's psychological needs should also be taken into account. From the basis of the above factors, can be summarized as: 1, static scale; 2, dynamic range of activities; 3, the scope of psychological needs.

Two, furniture, lamps, equipment, furnishings and other dimensions, as well as the use, the space required to place them in the scope of

In indoor space, in addition to human activities, the main space occupying the contents of the furniture, lamps, equipment. For lamps, air-conditioning equipment, sanitary ware, etc., in addition to its own size and use, placement of the space necessary for the scope, it is worth noting that such equipment, facilities, due to the civil design and construction of the building, such as piping and wiring have been a whole arrangement, interior design should be connected as far as possible at their interfaces to be connected, coordinated. Admittedly, for the outlet, lamps and lanterns position from the indoor use of reasonable and modeling requirements, appropriate in the interface to make some adjustments is also allowed.

Third, the structural composition of the indoor space, the size of the components, facilities, pipelines and other dimensions and constraints

The structural system of the indoor space, the spacing of the column network of the openings, the floor of the plate thickness of the beam height, the sectional dimensions of the ducts, as well as the direction of the water and electricity pipeline and the requirements of the pavement, etc., are all the organization of the indoor space must be taken into account. Some of the facilities, such as the section size of the duct, the direction of the water pipe, etc., can be adjusted under the coordination with the relevant trades, but it is still a necessary basis for conditions and constraints. For example, centralized air conditioning ducts are usually set up under the board, the computer room of a variety of cable lines are often laid in the raised floor, the vertical dimensions of the indoor space, it is necessary to consider these factors.

Four, in line with the requirements of the design environment, the choice of decorative materials and feasible construction techniques

Turned into reality by the design of the idea must be used to choose the ground, wall, ceiling and other interfaces of the decorative materials, the use of realistic and feasible construction techniques, the basis of these conditions must be taken into account at the beginning of the design to ensure that the implementation of the design plans.

Fifth, the investment limits and construction standards have been determined, as well as the design of the project construction period required by the task

Specific and clear economic and time concept is an important prerequisite for all modern design projects. Interior design and architectural design of the difference is that the same hotel lobby, relatively speaking, the different programs of civil construction unit cost is relatively close, and different construction standards of interior decoration, can be several times or even more than ten times the difference. For example, the general community hotel lobby interior decoration costs about 1,000 yuan per party cost enough, while the five-star hotel lobby can be as high as 8,000 to 10,000 yuan per party cost. Visible to the interior design, the investment limit and construction standards is the necessary basis for interior design factors. At the same time, different engineering construction period, will lead to interior design in different decorative materials installation process and interface design techniques.

As chapter 2, section 3, about the interior design of the program steps have been clear, in the design of the project, the construction unit put forward the design mission statement, as well as the relevant norms and quotas standards, are also the basis of the interior design of the document. In addition, the original building's overall layout and architectural design of the overall concept is also an important design basis for interior design factors.

Requirements for interior design

Requirements for interior design mainly include the following:

1, with the use of reasonable indoor space organization and layout, to provide indoor acoustic, light, thermal effects in line with the requirements of the use of indoor environment to meet the needs of the material function;

2, with the shape of the space composition and interface processing, light, color and material configuration, in line with the character of the building.

2, with beautifully shaped spatial composition and interface treatment, pleasant light, color and material configuration, in line with the character of the building's environmental atmosphere to meet the needs of the spiritual function of the indoor environment;

3, the use of reasonable decorative structure and technical measures, select the appropriate decorative materials and facilities and equipment, so that it has good economic efficiency;

4, in line with the safety and evacuation, fire prevention, sanitation, and other design norms, and to comply with the design of the task is compatible with the relevant quota standards;

5, with the passage of time, consider the possibility of having adaptive adjustment of indoor functions, updating decorative materials and equipment;

6, in connection with the requirements of sustainable development, indoor environmental design should be considered for indoor environment, energy saving, material saving, prevention of pollution and attention to the full use of indoor space and saving.

From the above interior design based on the conditions and design requirements of the contents of the view, accordingly, also on the interior designer should have the knowledge and quality of the requirements, or rather, should be according to the direction of the requirements of the following, to try to improve themselves. Summarized in the following aspects:

1, the basic knowledge of the design of building units and environmental design in general, especially on the functional analysis of the building unit, the layout, spatial organization, the necessary knowledge of the design of the form, with the overall environmental art and architectural art understanding and literacy;

2, with building materials, decorative materials, building structure and construction, construction technology, etc. building materials and construction technology;

3, with the necessary knowledge of sound, light, heat and other building physics, wind, light, electricity and other building equipment;

4, with the necessary knowledge and understanding of some disciplines, such as ergonomics, environmental psychology, and modern computer technology;

5, with good artistic literacy and design expression ability

6. Be familiar with the regulations and laws related to architecture and interior design.

Characteristics and development trend of interior design

I. Characteristics of interior design

The relationship between interior design and architectural design is extremely close and interpenetrating, and usually architectural design is a prerequisite for interior design, just as urban planning and urban design are prerequisites for the design of architectural monoliths. Interior design and architectural design have many **** the same point, that is, they have to consider the material function and the spiritual function of the requirements of the aesthetics of architecture, are subject to the constraints of the material, technical and economic conditions and so on. Interior design as a relatively independent emerging disciplines, but also the following characteristics:

1, the physical and mental impact on people more directly and closely

As a great part of a person's life is spent indoors, so the indoor environment of the advantages and disadvantages of the indoor environment, is bound to have a direct impact on the people's safety, hygiene, efficiency and comfort, the size and shape of the indoor space, the indoor interface of the line pattern The size and shape of the indoor space, the linear pattern of the indoor interface, etc., will give people physiological, psychological strong long time, close feeling, and even contact and touch to the indoor furniture, equipment and even walls, floors, and other interfaces, so it is natural that the interior design requirements are more in-depth and meticulous, more careful, more from the perspective of people's physical and mental health and comfort to consider, from the point of view of the enrichment of people's spiritual and cultural life to consider.

2, the composition of the indoor environment to consider more carefully

Interior design of the composition of the indoor light environment and the visual environment of the lighting and illumination, tone and color configuration, material texture and texture, the indoor thermal environment of the temperature, relative humidity and airflow, the indoor acoustic environment of the sound, sound insulation, acoustic and noise background and other considerations, in the modern indoor design of the composition of the factors. Most of them have to be quantitatively standardized.

3, more concentrated, detailed, profoundly reflect the design aesthetics of space form, functional technology, decorative technology

If the architectural design of the external form and internal space to give people the feeling of architectural art, indoor design of indoor space, interface line and indoor furniture, lamps and lanterns, equipment, and other inclusions of the synthesis of the indoor environment, to give people the feeling of the art of indoor environment. The feeling of interior design and decorative arts and industrial design, therefore, the relationship is also extremely close.

4, changes in indoor functions, materials and equipment aging and updating is more prominent

Beyond architectural design, interior design and time factors are more closely related to the updating cycle tends to be shorter, the pace of updating tends to be faster. In the field of interior design, it may be more necessary to introduce "dynamic design" "latent design" and other new design concepts, seriously consider the time factor caused by the layout of the plane, the interface structure and decorative and construction methods, selection of materials and a series of corresponding issues.

5, with high technological content and added value

Modern interior design to create a new type of indoor environment, often in the computer control, automation, intelligence and so on, with new requirements, so that the indoor facilities and equipment, electrical communications, new decorative materials and hardware and so on have a high technological content, such as intelligent buildings, energy self-sufficient homes, computer-controlled homes. The increase in technological content has also led to a higher technological content. Due to the increase in technological content, also makes the modern interior design and the overall value-added products increase.

Second, the development trend of interior design

With the development of society and the times, modern interior design has the following development trend:

1, from a general point of view, the relative independence of the discipline of indoor environmental design is growing; at the same time, with multi-disciplinary, fringe disciplines of the link and the combination of the trend is becoming increasingly obvious. Modern interior design in addition to architectural design as the basis for the development of the discipline, arts and crafts and industrial design of some of the concepts, thinking and working methods are also increasingly in the interior design to show its role.

2, the development of interior design, adapted to the characteristics of today's social development, tend to multi-level, multi-style. That is, interior design due to the use of different objects, architectural functions and investment standards of the differences, clearly showing a multi-level, multi-style development trend. However, it should be emphasized that different levels, different styles of modern interior design will pay more attention to the needs of people in the interior space of the spiritual factors and the cultural connotation of the environment.

3, professional design to further deepen and standardize at the same time, the owners and the public participation momentum will be strengthened. This is due to the creation of indoor space environment is always inseparable from the life, production activities in which the user's immediate needs, close to life, can make the use of functionality more effective, more perfect.

4, design, construction, materials, facilities, equipment and coordination between the strengthening of the supporting relationship between the above parts of their own standardization process to further improve.

5, due to the indoor environment has the characteristics of the cycle of renewal, and its renewal cycle is correspondingly short, so in the design, construction techniques and technology to give priority to dry work, block installation, the requirements of the reserved measures are increasingly prominent.

6, from the macro requirements of sustainable development, interior design will pay more attention to the prevention of environmental pollution, "green decorative materials" use, consider energy saving and saving indoor space, to create indoor environment conducive to physical and mental health.

Interior design style

In the embodiment of artistic characteristics and creative personality at the same time, relatively speaking, it can be said that the style across a longer period of time, encompassing a wider range of regions.

Interior design styles can be divided into: traditional style, modern style, post-modern style, natural style, and hybrid style

Reader's Notes

Principles of Interior Design ------- China Architecture Industry Press. This book comprehensively discusses the design methods and principles of interior design, the related disciplines of interior design, the learning methods of interior design, and the evaluation principles of interior design, as well as the history of the development of interior design. The following are excerpts from this book.

I. Content and Concept of Interior Design

First of all, it is necessary to understand the main content of interior design: interior space design, interior building components of decoration design, interior furnishings furnishing design, indoor lighting and indoor landscaping of the five major parts of the P11

Can be briefly understood as the use of certain material and technical means and economic capacity, according to the specific environment in which the object is located, the design of the interior, and the design of the interior. According to the specific environment in which the object is located, the creation and organization of internal space, the formation of safe, healthy, comfortable, beautiful, ecological internal environment, to meet people's material functional needs and spiritual functional needs. The object of interior design is not always limited to the interior of the building, such as airplanes, ships, etc., the design of the interior cabin, also with a strong interior design features, should also belong to the category of interior design. p12

Two, the main design principles of interior design

1.1 spatial principles

1.1 space qualification P75

This refers to the original space limited to another space, is commonly used in space design. A space, is a common method of space design. The main methods of limitation are: setting up, enclosing, covering, raising, sinking, overhanging and texture change.

1.2 Organization of space P86-88

(1), the combination of the main corridor (2), the main hall of the level of the way

(3), the combination of suite form (4), a large space as the main combination of the way

No matter what kind of spatial organization, everything should start from the overall concept, from the principle of form and beauty, comprehensive consideration of the use, aesthetics, and the combination of space, the use of space, the use of space, the use of space, the use of space, the use of space, the use of space, the use of space, the use of space, and the use of space. Starting from the overall concept, from the principle of beauty of form, taking into account the use, beauty, economic requirements, the flexible use of a variety of spatial combinations, to create a colorful spatial effects. Sometimes also involves the problem of spatial sequence, the complete spatial sequence generally includes: preamble, climax, ending three parts. The main spatial sequence in the direction of the main flow of people can be summarized as follows: entrance space ----- one or a series of secondary space ----- climax space ----- one or a series of secondary space ----- exit space.

2. The principle of formal beauty P92

Interior design has a universally accepted formal beauty guidelines ---- diverse unity, that is, in the unity of change, in the change for unity. Formal beauty guidelines, specifically, can be broken down into the following aspects, namely: balance and stability, rhyme and rhythm, contrast and nuance, focus and general.

Three, interior space modeling elements P105

Interior space modeling elements include shape, color, texture, light and so on.

1. Shape P106-110

Shape is an important medium for creating good visual effect and spatial image. People usually divide shape into four basic forms: point, line, surface and body.

1.1 Point

A point marks a position in space. It has no length, width, or height, so it is static and directionless. When a point is in the center of an area or space, it tends to be solid, stable, and able to organize other elements around it. When it is moved skyward from the center, it retains this self-centered nature, but tends to be more dynamic. It induces a state of tension between the point and the surrounding area. Forms generated by the point, such as circles or spheres, have this self-centered nature of the point.

1.2 Line

A point extends away to become a line. Conceptually, a line has only one-dimensional metric, i.e., length. In reality, the length of a line is visually dominant. Unlike a point, which is static and undirected, a line has the property of expressing movement, direction, and growth.

The visual properties of a line depend on the degree of thickness, contour shape, and continuity it gives. An important characteristic of a straight line is its directionality. A horizontal line can express stability and balance, giving people a feeling of stability, soothing, quiet and calm; vertical line can express a state of balance with gravity, giving people a feeling of upward, sublime, tough and ideal, oblique lines and horizontal and vertical lines are different, can be seen as rising or sliding down, suggesting a kind of movement, visually active and dynamic, giving people a sense of momentum and uncertainty. Curves show a curved motion caused by lateral forces and tend to show softer motion. Different curves often bring different associations. For example: parabolas are smooth and pleasing to the eye, with a sense of speed; spirals have a sense of ascension and growth; arcs are regular and stable, with a sense of centripetal force. Generally speaking, the curve in the interior space is always rich in change, can break because of a large number of straight lines caused by the dull feeling, so that the space is rich in human feelings and sense of intimacy; but too busy or irregular curves, but also easy to cause the feeling of pomp and clutter.

1.3 Surface

A line defines a surface when it translates outside its own direction. It is conceptually two-dimensional, having length and width, but no thickness. The most fundamental characteristic of a face is its form, which is depicted by the contour lines of its edges.

The common forms of faces are:

Planar: vertical, horizontal, oblique

Surfaces: straight, non-straight, spiral, non-helical, free.

Flat surfaces are simpler and have a straightforward character. Vertical surfaces have a sense of tension, appearing high and clean; oblique surfaces have a sense of movement and a stronger effect. Surfaces, on the other hand, often appear gentle and soft, with a sense of movement and intimacy. Geometric surfaces are more rational, while free-form surfaces are unrestrained and romantic. Surfaces are often more effective than vertical surfaces in terms of limiting and orienting space. The inside of a surface has a clearer sense of area and gives a sense of stability, while the outside of a surface reflects more of an orientation to space and sight.

In addition to form, surfaces have a variety of properties such as color, texture, and pattern. In the interior space, there are often three places where the surface is located, namely, the top interface, the bottom interface and the side interface, and their unique visual characteristics and interrelationships in the space determine the form and nature of the defined space.

The different shapes of the top interface can create different psychological feelings, and the rise and fall of the top interface can also form a rich spatial feeling.

The bottom interface often serves as the background of the spatial environment and plays the role of emphasizing other forms.

The intersection of side interfaces, interspersing, turning, bending, etc. can form a rich interior landscape and spatial effects; at the same time, the side interfaces of the open and closed will also form different spatial circulation effects and visual changes.

1.4 Body

A body is formed when a surface expands in a direction other than its own. Conceptually and in reality, volumes exist in three-dimensional space. A body is used to depict the external appearance and general structure of a volume, and the shape of a body that characterizes it is determined by the shapes of the edges and faces of the volume and their intrinsic relationships.

1.5 Proportion and Scale of Shape P111-113

1.5.1 Proportion

Proportion relates to the relationship between the local and the local, the local and the whole. In interior design, proportion generally refers to the relationship between the dimensions of various parts of the space, interface, furniture or furnishings themselves, or the scale relationship between furniture and furnishings, etc. and the space in which they are located.

Different proportions of the relationship often give people different psychological feelings, in terms of the proportion of space height and width, high and narrow space will often give people a feeling of upward, using this feeling, architectural space can produce lofty, majestic artistic infectivity. Low and wide space will often make people produce lateral extension of the feeling, the use of this feeling, can form an open atmosphere, many buildings in the foyer, in the hall often use this ratio; thin and long space will make people produce a feeling of forward, the use of this space, can cause far-reaching spatial atmosphere, the garden gallery is an example of this.

1.5.2 scale

Proportion and scale are both the study of the relative size of the object, but both are also very different. Proportion is the relationship between the parts of a composition, while scale refers specifically to the size of an object relative to some known or recognized constant. By "visual scale" we often mean a judgment made after comparing the size of an object with the size of parts near or around it. A large object in the visual scale is one that is perceived to be large in comparison with surrounding objects. As for what we often call "human scale" is the object relative to the size of the human body to give us the feeling.

2. Color P114-120

2.1 Color Emotions P117-118

(1) the warm and cold sense of color

Cool colors and warm colors are divided into hues based on the hue, in the hue ring, red, yellow, and orange tones known as the warm tones; blue, blue-green, and violet tones known as the cooler tones; green, violet for the neutral micro-cool colors; yellow-green, red violet for the neutral micro-warm colors; yellow-green, red violet for the neutral micro-warm colors. , red purple for neutral slightly warm colors.

(2) the sense of lightness of the color

White objects feel light, there is a soft and airy feeling, which will remind people of cotton, gauze, mist. Black color reminds people of metal, black night, with a sense of heaviness.

(3) The softness and hardness of color

Compared with low-brightness tones and high-purity tones, light tones, gray and white tones and other high-brightness colors are softer, softer tones. Pure colors added to gray, so that the color is in the color stereo brightness on the hemisphere of the inactive field, the color is easy to look soft and stable, no stimulation, soft and moving.

2.2 Individualized Characteristics of Color P119

Red: an active, self-striving, loud, masculine color. It has a stormy, passionate, dynamic and uninflected spirit.

Orange: excited, joyful, straightforward and energetic. Open, generous, intimate and direct, receptive. Overflowing with emotion.

Yellow: The brightest, most radiant color. Represents hope, modernity, youth, joy and refreshment.

Green: the color of life, with a healthy meaning and an ideal, idyllic, youthful temperament.

Blue: a color of fantasy. Calm and collected, it gives a feeling of science, ideal and rationality.

Purple: the most charming and mysterious color. It is noble, elegant and dashing.

White: clean, innocent, romantic, sacred, fresh, beautiful, and at the same time the essence of liberation and escape.

Gray: It's boring, elegant, lonely, and chic.

Black: it is serious, heavy and sexy. Black gives a sense of distance in a certain environment and has a transcendent, special character.

Different spaces with different colors thus conveying different spatial effects, color has visual cognition, forward and backward, expansion and contraction of the feeling. P121

2.3 Interior color design should pay attention to the following points: P124

(1), the interior color to reflect the style and personality

(2), the interior color to the regulation of the mind

(3) the use of interior color should be taken into account in the relationship between the use of color classes and the use of contrasting color classes

3.Quality P127-132

Texture refers to the texture, is a basic feeling of people on the material, is in the visual, tactile and perceptual psychological **** with the role of people on the material produced by a subjective feeling. Texture includes two aspects: one is the structure of the material itself performance and processing texture, and the second is the human perception of the material.

3.1 Characteristics of texture P127