What does ancient architecture painting mean?

Among the ancient buildings in China, the painting of ancient buildings is an important part. Paintings are commonly known as "Danqing". Paintings in ancient buildings are decorative paintings drawn by the ancients on ancient buildings, which are not only beautiful, but also waterproof to some extent, increasing the life of buildings.

classify

Ancient architecture painting is unique to China, with a long history, rich content and diverse names. Generally divided into spiral painting, harmony painting and Soviet painting, there are other techniques that are not studied here. First, spin coating, spin coating, deformation pattern from spinneret. Inula, plant name, convolvulaceae, perennial creeping weed, slender stems, intertwined with other things, alternate leaves, halberd-shaped, long stalks, funnel-shaped closed flowers in summer, pale red, also known as drum grass. Korean "Shennong Materia Medica" has "drum leather,? Color map of old buildings

Also known as "whirlwind flower". It can be seen that the name of pine and cypress flower has a long history. Rotating color painting was initially formed in the Yuan Dynasty, but it was still primitive and immature, such as Liang Fang's painting in Sanqing Hall of Yongle Palace in Shanxi, but it laid the foundation for the next generation of rotating color painting in Ming and Qing Dynasties. After the Ming dynasty moved its capital to Beijing, it began to build palaces and temples. Since then, the application of color painting technology in architecture has gradually expanded, and the theme of patterns has also changed, creating conditions for the development of architectural color painting. Rotary painting is not as good as seal painting in grade, and there are obvious differences in composition. It can be luxurious or elegant according to different requirements. This kind of painting is widely used in government offices, temples, memorial archways, gardens and so on. Although the application of architectural color painting in Ming Dynasty is relatively extensive, there are not many written records. Only from the perspective of preserved objects, it can be roughly divided into two patterns: one is Un-yong Kim color painting; Second, spiral color painting, with less gold and simple pattern, is a kind of color painting in general temple buildings. The fahai temple in the Western Hills, Zhihua Temple in the East and Wen Tianxiang Temple in the Hutong of Fu Xue all belong to this period. In the Qing dynasty, the spiral painting of architecture in Ming dynasty was further reformed and developed. Make architectural painting more colorful, especially whirlwind painting, which became the main form of temple architectural painting at that time. In order to meet the needs of the times, the regulations have been further strengthened. No matter the route, method, color setting, theme and the upper limit of money, there are strict grading standards, so for many years, painters have called rotary color painting "obeying the rules." Second, colored painting and printed painting are the highest realm of painting, which are used in the main halls of large buildings such as palaces and temples. All parts of Liangfang are separated by special lines, the main line is all covered with gold, and one side of the gold line is lined with white powder and halo. It looks very luxurious to set off gold with three background colors of green, green and red. And printing can be divided into dragon and seal, dragon and phoenix and seal, dragon and grass and seal. The whole set of golden dragon seal patterns is mainly composed of dragons with various postures. The red heart is a double dragon pearl. When looking for the change, you can draw a dragon in the middle of the sky (the faucet is facing up) and a dragon in the green space (the head is facing down). Draw a sitting dragon in the box. If the change is long, you can draw Shuanglong. The place where the dragon is lowered is lined with clouds, flames and other patterns, which has a strong breath of power. The level of dragon and phoenix seal is lower than that of dragon seal, and the main parts such as heart, change and box are composed of dragon and phoenix, which are generally painted in green space and phoenix in green space. There are also dragons or phoenixes in the design. There are names such as "auspicious dragon and phoenix" and "double phoenix and wealth" on the seal of the dragon and phoenix. The rank of the dragon seal is lower than that of the dragon seal, and the dragon seal is the main one. Dragon paintings on green land, grass paintings on red land and Soviet-style color paintings are mostly used in gardens and residential quadrangles. In addition to vivid patterns, Soviet-style paintings also include people, stories, scenery and so on. The promenade of the Summer Palace should be a model gallery of Soviet-style paintings. Jin Zhuo's ink painting is one of the most gorgeous Soviet-style paintings. It uses a lot of gold and the pictures in the bag are exquisite. Gold thread Su painting is a common Su painting, and the main line is gilded. There are also other paintings such as Hymansu. These Su paintings have no big burden, and the patterns and patterns are relatively simple.

Edit the historical evolution of this paragraph.

With the development of society, the painting of ancient buildings is also developing, from simple to complex, from low to high, through Qin, Han, Wei, Jin, Southern and Northern Dynasties, Sui, Tang, Song, Yuan, Ming and Qing Dynasties. As early as the Spring and Autumn Period, there was a record of painting red paint on wooden structures. During the Qin and Han dynasties, the pillars of the palace were painted in Dan, and the archways, beams and ceilings were painted. Decorative patterns are mostly dragon patterns and moire patterns, and brocade patterns are gradually adopted. During the Southern and Northern Dynasties, influenced by Buddhist art, new architectural decorative patterns were produced. In Song Dynasty, the color painting mostly used the method of overlapping halo, which made the color change from shallow to deep or from deep to shallow, and the change was soft without stiff feeling, showing an elegant style. In the Yuan Dynasty, colorful paintings of spinning machines appeared again, but they were not yet mature. During the Ming and Qing Dynasties, color painting reached its peak. On the basis of inheriting the tradition, there have been new changes and developments in material selection and production, which have gathered the essence of color paintings in previous dynasties and new varieties have emerged constantly. The theme is constantly expanding; The means of expression are constantly enriched; French rules are stricter and more standardized; The hierarchy is stricter and clearer. Color painting in this period can be divided into official practice and local practice. Let's explain the paintings of ancient buildings in Ming and Qing dynasties. First, after the Ming dynasty moved its capital to Beijing, it began to build palaces and temples in Daxing. Since then, the application of color painting technology in architecture has gradually expanded, and the theme of patterns has also changed, creating conditions for the development of architectural color painting. Although the application of architectural color painting in Ming Dynasty is relatively extensive, there are not many written records. Only from the perspective of saving objects, it can be roughly divided into two modes. One is Un-yong Kim color painting, which is expensive, and is often painted on palaces and buildings related to emperors, such as the eaves beams of the Gan Qing Gate of the Forbidden City and the beams of the main hall of the Tanzhe Temple in Xishan. This kind of color painting pattern is not preserved much in Beijing. Second, spin color? Color map of old buildings

Paintings, with a small amount of gold and simple patterns, are common colored paintings of temples and ancestral halls. fahai temple in Xishan, Zhihua Temple in Dongcheng and Wen Tianxiang Temple in Fu Xue Hutong all belong to this period. Zi Xuan color painting in Ming Dynasty has four characteristics. (1) In general, no pattern is drawn in the center of the beam, and most of them are empty centers with green overlapping halos. (2) The rotating flower center of algae heads at both ends of Liangfang has a large area, outstanding shape and rich varieties, showing a magnificent gesture of letting a hundred flowers blossom. (3) There are many layers of rotating petals, and most of each layer has a small folded petal, which shows strong artistry and realism. The shape of this petal is similar to the wings of a phoenix, so painters generally call it "wind wing flap". (4) All parts of the pattern, including the hoop head, the algae head, the heart and other parts, are smudged with color, so that each group of patterns vividly shows four color levels: dark, white and black. Secondly, the Qing Dynasty made further reform and development on the basis of the spiral painting of architecture in the Ming Dynasty. Make architectural painting more colorful, especially whirlwind painting, which became the main form of temple architectural painting at that time. Official ceremony in Qing dynasty? Color map of old buildings

Color painting is a kind of stereotyped color painting made by craftsmen according to the hierarchical system at that time. Its clients are royal buildings, princes' houses, yamen, etc. Local color painting is a vivid, natural and unconventional color painting drawn by folk craftsmen in local offices, temples and residential buildings without violating the hierarchical system at that time. Official color paintings are very rich, which can be divided into five categories from the main frame composition and theme of decorative patterns. Namely: Hexian, Xuanya, Reineckea carnea, Suzhou style and Begonia.