Introduction of Sun Jishan

Sun Jishan is an explorer who grafts his life into everyone's art, and is known as the "Light Bringer". He is a painter, screenwriting theorist, famous designer, founder of the Extended Virtual Psychology School, and university teacher.

Chinese Name: Sun Jishan

Foreign Name: Jamal

Nationality: Chinese

Ethnicity: Han

Date of Birth: October 30th

Occupation: Artist

Representative Works: "Land of the Ghosts," "Xi'an Impressions," and "The Grave"

Sex: male

These are his works. >Sun Jishan Biography

Name: Sun JishanEnglish: JamalGender: BoysDay: October 30Zodiac Sign: ScorpionBlood Type: BEducation: RenminUniversity of ChinaFavorite Actor: JudeLawFavorite Singers: RobinWilliams, DaughtryFavorite Movies: TheGreenMile, MonaLisaSmileFavoriteSport:SwimmingFavoriteColor:blueArtistsAppreciated:Corot,Camille,Pissarro,Chagall,Michelangelo,LeonardodaVinci

PaintingArtwork

The Land of Silence, Xi'an Impression, Grave, Food, Iron Furnace, House of Love, Dream of Fright, Rainbow Bridge, Crisis, Meltdown, Swan Dance, Gathering and Dissolving, Garden of Delight, Night Patrol, Impression of Dalí, Song of Life, etc. Screenwriting works: "Magnoliadenudata", "Romantic Time", "Kind Lies", "Traceability gobacktotheorigin", "The Price of 11th Floor (unfinished)", etc. Editing and publishing books: "Photoshop", "Olympic Spirit", "Happy Family", "Ordos", "Managing the City", "Art Inside", "Snow Star Life", "Art Gallery Management", "Color Basics", "21st Century Masterpieces - 2011", "Young Entrepreneurs", "Marginal Olympics" and so on.

Excerpts of classic lines

Art Reviews

Mr. Xiao Sun has the qualities and style of an army soldier. --Chang Director

Homeric magnificence. --World Art

Live in your own world, weave a bright future, and live it well. --Wang Yushan

Sun Jishan is more introverted and sensitive. --Xinjing Newspaper

He is very strategic, looks at things with a fresh perspective, always thinks about what he will do tomorrow, and never stops. --Qingchuan

Sun Jishan's work has made me realize y that the most important potential meaning in life lies in the discovery of one's own inner self. --Fanzhe

What the heart wants, the heart reaches, and the discursive unity between the exterior and the interior has created a special talent in him. --Daoyu

Sun is funny, humorous, and he has a strong self-confidence that is enviable. He's also very thoughtful and always finds ways to screw us up for your benefit. --Student Kong Minnan

The Mr. Jishan I know is like a small child, a child with a unique mind and vision. Fossil Zhiqi class, he always enlightens those around him in a clever way. There is no doubt that my four years of college benefited from him. --Liu Weiwei

Artistic History

Introduction

Sun Jishan's paintings are philosophical and convey sincere feelings. He has dissolved dreams, life feelings, ideas and concepts into his works, which number nearly 20,000 and are extremely exquisite. His landscapes are full of dreamy silence, 'lively', 'spiritual' and 'simple'. Every blade of grass and every piece of wood in his paintings all have the sincere feelings of the characters in them. The concept of expression is free and spontaneous, and the compositional components such as dots, lines, surfaces and so on are fully utilized, and the sincere expression of his feelings in the paintings is sensual and rational, achieving the ideal beauty of decoration and the rule of order. He paints with Chinese paints and vellum. A famous person once commented on his characters: snow as skin, moon as bone. The agate flowers and Yao Rui, the national colors and the heavenly fragrance. Pearls adorn the car, cloud brocade sewing clothes. Gold and green feathers, jade pendant bright_. The color desire is strong, the wonderful hand is bright. Pavilion jade posture, before words first. Although there is no arms is the portrayal of ambiguous heart into the wood. Yoshiyama is more inclined to the macroscopic world of art, and he will be a flag in digging out the potential instincts of human nature, exploring the eternal connotations of art and the infinite spiritual world. Witnessing Yoshiyama's works is like entering a primitive and mysterious realm, which conveys a fantastical and ancient flavor of life. Macro, simplicity, mystery, spontaneity and Taoism are the keys to understanding the connotations of Yoshiyama's works. He has been invited to participate in many international cultural and artistic exchanges. "SouthKorea International Art Exhibition" his work is "Greater China", modern digital woodcut prints, size 14.2 x 21cm, creation date May 2008, "Greater China" works techniques and materials used in comparison with traditional Chinese prints have a new development, the work reflects the profound influence of modern art on the art of printmaking, where What you see here is development and innovation, breakthrough and harmony, the work is the artist's devoted work. This work was created in honor of the 5.12 earthquake. His work "Melting" alias "You and I" painting size: 30×40cm, material: acrylic, created in August 2008. In the picture, there is a gentle breeze, the blue sky is full of white clouds, and under the nourishment of the river, the two trees are echoing each other with vitality. The picture expresses the way of heaven and earth, and the flourishing of humanities, which is of profound significance. The work was used as a 2009 New Year's prize postcard. Served as art director in the Office of Military Support for the Olympic Games Participated in the design of the results of the Office of the Leading Group of Military Support for the Olympic Games. He participated in the design of the "Treasuring Tibet" exhibition held in the Capital Museum, and made great efforts for the "Treasuring Tibet" exhibition. The exhibition "Treasuring Tibet - Ye Xingsheng's Achievements in Rescuing and Protecting Tibetan Folk Cultural Heritage" had a strong reaction in Beijing. General Secretary Hu visited the exhibition to give his affectionate care and congratulate the success of the exhibition. He is actively active in the world of human art and human reality creativity. Any work will be as a profession, any profession regardless of reality and size need professional quality, will be concerned and respect, for this reason, he made a specific explanation on the concept of industry division representative in all fields of society: industry representative, represents the latest field of technology application, represents the latest creative ideas, represents the most standardized industry rules and the best industry model. He believes that any profession should be concerned and respected, and should require professionalism. In today's rapid development of modern art diversification, in order to promote the truth, goodness and beauty of art, the Art Union has formulated the Laws of Art for All, which provides a new interpretation of the development and innovation of art. In his concluding remarks at the China Art Forum, he appealed to friends engaged in art that art needs guts, and moreover, it needs wisdom.

Law

The Laws of Art for Everyone Art can disappear forever, and art can deceive sincerity. Art can be dirty and pure, art can copy the newborn. Art can be new and different, art can be claptrap. Art can be unique, art can be uncontested, art can be self-edited, art can be cynical, art can pursue truth, art can be ordinary, art can be mediocre, art can create value, art can get rid of embarrassment, art can create a miracle, art can destroy life, art can control the future, art can maintain peace, art can be a wait-and-see situation, art can be united, art can be Art for All, Art can be from the beginning to the end. 'The Laws of Art for Everyone' cracks the art mess and reveals the inner workings of art.

The law adheres to the concept of "Art Union": advocating harmony and equality between people, reaching communication and dialogue between people, promoting cooperation and development between people, *** building a new era of harmony in the world of art for all. The "Dialectical New Criteria", which he defined in 2008, has given the vocabulary new ideas and connotations. The 'Dialectical New Standard' has played a positive 'catalytic role' in the 21st century for the deciphering of the chaos of human thought, the reconstruction of thought orientation, and the determination of behavioral goals. The specific vocabulary is as follows: Genius: a person with general mass talent and a unique personality that is 'sought after' by a few and 'echoed' by the majority. Masters: people who are relatively old, have died or are about to be buried by history and wish to be positioned by history. Geeks: people with the qualities of both genius and master. Talented: people with big ideas. Stupid Talent: people who have special ideas and want to find a way to realize them. Talent: a person with no morals, no training, and no qualities. Successful talent: people on the edge of death. High-quality people: people who set the rules and regulations of life for others and transgress them themselves. Low-quality people: people who have ideas, knowledge, thoughts and go by the book, rigid. People: people inside the circle. Adults: people outside the circle. Villain: someone who is half the size of an adult. Mediocre people: people who are not too big or small. Strong man: someone who keeps 'spinning' around the circle. Blind man: a person who only knows the truth about things, has little experience and is slow in his behavior. Lazy people: people who enjoy themselves and are free-thinking. Real people: people who are alive. Dead: a person who is completely free. Fake person: a person who is not thickly masked. Bad people: very talented people. (The above is only for artistic thinking)

(Formulation) extends the virtual psychology school is following the constructivist and functionalist school, behaviorist school, psychoanalytic school, cognitive psychology school and humanistic psychology school after another school of psychology, school founders after many years of large-scale investigation and research on the basis of the concept of the doctrine of the art of elaboration and summarization. The school of virtual human psychology to a new level. In the 21st century, when the human mind is changing, and development and innovation make human goals and thoughts highly unified, how to cope with the negative impacts of development and innovation, so as not to cause individuals and their groups to suffer from the severe trauma and harm of ideological 'mutation'? The doctrine explains the subtle separation between human beings, human beings and society, and breaks the stereotypical "rules and regulations" from the creative concept of psychological thinking. Extended Virtual Psychology fills the gap between the implementation of unknown psychological motives and the liberation of self-coping, and will play an important role in expanding the unknown psychological cognition of human beings as well as maintaining the establishment of alternative thinking, and at the same time lays the foundation for the reconstruction of psychological thinking in the 22nd century. Note: Extended Virtual Psychology is also known as Alien Psychology.

Sun Jishan Interview

Excerpts: "Inside Art", soonstudio website "Bobcat Ideology" Reporter:Mei Ziyu/2007.6.15 at Diaoyutai State Guesthouse

Reporter: From what time did you begin to have inspiration in this area and start the creation of works? Bobcat: It was during the SARS period. Artistic thought is very profound and must be backed up by a theory. From that time I started to cut into a painting subject that I was interested in, that is the human body, the graceful body. Reporter: Why did you choose the human body? Bobcat: The human body is very beautiful. Reporter: How do you identify men and women in your paintings? Bobcat: My works do not distinguish between men and women. At that time, even now, I did not consider the gender between them. If I had to specify the gender, of course it would deviate from the idea I expressed. I want to express softness and beauty. In order to avoid a lot of strange questions, I would like to make an excuse to say that those who have their backs turned are basically female, and those who have their fronts turned are male. It would be more appropriate to say neutral, but of course that doesn't seem to be appropriate either. Emphasizing the male in genderlessness is more in line with my idea of expression. Reporter: Why don't your figures have heads and arms? Bobcat: This is a gradual process of change, at first the objects are very figurative, including the environment, the character's hands and feet and five senses are all realistic. As his feudal consciousness diminished, the figures slowly began to be nude, as if from ignorance to civilization. The male body, removing the arms and head can better express my consciousness, I am not intentionally new, in the process of creation, unconsciously I did so. The head we see now is still there, and people with beauty angles remove their hair in this shape, which is only one aspect of beauty, and at the same time, it is also an expression of the intention of life. The Chinese ideology has also begun to drift away from the consciousness of talking about sex. Reporter: You have created tens of thousands of works from the beginning to today, how do you get the inspiration and how do you make sure that you are inspired every day? Bobcat: I am challenging myself, which is indeed a painful but joyful process. Painful because I have come to the end of my life a few times, and joyful because I have come back to a newer sense of thinking and discovery, so much so that it sustains the life of my creations. After a few rounds and weeks, I feel I have grown so much. There are times when there is no inspiration at all and I force myself to paint, this is the golden period because it's so important, it's the period of transformation of the work, and I consider such an inspirational process as a treasure, so it's both painful and joyful at the same time. Reporter: What is involved in your work? Bobcat: In a nutshell, it's all-encompassing, involving what I can feel and touch. For example, life, death, war, love, sex, lies, murder, abuse, philosophy, prophecy, fables, fantasies, dreams, real life and so on. After reading the book, I would all express my consciousness in my own way of painting. Existence has both reason and value. The world is a very interesting place, where black and white are often reversed and transformed. My thoughts can be unrestrained in my paintings, and I am organizing an ideal dream habitat. Gradually, I feel that my characters have been endowed with a sacred mission and a new concept of consciousness, which will surely come into people's lives. Reporter: Some of your classmates said that you ate and lived in the studio during your college years? Painting every day? Bobcat: It was necessary for my creation to attend classes during the day. After eleven o'clock at night, the surroundings will be quieter, so I can think about some problems. When I am alone, I am full of energy, plus light music, this is the best time for the birth of works, there is such a stage. Reporter: How do you evaluate similar works in other countries? Bobcat: It's like a big family with a lot of brothers and sisters, and I'm one of them. Japan, Spain, Mexico have representative artists, their works are of course very interesting, sex is the "origin" of mankind, so some of the works depicting sex is not strange, and can not be regarded as the so-called shame, sexuality is equal, excitement and pleasure are as a person's instincts, and their works bring a visual and psychological enjoyment. Their works also bring people a kind of visual and psychological enjoyment. This is a diversified era, so we have to look at the problem dialectically, not limited to the time, otherwise we may be the victim of the times. Reporter: How do you evaluate your own works? Bobcat: I think there are some of my concepts hidden in the feelings of people who read my works. My works are more in the breakthrough thinking stereotypes, the expression of truth, goodness and beauty, even if it is bloody is a kind of poignant beauty, you will bear such a wonderful for it, of course, such works are not a lot. Look at their wonderful and crystalline bodies, you will feel intolerant, they are lonely, eager and romantic. I think my works should go to the world, expecting more cultural exchange opportunities, so that more people can better recognize the absolute consciousness of existence. Reporter: What other ideas do you have for the future? Bobcat: There are many ideas, as a representative of China to carry forward an art and culture, right?

Sun Jishan's article

"Art Master Revelation"

August 1, 2008 Reporter: What kind of titles do artists prefer? Jishan: Craftsman, Painter, Painter, Artist, Master, Genius which do you prefer? I see most of the artists are dreaming, draw a circle and there are people scrambling to get into it, so that more people spend their lives focusing on these false names, is conducive to the stability of the hearts and minds of the people, and the stability of society. No matter which one is chosen, I will support it. Reporter: How do you recognize the existence of masters? Yoshiyama: Masters are not exclusive to art, masters are not far away, always around your life. Although masters are deified, no one stipulates that he is out of reach. We have long been instilled with the idea that the masters are great and insurmountable, perhaps because the propagandists are amateurs with ulterior motives. The title of deified guru should be attributed to the origin of worship, and the guru is the epitome of its process. Modern gurus are all over the place, and if you look hard enough and look deep enough, you will realize. All people may become masters, all have the basic qualities of a master, why did not become a master? Perhaps confined by thought, perhaps life is forced, perhaps lost, perhaps led astray, perhaps stubborn in their own living space can not be extricated, perhaps a lack of self-confidence, perhaps there is no time to think about it, regrettably. Reporter: Are there any masters among the artists you have contact with that can be connected with the world? Yoshiyama: The infiltration of modern art ideas from the West is a good thing, and our national awareness of art propaganda is very weak, Chinese culture and art has a long history. It seems that artists always survive in struggle and confrontation. Art does not conflict, nor is it necessary. It is only the human thinking consciousness that is at fault. Chinese people's ideology is beginning to come out of conservatism, and young artists are expected to become the world's masters of art. Artists need the test of history, and art masters even more so. Masters are people's pursuit, a kind of hope, and if so, what does it prove? Reporter asked: How do you think to become a master? Yoshiyama: dead, the general perception. Previous art masters and modern art masters are not comparable. A person's value, artistic ideas only belong to that period, only the spirit can continue. In this society no one is making you a master, because everyone is looking at the world with open eyes, and everyone is smart and understanding! The publicity of some art organizations may put the icing on the cake for some artists, but it is often short-lived. There were countless masters five hundred years ago, and the reason they could not become masters may have been the wear and tear of time, perhaps they did not leave more work behind, or perhaps the person died at the same time as the work. Today, children show their skills in the virtual world of games, and they too can become masters of the game. A beggar who is wealthy and ranks at the top of the list of beggars, they too can be called a master beggar. Masters are characterized by stage and time. It seems that modern gurus have a low starting point, we must look at his value, not all gurus have value, not all valuable gurus have relevance. In short, it is easy to become a master. Reporter asked: Do you think masters will have a future? Yoshiyama: Who wants to sell false fame after death? Wouldn't it be realistic to have both fame and fortune while alive. The living, thinking people have to reshuffle the deck, to find ways to pursue excellence, open their hearts and minds to a better future for the master.

"On Intuition and Perception"

July 17, 2005 All desires are difficult to control, it is because of the desire, I can not stop all the 'mechanical' movement, just as the painting, but each time the feeling is different, for which I cherish every inspiration and strive to explore the inspiration of the emergence, and regarded as a treasure. For this reason I cherish every inspiration that comes to me and try to find its flashpoints and treat them as treasures. I always feel that my works illustrate the process of life. From the origin of mankind to the end of mankind. The work reproduces the state of a person or a symbol passing through the middle; at the same time, it is also a life's overall grasp and contemplation of its life. After rising to this state, I carefully touch upon the subtle emotions of life and the reproduction of life and dreams. In the meantime, sensitivity and desire create value. Because materials and human 'conscious aesthetics' are limited, the period of "painting" from ancient times to the present is also limited. The mainstream of art has changed along with the difference between painters, craftsmen, painters, artists, masters, and geniuses. When the value of art was transferred to the 'artist', it became a way of understanding the state of the human being, and thus a way of paying more attention to the human being himself, precisely because of the different 'values'. It is precisely because of the different "values" that individuality is born. The stronger the individuality, the more valuable it is; the more individuality there is, the more valuable it is. It has entered a kind of magic vortex from which no one can escape! Let your own will soothe your mind, and the masters and geniuses will always be on high. They will be the chiefs of the savages when we become the savages of the distant past. Let life arouse your desire, let genius arouse your will. Dedicated only to the friends of the beauty of the mind.

The Little Grass

May 2006 A little grass is a world, perhaps it is more appropriate to say it in this way, the twenty-first century today, the concept of human consciousness is also in the fast pace of renewal, speaking of the little grass, why it can grow? The reason is not as simple as we think. How much territory do they occupy that belongs to them? Is there enough space for survival? Is there enough material energy in the land where it grows? How do they resolve their disputes? It is a matter of opinion. Here I just want to raise the necessary questions, perhaps they have adapted to the principle of survival of the fittest, right? So they can be stubborn and tenacious survival of life itself may be a process, from my current life experience perceived that the human itself is in fact and its fragility, because of weakness so strong, a strong may be dangerous. The existence and disappearance of anything in the world must have its value and reason. The value of existence lies in the fact that it achieves as much balance as possible in a particular space and time. The reason for its disappearance lies in man himself, in addition to the laws of nature. Here I must also mention the human being. The root of human tragedy and drama lies in the fact that everyone has the intention and the goal of desire, which is probably an unfathomable problem. This problem is also the key to almost all problems. Painting is no exception. From the 'art' of primitive man to the conceptual slogan of truly great art, it can be said to have had a long and bumpy journey. Truly great art is a copy of reality, which is a revelatory presentation of the future? That is to say, it is transcendent to the spiritual state of reality, and it is a way to perceive the future world and a brand-new spirit. I think this transcendence, spirituality, for pragmatic and unable to self-reflection of mankind is not only a revelation, guidance and liberation; art also bears the uninterrupted liberation of human cultural intellect of the heavy responsibility

Sun Jishan quotes

Don't eliminate students with outstanding personality, outstanding talent in the well-organized and strict control. --Sun Jishan smile is a kind of strength, a kind of self-confidence, but also a kind of the most valuable professional quality as a teaching, teaching and management staff! --Sun Jishan in the North Academy of Sciences since teaching, I am most pleased in the treatment of students, as well as in education and teaching to form a "valuable plot", I sincerely hope that any employee regardless of what position to do their duties, will be more than one heart, equality, the greater good. I sincerely hope that all employees, regardless of their position, will do their duty, put themselves in the same shoes, treat each other as equals, and take the big picture into consideration. --Sun Jishan quality has no end, quality needs to be cultivated, high quality should be integrated into the environment and higher than the environment under the strategic guidance and benign embodiment. --Sun Jishan

Teacher Memories

Meaningful Stories Li Yingjie July 13, 2008 17:Teaching is a very meaningful work, but also a mechanical repetition of the work, which requires patience, love, care, and more a pair of eyes good at discovery. In my 18 years of teaching career, there are many touching stories that I will never forget. That is the 2000 graduation of a student called Sun Jishan, he was studying art, 2001, the People's University of China Xu Beihong animation department. 2001 New Year's Day, I received a letter from him, the letter said: "Teacher thank you for the critical period of time to my teaching, and then no matter how I will not forget. It took me a whole week to write this letter to you." I looked at the letter, it was written in three different fonts, and it was written with a particularly careful stroke, looking at these words, I recalled a lesson from his sophomore year of high school. Usually I put special emphasis on students' writing, and his words on every assignment were so scribbled that they were practically unreadable. Once on the evaluation class, I asked him to stand up, said I heard that your painting is very beautiful, but your words I can not praise, is your writing is good, the teacher can not appreciate, or you write the words are indeed messy, the teacher can not see it? It is said that calligraphy and painting are not separate, and the teacher hopes that in the future your calligraphy will be as good as your paintings, and be praised by people. He gladly accepted, and after a period of time, his writing improved a lot. Through this incident, I realized that the criticism should pay attention to the art, first praise, after the criticism, criticism should be pertinent, will have a good effect.