Traditional Culture Encyclopedia - Traditional stories - The basic colors for writing landscape paintings.
The basic colors for writing landscape paintings.
1,? Three green: a kind of stone green, performance and usage is roughly the same as the stone green, stone green is also divided into head green, two green, three green, four green and so on several kinds, head green particles are coarse, it is more difficult to dye evenly, should be dyed a few times before it is good.
2, titanium white: inert pigment, is a substitute for traditional white powder. Traditional white powder can be divided into lead powder, clam powder, chalk and other kinds of powder, clam powder from the sea in the clam shell processing and research into fine, easy to "return to the lead" and become black, with hydrogen peroxide can be washed back to white, as for the chalk (clay powder) in ancient murals commonly used, but also does not change color over time.
3, cinnabar: that is, cinnabar, also known as dansha, cinnabar, cinnabar powder is red, can not fade for a long time. Cinnabar as a pigment as early as the Qin and Han Dynasties has been widely used, "Tu Zhu A bone" refers to the cinnabar ground into a red powder, coated with embedded in the oracle bone inscriptions in order to show eye-catching, this practice has been thousands of years of history.
4, cochineal: with red and blue flowers, cress, purple stalks of three plants made of dark red pigment, but cochineal paintings, the age of the phenomenon of fading, at present more than to replace the Western red.
5, dawn red: chemical pigment.
6, ochre: also rank Shi Zhu, produced from hematite, light brown, most of the ochre refined into a water-soluble gelatinous mass, no coverage.
7, Zhu Jie: that is, Zhu standard, is the Zhu Jing research fine, into the clear glue, floating in the upper part of the orange color. Zhu Jing, also known as Tatsuking to color into a bright red Zhu red is better, but also made of ink, Zhu Jing is not suitable for mixing stone green, stone green use.
8, phthalocyanine blue: chemical pigment.
9, flower green: polygonum or blue leaves made of blue precipitate, and then refined out of the green pigment, the use is quite wide, can be adjusted to vine yellow into grass green or soft green.
10, garcinia cambogia: southern tropical forests in the sea vine tree, from its bark chiseled holes, out of the gelatinous yellow liquid, to bamboo tubes, dry can be used, garcinia cambogia is toxic, can not be imported.
11, ink black: commonly used ink raw materials have oil smoke, pine smoke two kinds of ink made of oil smoke ink and pine smoke ink. Oil smoke ink made of tung oil smoke, ink black and glossy, can show the ink thickness of the detailed changes, suitable for painting landscape painting; pine smoke ink black and no light, mostly used for plumes and characters of the hair, landscape painting should not be used.
12, three green: a kind of stone green, usually in powder form, the use of glue, stone green according to the fineness can be divided into the first green, two green, three green, four green, etc., the head of the green green is the most coarse green, in order to gradual thinning and fading.
Expanded Information:
Chinese painting coloring techniques mainly include: color filling, dyeing, overlaying, breaking color, splashing color, baking, contrasting and so on. The following explains the characteristics and techniques of each painting method:
1. Fill color method: also known as hook line fill color method, hook fill method, outline method. First, the outline of the object with an ink line, and then use color to fill in the scope of the hooked ink line with color, to fill in the flat and even, so also known as single line flat paint.
2. Dyeing method: there are light color dyeing, heavy color dyeing, dyeing, dyeing, dyeing, and so on. The requirements for the rendering of the painting are: first, light colors on the brush, then dark colors on the tip of the brush, and then a brush to the rice paper, which will naturally show the different shades of colors. Large areas of coloring are dyed with a large brush or even with an underlining brush, and strive to have a sense of quality, sense of space, avoid dirty, greasy, gray.
3. Cover color method: in the writing painting, after the ink color painting, in order to strengthen the tone of this part. Then use the stone color cover layer, make this part of the object more eye-catching, thick.
4. Splash color method: mainly used in the ideographic painting, on the basis of a large ink splash, will be full, dripping stone color (with coverage) splashed on the painting, so that the heavy color and ink color combination, so as to make the object of the color and volume of the sense of more prominent and heavy.
5. Color ink method: that is, color dipped in ink. Color as the main, or ink dipped in color. Ink-based, coloring, such as painting sparrows. First coloring with light ink. Then dip the ochre painting feathers, painting green leaves. Dip the leaves in green first. Then dip in ink. A stroke of down, naturally show the intensity and depth of the green leaves.
6. broken color method: there are water broken color, ink broken color, strong color broken light color, light color broken strong color, stone color broken grass color, stone color broken ink color, etc., such as painting flowers leaves, can be in the color of the leaves are drying, with heavy ink hook leaf tendons, and such as a piece of hibiscus red hibiscus flower color is drying, with a rouge line hooked out of petal tendons, so that when the picture is the texture and rhythm of the more real and eye-catching.
7. Baking method: brush strokes in the use of more, often used in the painting, such as painting close to the banana. The front side of the thick and light ink lines out of the banana leaf veins, the reverse side of the stone green lining, and so on.
Baidu Encyclopedia - Rendering Painting
Baidu Encyclopedia - Rendering Landscape
China News Network - Painting by Zhang Shengshi, Famous Chinese Painter Appreciation: waving the brush and getting colorful to the sky
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