Words Describing Jiangning Weaving Cloud Brocade

1. Words describing cloud brocade

Words, sentences and paragraphs about describing clouds floating clouds clouds fog fog clouds smoke clouds clouds clouds clouds flowing clouds swimming clouds sea of clouds floating floating floating floating floating floating fluttering fluttering flopping tumbling rolling light floating floating floating morning fog foggy clouds foggy foggy foggy foggy foggy foggy foggy foggy foggy foggy foggy foggy foggy foggy foggy foggy foggy foggy foggy foggy foggy foggy foggy foggy foggy foggy foggy foggy foggy foggy foggy foggy foggy foggy foggy foggy foggy foggy foggy foggy foggy foggy foggy foggy foggy foggy foggy foggy foggy foggy foggy foggy foggy foggy foggy foggy foggy foggy foggy foggy foggy sea clouds dazzling clouds clouds dense dark clouds Rolling like smoke like fog light gathering slow surge magical mist light and soft beautiful sky fog fog fog steaming fog rising mist nothingness indistinct varied unpredictable thousands of forms thousands of states thousands of variations varied varied floating uncertainty light clouds milky white cloud veil rose color clouds gray fog fog fog steaming sea of clouds studded with gold rimmed clouds snow white floating clouds white fog pink floating clouds light as a gossamer fog tumbling clouds heavenly clouds.

It's really a thousand shapes and "variations. Some of them are like feathers, gently floating in the air; some are like fish scales, a piece of neatly arranged; there are like peaks, like rivers, like a lion, like a galloping horse ...... They sometimes embellish the sky is very beautiful, and sometimes shroud the sky is very gloomy.

Just now or white clouds, sunny, a split second, but it is dark clouds, heavy rain pouring ...... blue sky floating a piece of floating clouds, like red silk shining on the return of the river, the water is like a large a large cockscomb flowers. ...... Only see the white clouds in the valley, sometimes rolled as a ball of cotton wool, sometimes into a long damask, around this peak fluttering, and leisurely from another peak fluttering away.

Clouds are also natural scenery in this mountainous region. Living in the mountains, early in the morning, white clouds often come to visit, it wanders outside the window, reaching out, out for a walk, just step on the clouds to walk around.

Sometimes they diffuse a piece, so that the entire mountainous area to form a vast sea, leaving only the highest peak tip, like the sea in the point of the island, which is the famous sea of clouds in Mount Huangshan wonders. Xuefeng Peak, cloudy and foggy, if coincidentally, in a flash, the clouds open fog dispersal, only to see the foot of the silver waves rolling, the seat of the mountain tops such as floating and sinking in the monstrous white waves in the middle of the ...... I crossed the rock to look up, the ridge, surging up a thick ink like dark clouds, layers and layers, slowly to the top of the head to the pressure, the clouds under a piece of grayish-white, it was a curtain of rain: a violent storm is coming! The rain curtain is a grayish-white curtain: a violent storm is about to come! The large, fan-shaped clouds turned from heaps of white cotton balls to golden pineapples.

Then there was a flash of rosy red, a touch of dark purple, like a distant flower garden, and snowy blues, gray-blacks, browns, and yellows, mingling now and then. The whole of the sky and the sea also with the color of this cloud haze and gradually darken, steeply bright, the setting sun finally fell from the embrace of the cloud haze to the sea, as if spitting out a large duck egg yolk, from orange, orange-red, become bright red, from the large circle into fan circle, and finally swallowed by the raging sea tide.

Many cloud flotsam descended low, shrouding several of the highest mountain tops, and seeming to drape them in a few white gossamer veils. In a short while, the clouds turned white again tamely, some scattered into an island, on which vaguely seemed to recognize some of the pines and cypresses, and some blown into long thin strips, as if translucent silver fish, floating freely in the blue sky.

The white clouds do have the value of making people appreciate, a ball of cotton, a roll of waves, like mountains generally embraced there, the beasts generally stood on this side: thousands of states, there is nothing strange. Turbulent clouds, like a thousand horses, running in the pool of heaven, jumping: some head down, some hissing, some angry eyes raised the front hooves, some raised sideburns flung up the horse's tail.

The hooves move, kicked up ten thousand silver flowers; tail a sweep, raised the sky snow. The snow-white and pink floating clouds, like a flock of big birds frightened by the harsh roar of the siren, drifted quickly in the blue sky.

The puffy clouds, drifting slower and slower, pale cloud shadows, gradually transparent. The cloud shadow gently brushed over the streets, surprised the roofs, covering people, as if to wipe away the sludge dust above the walls and roofs, wiping away the sadness on people's faces, and coming to a sweep in the workers' area.

The evening sun deliberately seduced us, reflecting Rong's face red and bright. The white clouds turned golden, pink and saucy purple.

There's a saying that goes, "Look at the coincidental clouds in July and August." It was August, really, and some of those clouds looked like a grove of trees, some like a bearded old man, and some like a tiger.

They will also change, a moment, the woods into a tall building, the old man into a big rooster, really fun ah. The clouds in Kunming are very distinctive.

Sometimes, the continuous set of gold or silver edged clouds in the flip; sometimes, the long sky, only floating a dusty white lotus; sometimes, like a huge building's dome, which is full of fine carvings, birds and animals, everything. Rolling streams of clouds over the mountains, straight down deep valleys, like flowing waterfalls, majestic, magnificent.

This is the famous Mount Lu waterfall clouds. Sometimes, it trickles, over the small Tianchi mountain, forming a line, into the valley.

Sometimes it is a silver thread, after the small Tianchi mountain pass, shaped like a jade curtain shaking down. Sometimes, it is like a rushing river, over the top of Tianmu Mountain, surging, flowing straight down, a cascade of a thousand feet. Misty fog, fog rising, misty, ethereal, ever-changing, fabulous, inexplicable, a thousand shapes, a thousand states, a thousand changes, a thousand variations, a thousand changes, a thousand changes, a thousand changes, a thousand variations, a thousand variations, a thousand variations, a thousand variations, a thousand variations, a thousand variations, a thousand variations, a thousand variations, a thousand variations, a thousand variations, a thousand variations, a thousand variations, a thousand variations, a thousand states, a thousand variations, a thousand variations, a thousand variations, a thousand variations, a thousand varieties. Turbulent clouds, like a thousand horses, running in the pool of heaven, jumping: some head down, some hissing, some angry eyes raised the front hooves, some raised sideburns flung up the horse's tail.

The hooves move, kicked up ten thousand silver flowers; tail a sweep, raised the sky snow. The snow-white and pink puffy clouds, like a group of frightened by the siren's stern roar.

2. Description of the cloud brocade statements

Qi Liang period poet, writer Zhang rate of the "embroidery fugue": "looking for the ingenuity of creation, due to the ordering of the hundreds of workers, if the view of the outlawed, with its according to the release of the tortoise and the dragon for the text, the gods and immortals imaging. The total of five colors and extremely think, by the Luo Zhi and think, with the appearance of all things, as much as the shape of all of them. Both Mianhua and colorful, but also dense light and sparse."

Western Jin Mu Hua "Sea Fugue": "If it is the cloud brocade scattered in the sand at the time of river-bend, damask was light in the snail mussel section". Tang Dynasty Li Shan note: "said the time of the sand 汭, the text is like cloud brocade; snail mussel section, the light is like a damask also."

Ge Xuan of the Eastern Jin Dynasty, "Fudi Nei Chuan": "Zhang Yunjin's weft, burning nine lights of the lamp".

Wang Anshi, a famous writer of the Northern Song Dynasty, in his poem "Sending Wu Xiandao", his poem: "The screen nine stacks of cloud brocade Zhang, a thousand peaks such as the chain."

The late Ming literati Wu Chunmei described Nanjing cloud brocade: "Jiangnan good, the loom captured the work of heaven, peacock makeup flowers cloud brocade rotten, ice silkworms spit phoenix fog image empty, the new kind of small group of dragons."

The Kangxi Emperor's "Weaving Office read the machine room": "Years of hard work into the practice, a thousand silk a cut across the length and breadth. This view is not for the cloud chapter clever, want to thrift pride and luxury gambling has not sprung up."

Zheng Banqiao, a famous painter and calligrapher of the Qing Dynasty, "Changganli": "Reeling, weaving and embroidery family business, gold, phoenix, silver and tribute to the Son of Heaven

3.

Yun brocade has its own unique style in the art of design, the pattern layout is rigorous and solemn, the pattern changes in generality, the use of color contrast, commonly used piece of gold hooked edge, white between, the formation of color halo transition. Its colorful and beautiful as the sky clouds and Xia and named, but also because of its rich cultural and scientific and technological connotations, was called by experts is the last milestone in the history of ancient Chinese brocade craft.

Recognized as the "Oriental treasure", "China's best", it is not only the pride of Nanjing people, but also the pride of all human civilization. Nanjing brocade, because of its brilliant and colorful, brilliant as the clouds and the name, set the successive dynasties of brocade craft, and in China's three famous brocade in the first, followed by the Song brocade and Shu brocade, was called by the experts of the ancient Chinese brocade craft history of China's "China's best".

Nanjing brocade originated more than 1500 years ago, in the Yuan, Ming and Qing dynasties, were designated as imperial supplies, is the main material for the imperial robe, crown belt, concubines, but also the royal gifts, gifts of noble gifts. The Qing Dynasty set up "Jiangning Weaving Department", Nanjing brocade into its heyday, the city *** more than 30,000 brocade, nearly 300,000 people engaged in the brocade industry, Nanjing Qinhuai River side of the machine gathered, the loom sound unceasing.

Yun brocade using rare traditional hand-weaving process, weaving a unique artistic style of fabrics, brocade pattern as magnificent as clouds, so the name "Yun brocade". The traditional varieties of Nanjing brocade have three major categories, namely, library satin, library brocade and makeup flowers.

Cloud brocade pattern modeling concise and vivid, well-proportioned layout, colorful, using a large number of gold decorative lines, fabric bright brilliant, brilliant, with auspicious, rich and elegant mood, charm. Yunjin unique process, with the traditional jacquard wooden machine weaving, must be jacquard workers and weavers two people with the completion of the former sitting on the loom is responsible for jacquard, the latter weaving under the loom, up and down synergies, two people a day can only be completed 5-6 centimeters long brocade weaving, and the general weaving of the "through the warp and weft" process is different, the Nanjing brocade using the "through the broken warp and weft" process is different. The Nanjing Yun brocade uses the "through the warp and weft" technology, digging flower plate weaving, makeup gold coloring, weaving the effect of different colors by flower, that is, from different angles of the brocade, the weaving of flowers is different.

Nanjing brocade mainly "flower satin", "gold", "brocade", "makeup flowers" The four main types of brocade are "flower satin", "gold weaving", "brocade" and "makeup flowers", especially "gold weaving" and "makeup flowers", which are the two highest achievements. "Weaving" that is, using gold foil cut into gold thread for weaving, "makeup flowers" is characterized by more color, colorful.

As the cloud brocade was used for the royal family, so the cloud brocade material is exquisite, no expense was spared, the materials used are mostly gold thread and silver wire, silk, silk, all kinds of birds and birds feathers and so on. At present, this traditional hand-weaving method of weaving by human memory still can not be replaced by modern machines.

A small piece of cloud brocade set in a frame looks as beautiful as a brushstroke painting. Yunjin is a traditional jacquard silk weaving craft in Nanjing.

It is made of exquisite materials, fine weaving, elegant and colorful patterns, like the magnificent clouds in the sky, so it gets its name. It has a history of more than 1500 years, in the Yuan, Ming and Qing dynasties are the royal tribute, which is the most prosperous Jiangning Weaving in the Qianlong period of the Qing Dynasty.

Yun brocade is mainly hand-woven using traditional flower strand looms, each loom is 5.6 meters long, 1.4 meters wide, 4 meters high, operated by two people, the process of weaving a large number of gold threads, silver threads, and with five-color silk velvet threads, such as rare and valuable brocade threads woven, so that it is opulent, brilliant. The patterns of Yun brocade are mainly based on "dragon", "phoenix", "unicorn" and "peony", which show the luxury of palace decoration. The decoration of the luxury of the palace, and therefore has a "inch brocade inch gold" metaphor, become a very valuable collection.

This is one of the best of China - Yunjin.

4. Poetry describing the cloud brocade

Qi Liang period of the poet, writer Zhang rate of the "embroidery Fu": "looking for the creation of the clever, due to the order of the hundreds of workers, if the view of the outlawed, and with the release of its own, tortoise and dragon for the text, the gods and goddesses imaging. The total of five colors and extremely think, by the Luo Zhi and think, with the appearance of all things, as much as the shape of all the chemical. Both Mianhua and colorful, but also dense light and sparse."

Western Jin Mu Hua "Sea Fugue": "If it is the cloud brocade scattered in the sand at the time of river-bend, damask was light in the snail mussel section". The Tang Dynasty Li Shan note cloud: "said the sand 汭之际，文若云锦；螺蚌之节，光若绫罗也。"

Ge Xuan of the Eastern Jin Dynasty, "Fudi Nei Chuan": "Zhang Yunjin's weft, burning nine lights of the lamp".

Wang Anshi, a famous writer of the Northern Song Dynasty, in his poem "Sending Wu Xiandao": "The screen nine stacks of cloud brocade Zhang, a thousand peaks as a chain."

The late Ming literati Wu Chunmei described Nanjing cloud brocade: "Jiangnan is good, the loom captures the work of heaven, peacock makeup flowers cloud brocade rotten, ice silkworms spit phoenix fog raw silk empty, the new kind of small group of dragons."

The Kangxi Emperor, "Weaving read the machine room": "Years of hard work into the practice, a thousand silk a cut cut across. This view is not for the cloud chapter clever, want to thrift pride and luxury gambling has not sprung up."

Zheng Banqiao, a famous painter and calligrapher of the Qing Dynasty, "Changganli": "Reeling, weaving and embroidery family business, gold, phoenix, silver dragon and the Son of Heaven

5. Nanjing brocade stuff

Nanjing brocade has been more than 1,500 years of hand-woven history. Its wooden machine makeup flower is China's more than 4,700 years of silk weaving history, more than 300 years of brocade history, the only handed down to this day can not be replaced by the machine, digging flowers weaving disk weaving with the heart of the memory of the traditional hand-woven weaving process. Nanjing brocade process is always by hand orally, from generation to generation. In ancient silk fabrics, "brocade" is the fabric that represents the highest level of technology. Nanjing brocade is a collection of brocade craftsmanship through the ages, located in the ancient Chinese three famous brocade of the first. Yuan, Ming and Qing dynasties have set up in Nanjing, "to the officer to lead, in order to authorize the artisan," the official weaving institutions. Yuan for the "East and West Weaving and Dyeing Bureau". Ming Dynasty, "weaving and dyeing bureau", "God of silk", "supply machine room". Qing Dynasty for the "Jiangning Weaving Bureau". Jiangning Weaving Bureau **** existed for more than two hundred and sixty years, during which the weaving officials in charge of dozens of people. Among them, Cao Xi, Cao Yin, Cao, Cao grandchildren have served as Jiangning Weavers for 65 years. Cao family in Jiangning in addition to the responsibility of weaving all the affairs of the imperial satin, but also for the royal family in the procurement of Jiangnan, the office, the report of all the affairs.

Nanjing brocade is five point six meters long, one point four meters wide, four meters high, the traditional large flower building wooden loom, by tugging the flower workers and weaving hand two people cooperate with each other hand-operated weaving out. The loom consists of 192 four parts, "flower puller" sitting on the top of the loom, responsible for lifting the warp, "weaver" sitting on the bottom of the machine, responsible for weaving, make-up gold coloring. Daily output of about five centimeters, the precious. Recently, the Nanjing Yunjin Institute just developed a new summer dress, a dress only 49.5 grams, less than one or two. Nanjing brocade can be expressed in a clothing level of silk, silk, Luo, satin, yarn, can be gold, silver, peacock feathers woven into, these are other clothing fabrics can not be done. Because of the long term used for special weaving imperial dragon robe coronation dress, often spared no effort in weaving, so the formation of the cloud brocade pattern colorful, flower-shaped, beautiful, colorful and bold, especially with the gold as its characteristics, with the freedom of color, color changes in a variety of characteristics, so that the cloud brocade reached the peak of the point. Wooden machine makeup flower hand weaving process is formed under the specific conditions of the formation of the only remains of the centralized embodiment of the achievements of brocade weaving. Especially the "three makeups" featuring "makeup gold, makeup color, makeup peacock feathers" for the royal products, its special relief inlaid three-dimensional effect, reflecting the unique cultural and aesthetic pursuit of the nation, reflecting the intersection of science and technology and aesthetics. The cultural and artistic style of Nanjing Yunjin can be summarized as follows: the beauty of the overall artistic design, the beauty of the harmony of the halo color, the beauty of the weaving technological innovation principle, and the beauty of the auspicious symbolism pattern. Her style genre is rare in China and even in the world.

Ancient Chinese official patch is a specific display of the status of the Chinese feudal dynasty officials of the official emblem, is the characteristic varieties of Nanjing brocade. He decorated on the chest and back of the official uniform, civil officials decorated with flying birds; first-grade officials for the crane patch; second-grade officials for the chicken patch; third-grade officials for the peacock patch; fourth-grade officials for the wild goose patch; fifth-grade officials for the white pheasant patch; sixth-grade officials for the heron patch; seventh-grade officials for the patch; eighth-grade officials for the quail patch; ninth-grade officials for the practice of the sparrow patch. The military officials are decorated with beasts: the first and second grade officials are lion supplements; the third grade officials are tiger supplements; the fourth grade officials are jackal supplements; the fifth grade officials are bear supplements; the sixth and seventh grade officials are puma supplements; the eighth grade officials are rhinoceros supplements; and the ninth grade officials are hippopotamus supplements. Nanjing brocade in the inheritance of successive generations of excellent silk weaving technology at the same time, continue to integrate innovative technology, China's ancient silk weaving technology to the peak, become "brocade of brocade". In 1954, the Nanjing Cultural Bureau set up the "Yunjin Research Working Group". In October 1956, Zhou Enlai instructed that "the Nanjing comrades must inherit the Yunjin craft and carry it forward." In 1957, the Yunjin Research Institute was established. Many leaders of the party and the state visited the Nanjing Yunjin Institute and made valuable suggestions for its development.

Yun brocade has a long history and unique national style and characteristics. Yun brocade is expensive. The reason for its high price is that its pattern is exquisite, the process is complex and the completion of the process are made by hand, and the production is slow. How to improve labor productivity, reduce production costs and increase efficiency is the key issue for the survival of national brocade. Today, mankind has stepped into a highly civilized, highly information-based civilized society, new technologies, high-tech has been widely used in all walks of life. The computer has gradually entered the common people's home, people use the computer to solve a variety of real life before they dare not think of a lot of problems, people from the hard manual labor to liberate. China's economic development, to the national costume to bring a new opportunity, national things to attract the world's attention. Shanghai APEC meeting, leaders dressed in traditional Chinese also harmonious brocade fabric Tang suit in turn into the Shanghai Science and Technology Museum, so that the ancient Chinese tradition has breathed new life, but also attracted the attention of the world. Infinite business opportunities, so that the world set off the Tang suit fever. The fabric of Chinese brocade belongs to the green environmental protection and health fabric, which is more favored by people and makes the ancient Chinese craft emit a new light.

For details, see the home page of the Nanjing Yunjin Institute /

6.

One of the traditional brocades.

Ming and Qing dynasties for the court weaving. There are a number of government-run weaving bureau production, used for court dress, rewards and so on.

Since the late Qing Dynasty, there has been commercial production, the industry to produce the name of "cloud brocade", phoenix its rich and luxurious, gorgeous as the clouds and the name. Modern production only in Nanjing, often called "Nanjing brocade".

Modern brocade inherited the traditional style of the Ming and Qing dynasties and development, the traditional varieties of makeup flowers, library brocade, library satin and other categories (see "makeup flowers", "library brocade", "library satin "), Kukin, Kukin and so on to the Qing Dynasty woven into the Interior Ministry "satin library" and named, used to this day. Make-up fabrics is a representative of the characteristics of the Yunjin technique and style varieties, pattern layout rigorous and solemn, pattern modeling concise and generalized, mostly for the large full pattern for the four sides of the continuous arrangement, but also through the width of the horse for a separate, suitable for the pattern of large make-up fabrics (such as the Ming and Qing Dynasty dragon robe, kang mattress carpet cushion, etc.) with a strong contrast of color, often with a gold line outlined or gold, silver line decorative pattern, through the white or the color of the halo transition to the weft tube small shuttle dug flowers decorated with color. The small shuttle of the weft tube to dig flowers decorated with color, weaving can be beautiful and thick, gold and color reflecting, is the Yunjin brocade is different from Shu brocade, Song brocade and other brocade important features.

After the founding of the country, on the basis of traditional varieties of innovative varieties, such as rainbow brocade, Dunhuang brocade, gold and silver makeup, diamond brocade, decorative brocade and table blankets, cushions, etc., to supply the Mongolian and Tibetan brotherhood of clothing and painting and calligraphy framing, tourist souvenirs, foreign trade and other needs.

Nanjing brocade color up to eighteen, the use of "color halo" layer launched the main flower, rich and elegant, solid texture, pattern thick and beautiful, colorful and solemn, the use of a large number of gold threads, the formation of a unique style of gold and blue. Yun brocade used to be exclusively for the court imperial or reward the merits of the thing, now in addition to ethnic minorities to do clothing, but also exported abroad to do high-grade clothing fabrics.

Yun brocade process is unique, with the old-fashioned jacquard wooden machine weaving, must be jacquard workers and weavers two people with the completion of the two people a day can only produce 5-6 centimeters, this process can not be replaced by machines. The main feature of the cloud brocade is the different color by flower, from different angles of the cloud brocade, embroidery on the color of the flowers is different.

Because it is used for royal costumes, Yun brocade is often made with exquisite materials, sparing no effort and excellence in weaving. Yun brocade like to use gold, silver, copper wire and filament, silk, a variety of birds and beasts feathers used to weave brocade, such as in the Royal Yun brocade embroidery on the green is woven with peacock feathers, each Yun brocade pattern has its own specific meaning.

If you want to weave a 78-centimeter wide brocade, there are 14,000 threads on its weaving surface, and the composition of all the floral motifs has to be shuttled on these 14,000 threads, and the whole process of weaving from the establishment of warp and weft to the final weaving of the threads is as complicated and arduous as programming a computer. Woof The birth of brocade should be attributed to the woof of Suzhou, which is actually an accessory derived from the woof of Suzhou.

Suzhou silk weaving industry began in the period of Eastern Wu (222 - 280), the end of Eastern Jin (317 - 420), general Liu Yu, the northern expedition, after the destruction of the Qin, will be Chang'an all the hundred workers moved to Jiankang (now Nanjing), due to the proximity of the then Suzhou. Therefore, a large number of Suzhou woof craftsmen moved to Nanjing.

The tapestry artisans of the post-Qin dynasty inherited the tapestry techniques of the two Han dynasties, the Cao Wei dynasty, the Western Jin dynasty, and the ethnic minorities of the pre-Sixteen Kingdoms period. In 417, the Eastern Jin Dynasty established the Jin Agency in Jiankang, an official office specializing in brocade weaving, which is seen as the official birth of Nanjing brocade.

From the Yuan Dynasty onwards, brocade has been the royal dress specialties, the Qing Dynasty in Nanjing, there is a "Jiangning Weaving Department", "Dream of Red Mansions" author Cao Xueqin's grandfather, Cao Yin, served as Jiangning Weaving for 20 years.

As the name suggests, the origin of the street's name is related to the beautiful and noble cranes, about which a moving legend is widely spread in folklore. An "old Nanjing" colorfully told reporters about the legend he heard from his ancestors.

Legend has it that there is a small, lonely hut on the west side of the ancient city of Nanjing, in which lives an old artist who works for the wealthy, and his name is Zhang Yong. Every day, the rooster called the first time Zhang Yong began under the machine pit weaving brocade, has to be busy until the middle of the night before stopping.

A year down, the sweat dripped dry, tears flowed, weaving out of the brocade let go as if the Yangtze River. But the rich man in turn said that Zhang Yong owed him more.

Once, the rich man wanted to celebrate his birthday, forced Zhang Yong to rush to weave a "pine age crane life" of the cloud brocade hanging screen. Zhang Yong had to drag the thin body jumped off the machine pit throw shuttle over the pipe weaving brocade.

Poor old man gray hair, where there is strength! Boiled dry lamp oil, only weave five and a half inches a night, see the rich man will come to force goods, the old man anxious tears, he stretched out his hands, facing the door outside the towering mountains, sighed sadly to himself: "Yun Jin Maiden, people say you are blessing our poor people weaving fairy, and now the rich man to our poor people to death, how can you see the death of the rescue ... ... ..." Zhang Yong was so fatigued that he fainted by the loom before finishing his sentence. At this time, the colorful clouds on the mountains open up, flashing a thousand golden light, and then floating clouds, gust of wind soughing, the door of Zhang Yong's home "creak" opened, into the two beautiful girls, they helped Zhang Yong on the bed, they sat in the pit inside the machine skillfully weave up the cloud brocade to.

All of a sudden, the loom even sound, pattern now brocade. Daybreak, Zhang Yong woke up from the coma, a look at the room full of golden light, a girl in the machine pit quickly fling shuttle brocade, another sitting on the flower tugging flowers.

He asked, "Who are you?" The girls pointed to the clouds in the sky. Zhang Yong looked at their hands, only to see the colorful clouds, turn around and look, the two girls have disappeared, leaving only the machine on the woven cloud brocade glittering.

The cloud brocade above the pattern as if the fairyland, the pines, clear water, two lifelike cranes danding blood red very dazzling. Zhang Yong joyfully to the cloud brocade to the machine under the roll, I did not expect this magical cloud brocade as if the waterfall on the mountain pulled a picture and a picture, rolled a horse and a horse, how can not finish pulling, roll is not exhausted.

Neighbors and neighbors all ran to see the rare. At the time of everyone's excitement, the rich man with a gang of thugs in front of and behind the debt collection came.

He put his waist a fork, a wave of the hand, the beaters swarmed up, like a wolf like a tiger to grab this magical tapestry machine. Zhang Yong where willing to comply, dead protect the loom refused to let go.

But the ruthless rich one.

7. Poems about cloud brocade

1, screen nine stacks of cloud brocade Zhang

Tang

Li Bai

"Lushan ballad to send Lu Squire Void Boat"

2, half of the no cloud brocade

Liao

Xiao Guanyin

"Back to the heart of the courtyard - change the pillow of fragrance"

3, the mouth of the word cloud brocade

Tang

Li Bai

"Replying to Yuan Danqiu with a Poem in Lieu of a Book"

4. Cloud Brocade Shining on Dongguo

Tang

Li Bai

"Traveling to the West of Shui Shui and Jane Zheng Mingfu"

5. Cloud Brocade Shining on Earthenware Bottle

Song

Chen Zao

"Complaining to the Heart-Today, People are Coming from Lotus Roots"

6.

Song

Xiang Zi諲

"Happiness at Meeting with Each Other - Pavilion of Autumn Water Hibiscus"

7. Warmly Laying Cloud Brocade

Song

Cao Xun

"Fenluo Zi - Anointing the Rain to Rest in the Middle of Spring"

8. Zhang Yunjin, Covering Ting Zhou

Song

Ge Li Fang

"Doli - Breaking the Waves Like a Mirror"

9: The Rain of Mountain Flowers Opens the Cloud Brocade

Song

Zhang Whirlpool

"Treading on Shakespeare - Can Laugh in the Mountain"

10: The Cloud Brocade of Heaven's Opportunity Dipped in the Air

Song

Zhang Hsiao-hsiang

"Rumulusa"

11: The Ten Mile Barricade Opens the Cloud Brocade

11: The Cloud Brocade of Ten Mile Barrier Openings

12: The Cloud Brocade of the Ten Mile Barrier Openings

Song

Lin Chun

"Song of Water Tune - Lake Waves Rising in Fresh Green"

12, Cloud Brocade Red Lake Bi

Song

Xin Qiji

"Nian Nujiao - The Evening Wind Blows the Rain"

13, One Side of the Cloud Brocade Recommends a Sparse Coolness"

Song

Zhang Xiaoxiang

"Partridge Sky - A Long and Happy Life". The Rainbow is a long way from the rainbow

14: Weaving a section of Tian Sun's cloud brocade

Song

Wei Deweng

He Xin Lang - Independent in the West Wind

15: Cooling into the section of Tian Sun's cloud brocade

Song

Hong Zi Kui

"Heavenly Immortal Son - The wind and moon will be half of the Autumn"

16. Cloud Brocade

Song

Huang Ji

"The Morning Calm - The Bitterness of Refuting Clouds and Rains"

17 "Nine Stacks of Screens Opened on the Edge of Cloud Brocade"

Song

Zhang Cui

"Qinyuanchun - Mr. Dongzhe"

18 "The Cloud Brocade Rotting by the Weaving Machine of the Weaving Maiden"

Song

Liu Kerzhuang

"Full River Red - The Moon and Moon

This Flower is Unlike Any Other Flower

21.

Song

Fang Yue

"Qinyuanchun - Ask for Flowers in Wine"

22, TIANSUN YUNJIN

Song

WENYING WU

"MULANHUA SLOWLY - FINGERING FOOTSTOCKETS DAWN MOON"

23, YUNJINTING XI

Song

CHEN Renjie

"Qinyuanchun. Yunjin Pavilion West

24, Distributing Tiansun's Yunjin Clothes

Song

Yao Mian

"Qinyuanchun - A Leaf of New Coolness"

25, A Piece of Tianji's Yunjin

Song

Chen Yunping

"The Eight Songs of Ganzhou - Putting the Boat Under the Yangliu"

26, Cloudy Clothes of Tianjun

Song

He Menggui

"Unforgettable - Summer Forest Pond"

27: Cloud Brocade in Beihu

Song

Anonymous

"Magnolia Flower/Yulou Chun"

28: Tailored into Cloud Brocade

Song

Anonymous

"Qinyuanchun - Gushu Qiongxian"

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Tang

Li Shen

"Shouyang strikes the county day, there are ten poems, and the pursuit of memory is not the same, this time compiled in"

30, the water cloud countryside to see the cloud brocade

Yuan

Xu Youfu

"Touch the fish - to buy the bepi ponds spinning willow planting"

31, the Chu River, the clouds of the brocade of 3,000 hectares

Yuan

Li Zhi

"Partridge Sky: The Next Attachment to the Ruishan Lefu"

32: "Cutting the Cloud Brocade of Heavenly Opportunities into Sentences"

Yuan

Zhang Zhihan

"The Golden Wisp Song: Sending Can and, That is, Using Its Rhyme"

33: "A Section of Clear Fragrance in the Autumn of the Cloud Brocade"

Yuan

Liu Minzhong

"The Partridge Sky.

"Partridge Sky - a section of the fragrance of cloud brocade autumn"

34, wind and rain empty shock cloud brocade mess

Yuan

Wang Xu

"Man Jiang Hong 次李公敏梨花韵"

35, heavenly chance cloud brocade used in my

Song

Lu You

"September 1, the night of the reading of the draft of the poem have a feeling of going to the pen to make songs"

36, Tian Ji Yun Jin used in me

Song

Lu You

"On the first night of September, I read a draft of a poem and felt the feeling of writing a song.