What materials are needed for painting and calligraphy mounting?

The main materials are: raw rice paper, silk, silk, brocade, brocade, hemp and so on. ? Sky pole, ground pole, crescent pole, shaft head, hand-rolled parts, labels, ribbons, belts, copper buckles, flour, gelatin, alum, etc.

Paste and install the required adhesive. Beat with starch or good flour that does not contain gluten and bran, and add appropriate amount of alum when beating to prevent insects from eating in the future. Pigment, that is, traditional Chinese painting pigment, is used to dye paper, silk and silks to make up for the color of damaged paintings. Ropes, straps and pins are used to bind securely mounted objects. In addition, some chemicals must be prepared, including potassium permanganate, oxalic acid, hydrogen peroxide, acetone, ether and so on. , remove mold marks and stains.

Extended data:

Painting and calligraphy mounting is a part of China's painting and calligraphy art, and it is also a special way to display Chinese painting. Because Chinese painting can't be displayed directly without mounting. The painting itself is only a semi-finished product, and only by mounting can the art of painting and calligraphy be fully displayed.

China's first book, A Record of Decoration, said: "The quality of decoration depends on the retention or abolition of real names. Stealing is the decorator, and the life of painting and calligraphy is also. " Fu Baoshi, a famous modern artist, once published the article "It is difficult to mount a painting", saying: "Mounting, as a work of art, is the most important level besides the artistic level of the picture." This shows the importance of painting and calligraphy mounting in the whole art of painting and calligraphy.

Chinese painting is mainly based on ink and wash, and materials with light weight, good water permeability and good smudge effect should be used. Xuan paper and silk materials are the result of China's continuous choice of ink and wash for thousands of years. These paintings are so light and thin that it is difficult to show them directly. If it is not mounted, in addition to ugly folds, there may be moth-eaten, mildew and cake caking, which will lead to complete destruction.

Mounting is to strengthen, set off and beautify the created calligraphy and painting by adding one or more layers of paper, silk and other materials. These materials have been treated with mildew and moth prevention, with the aim of strengthening the cultural attributes and aesthetic effects of works of art.

Mounting means "pushing the new and supporting the old": it plays a role in flattening, setting off and beautifying new works; It plays a role in repairing and regenerating old paintings. But there are always two sides to everything, and there are risks in mounting. In the Qing Dynasty, Zou Yigui's Painting Mountain specially reminded: "Decoration is not a matter of pen and ink, and every time a layman corrupts pen and ink, he must not be careless."

There are several basic styles of painting and calligraphy mounting in China: hand scroll (generally referring to long paintings that can be rolled up and unfolded horizontally), album (small paintings bound into volumes), nave (paintings hung in ancient halls), horizontal batch (paintings that are long horizontally and short vertically) and strip screen (with poles on them).

There are two, four, six, eight, twelve screens and so on. ), mirror center (also called lens, used to frame small works, which is the most commonly used way now), fan (folding fan or circular fan painting), couplet (vertical calligraphy and painting corresponding to the left and right sides) and so on.

Baidu encyclopedia-calligraphy and painting mounting

People's Network-The Deep Story of Painting and Calligraphy Mounting