Lyrics of Chu drama "Trolley Rushing to the Meeting"! help

Pushing a car to catch up with your marriage can't be your own decision, and even your parents can't do anything about it. Now it sounds ridiculous. However, in the patriarchal era, this is true. The patriarch can give orders without limit and interfere in people's private lives. Its social phenomenon is the product of imperial system and the reflection of the lack of social bottom organizations at that time. The story of the Chu drama "Fair" happened under such a social and historical background. The young man Yu Laosi fell in love with his boss's daughter, and Zhang also fell in love with him. Under the pressure of the people, the two dare not love each other openly, so they can only associate secretly. Old four's house is far from here. On the same day, Yulan Festival and Temple Fair were held there. This is a great event in the countryside, just like a festival, people should catch up with the excitement. Old four wants to ask his sweetheart out, meet his family and talk to each other. Second sister is a virtuous and straightforward girl. She couldn't see her fourth brother for a while, so she gave birth to 10 thousand thoughts. I was wondering why my wife didn't pick her up, and the fourth child appeared. The second sister should be spoiled, and the fourth sister is more affectionate. How can we avoid trouble and get to the meeting place smoothly? Old four remembered his good friend Miao Lao. The third child is a little older, diligent and good-natured, and good at riding a unicycle. She is also good at helping the countryside and is quite popular. Seeing Yu Laosi coming to ask for it, although he was joking, he was also devoted to it. With him, everything is calm. Along the way, three people talking and laughing. Third sister is sitting in the car, wearing flowery clothes and a parasol, still sweating. Old four loves her dearly and keeps fanning. Miao Lao looked as if he had been infected by this sweetness. He is cute and joking, but he still wants to be funny: "Hey, what hot weather!" " Old four was caught up in his own business and didn't recognize the voice in old three's words: "Yes, yes." Second sister, she is sitting in the car. Do not stick to the sky, do not touch the ground. She should know how hot it is. "The third child flushed with excitement:" Do you sound like it? Second sister is sitting in the car with a parasol. Look at me. I am basking in the sun, steaming my head and carrying a hundred pounds on my shoulders. If you don't say I'm hot, you won't do your duty. "But the second sister is smart:" Yes, the third brother is quite spicy. ""I said that the third brother is not spicy, and the third brother makes you spicy, "said the fourth brother, but continued to slap the second sister in his hand. The third one was amused, but refused to shut up: "Hey, you know I'm hot. Do you like her?" Old four said shyly, "OK, OK, I'll slap you." On this side, he waved his fan; On the other side, my eyes were fascinated by the lovely second sister's face. At the moment when lovers look at each other and their eyes touch each other, a thousand words come to mind, but they are speechless for a while. Old four was distracted, and the horizontal handle fan changed to a downwind vertical fan. "Old four, are you chopping wood? "The third protest, simply take out the banana fan inserted in your back and fan yourself to enjoy the cool, saying," You just want to take the path, which is not lively at all. ""What shall we do? "? The third suggestion is walking and singing. In this way, three people are singing, dancing and walking. On the way, the third child was considerate. He said "I'm sorry" and walked away so that the two lovers could talk privately. Turning around, we hurried it getting late, and everyone happily went back to catch the meeting. The Fair is a passbook in Yu Laosi, a traditional drama of Chu Opera. There was no script at the beginning, and the form of "living book" was mainly improvised by artists. 1953 After the founding of People's Republic of China (PRC), Xiaogan Chu Troupe made its debut as a professional performance group. Zhang,, starring respectively; 1956, the private Guangming Chu Troupe also rehearsed the play and participated in the first opera viewing performance in Hubei Province. In the same year, Huang Zhen and Yu Hongbin, the opera educators, processed and sorted the play again. The script was published by Hubei People's Publishing House and included in Hubei Volume of China Local Opera Integration. 65438-0976, Beijing Film Studio filmed "The Fair" as an information piece, playing Yu Laosi, Zhu as Zhang, and Gao Shaolou as Miao Laosan. 1986, I heard that Wuhan Chu Troupe wanted to arrange a full edition of Yu Laosi, so with the help of his wife and son Huang, it was arranged and adapted into Three Visits to the Hall, with the Fair as the first chapter. "Fair" is a simple plot with a smooth structure. Its hierarchy is divided into five parts: 1. Expectation Lang; Second, pick up the girl; Third, invite elder brother; Fourth, dress; Fifth, push the cart. The dramatic contradiction in this play is not prominent, and it is only because the characters are afraid of gossip that they avoid people's eyes and ears. It shows a moving temperament. Focusing on fierce conflicts makes the characters have distinct personalities and is deeply branded with regional humanities. In terms of language, this feature is even more important. For example, Mel's lyrics: "... just say that you are in love with Ge Yong, and a steel knife fell out of thin air. Steel knives keep cutting lotus roots, and the cut willows can also be planted. People should not be shallow-minded, and the heat will add fuel to the fire. If I were not a prostitute, I would sit in front of the door and scold for three days ... "It shows the hot and crisp personality of Hubei women, and also contains tenderness, purity and intelligence. Another example is the meeting language between Yu Laosi and Miao Laosan: Laosi: Third brother, open the door! Lao San: Who is calling the door? Don't break two boards. Old four: Why do you close the door in broad daylight? Open the door! Lao San: Hey, it's Lao Si Yu. Stop yelling. There is someone in the room. Old four: Boy, do you have a mouth to talk? Old three: I'm going to see the meeting. Leave a message at the hood door. Old four: Where there is a mouth, there must be someone. Third: Hey, you are quite clever. You know there must be someone with a mouth. That's not asking someone to open the door. This ironic humor seems exaggerated, just like a "talk show". It also shows the simplicity, wit and free and easy character of Hubei people. The music of the play is mainly in minor, and it is presented in the form of solo, duet, duet and chorus by using [Yingshan Tune], [Cart Tune] and [Watch Tune]. The dances of its operas are particularly prominent, including braid dance, umbrella dance, fan dance and cart dance. Among them, "Cart Dance" draws lessons from the materials of plays such as "Double Grain Delivery" and "Three Shoulders Exchange", integrates folk car dance, and compiles various dance steps such as "Three Steps", "Four Steps", "Four Steps Jump" and "Up and Down", and is included in "Integration of Chinese Folk Dance" with its strong local flavor. Therefore, it urged the drama to improve its costumes and avoid the disadvantages of realism. Mr. A Jia, a famous dramatist, commented: "There are only three people performing" Fair ",one is an old laborer and the other is a cart pusher; One is a young farmer, pulling a cart; A country girl, driving. The girl fell in love with the young man, and the old long-term worker made fun of them kindly. The play is very beautiful, and the costumes of the three people are all brilliant, singing and dancing, talking and laughing; There is no problem with this artistic exaggeration. It looks very beautiful and harmonious This not only shows us life, but also attracts us by this relaxed and lively artistic style. Seeing this drama reminds people of a beautiful picture and leads us into the painting. Because of this artistic style, I chose the right theme, so I reconciled. " (A Jia's Drama Performance Collection P 166 Shanghai Literature and Art Publishing House) In short, Catch the Field is a well-known repertoire in the industry, and it is also the most enthusiastic traditional repertoire that has been deeply loved by the audience.