Is the TV series "Yulouchun" good?

The TV series "Yulouchun" is quite good. If you don't consider the logic of the plot, you can watch the drama without thinking, which is still a good work.

Yu Tingchun; Spring In Jade Pavilion；Song of Youth

Lou Yuchun is a large-scale drama directed by JUNG WOO, who devoted a lot of efforts. I spent a lot of time on costumes, makeup props and the overall scenery. Star actors include beautiful women like Bailu and Gina, and comedians like Yoko Spicy. As a costume comedy, it is still qualified.

Let me talk about my opinion after watching the play. In the case of drama shortage, it is good to watch a few episodes as the next drama. Generally speaking, the plot is fairly compact and will not be pieced together. Some deliberately added paragraphs also add a lot of points to the whole drama. But when it comes to the logic of the plot and the overall trend of the plot, it is a world of difference.

Advantages of Yulouchun

The overall style of the whole drama is relaxed and humorous, especially the spicy-eyed Yoko, which adds a lot of highlights to the whole drama. One of the characteristics of JUNG WOO's plays is that people are cool from beginning to end, and the hostess is almost omnipotent, and she can cope with any situation.

This is also Zheng Zheng's advantage. He can grasp the point that the audience wants and then execute it. The background of the whole story seems to be set in the Ming Dynasty, and the costumes of the hero and heroine, as well as various etiquette norms, are more in line with historical facts. The costumes and personalities of the characters in the play are pleasing, and each character has its own story line.

The characters in the whole play are very vivid, so smart, simple, cold and open-minded of Su and Yao. Of course, the most unique feature of this drama is that there is an ancestor of green tea, Yao Tao, who is simply the king of tea and has a very high status. If the characters can stand up, the whole play won't be too bad.

The shortcomings of Yulouchun

It's not so much a shortcoming as a positive shortcoming of "The Spring in the Jade House". I just want to make the plot cool to the end, but I never think about logic. For example, in the draft of Entering the Palace, the female host has already entered the palace, but the male host still wants to chase him and be very much in love in the court.

The hostess is just an orphan girl. She has been in the shopping mall for so many years, but she can call the shots and attract a large number of men who work for her. In this play, whether the hostess works for others or runs her own business, it's all too smooth. The tactics and connections behind this, if you think deeply, simply can't stand scrutiny.

In the early stage, in order to promote the plot, the feelings between the male and female protagonists are also vague, especially in order to highlight how difficult it is for the male and female protagonists to get together, and many worrying plots are forcibly added.