Traditional Culture Encyclopedia - Traditional stories - Why Fuchun Shan Jutu is the top ten famous paintings in China?

Why Fuchun Shan Jutu is the top ten famous paintings in China?

Because it is the masterpiece of Huang, the master of painting in Yuan Dynasty and the first one in his later years, and also the pinnacle of China's ancient ink and wash landscape painting, its artistic achievements are unprecedented in China's traditional landscape painting.

Fuchun Shan Jutu is a paper painting created by Huang in Yuan Dynasty, and it is one of the top ten famous paintings handed down from ancient times in China. Painted by Huang for his brother Zheng Xun (Useless Teacher), completed on 1350. After several changes of hands, the first two parts of his body were "burned and buried". The first half: Yushan map, now in Zhejiang Provincial Museum; The second half of the volume: the useless teacher's volume, which is now in the National Palace Museum in Taipei.

Fuchun Shan Jutu is set in Fuchun River, Zhejiang Province, which is characterized by elegant pen and ink, proper landscape layout and changeable ink color. About 80% of what Fuchun Shan Jutu painted is the scenery of Fuchun River in Tonglu, and 20% is the scenery of Fuyang.

Fuchun Shan Jutu is known as the "Lanting in Painting" and belongs to a national treasure cultural relic. On June 20 1 1, the first two sections were exhibited together in the National Palace Museum in Taipei.

Landscape painting is not a simple description of natural scenery, but a painter's spiritual appeal and inspiration, an expression of the painter's attitude towards life and a reflection of the painter's pursuit of life. Fuchun Shan Jutu described a long river, which flowed through shoals, rapids and peaks in the history of 1000 years.

The first paragraph is the feeling of summer, and the second paragraph is the scene of autumn. The leaves are partially faded, and they are all painted vertically, as if the prosperity is gone.

Fuchun Shan Jutu is not only a painting, but also a philosophy and an attitude towards life, which allows the creator to turn the pain of 90-year-old national subjugation into another thing, open his mind, get rid of the pain of foreign rule and return to the landscape, regardless of the rise and fall of the dynasty, just come back and be yourself and be simple.

At that time, Zhang Shicheng was farmland, Zhu Yuanzhang was farmland, and the rule of the Yuan Dynasty was in jeopardy. When the author was in his eighties, he also felt that the rise and fall of the dynasty was not the most important thing, but whether there were "long mountains, chaotic clouds and green hills". In the painting, there is also the image of Yu Qiao's literati, who lives in seclusion in the mountains and rivers and lakes.

Extended data:

Fuchun Shan Jutu's Creative Background

Huang, the author of Fuchun, began to write a long scroll about the four seasons changes of Fuchun River at the age of 80.

Unlike Van Gogh, a western genius painter, Huang never wanted to be a painter before he was seventy. Like all the literati in China during the Song, Yuan, Ming and Qing Dynasties, Huang read a lot of books in his childhood and just wanted to take the imperial examination and become a government official. Before the age of forty, he was after status. This great giant was once placed in an unimaginably boring official position, and the Hangzhou government was a small official who only collected land and grain taxes.

What changed his life situation was not the cultural trend of any great era, but was implicated by the Chief Executive and imprisoned for ten years. Crime is not as sympathetic as Su Dongpo, but a rather noble crime of corruption. At the age of fifty, Huang was released from prison and became a Taoist priest.

He has lived in seclusion for more than 30 years. A great painter by the Songhua River, only known to later generations, set up a stall every day, doing a shameful job and making a living by selling divination.

From the moment Fuchun Shan Jutu was finished, Huang, who was proficient in divination, predicted that the future fate of this painting would be "usurped". Huang stayed in Fuchunjiang for five or six years before finishing this work. Huang is 80 years old and has realized that life echoes everywhere, but he doesn't have to be persistent; From the beginning to the end of death, it is just a karma.

When Huang approached the painting, he gave it to his younger brother, who called it "useless" and called himself a "big idiot". My younger brother is useless, can't see through life, and is eager to shoot historical masterpieces. The useless younger brother got Fuchun Shan Jutu without spending a dime, and later generations sold it after his death.

Fuchun Shan Jutu entered the Ming Dynasty and became more and more famous. After the collection of many great painters, it also opened a collection story of bumpy legends that is rare in the history of world painting.

Baidu Encyclopedia-Fuchun Shan Jutu