How can China's traditional operas be rooted in China's traditional culture and have distinctive national characteristics?

Traditional Chinese opera is one of the oldest artistic styles of human beings, which came into being almost simultaneously with human beings and developed with the progress of human beings. Throughout the ages, human beings have created magnificent and brilliant drama landscapes and left extremely valuable artistic wealth. China opera has a long history and various forms. It is an important part of the oriental drama system and an artistic flower with unique color, fragrance and taste that blooms on the fertile soil of Chinese culture. China is rich in traditional opera resources. Since the formation of Song and Jin Dynasties, it has flourished for more than 1000 years, which is also the law and characteristic of the development of traditional operas in China. Ancient Greek drama, Roman drama and ancient Indian Brahma drama, which are also called the three major ancient drama systems in the world together with China's drama, have long been hard to find. Only the stone theater eroded by history has some traces left, and its artistic form has completely become the historical memory of written documents. China opera, however, has been constantly changing and metabolizing in the long historical evolution. From folk to city, from Nanqu to Beiqu, "four major tunes" have been formed, and it was not until the "dispute between flowers and elegance" that local operas flourished. As a deep-rooted traditional art, traditional Chinese opera has achieved new historical changes and changes since ancient times. China's operas interpret life and play the role of the Spring and Autumn Period, reflecting the living conditions, lifestyles, ideals and pursuits of the Chinese nation in an all-round way, forming a vivid history of China. In the artistic atmosphere of freehand brushwork, virtualization and symbolization of traditional Chinese opera, the means of expression such as singing, reading, doing, beating, hand, eye, body, method and step contain the aesthetic principles of primitive song and dance, permeate the rational spirit of pre-Qin, embody the romantic atmosphere of the prosperous times of Han and Tang Dynasties, show the charm of poetry and painting calligraphy, shine with the elegance of different times, and embody it intensively, strongly and vividly. As can be seen from the above, China Opera was born because it reflected the emotional life of the broad masses of the people, so it was deeply rooted in the hearts of the people and passed down from generation to generation by the broad masses of the people. At the same time, with the accumulation of feelings of the times, the national characteristics of China's traditional operas have become more and more distinct, and gradually integrated into the lives of the broad masses of the people, thus deeply rooted in the traditional culture of the Chinese nation.