Chinese Dance Illustration - How the hottest contemporary fashion illustrators are made!

Seeking traditional craft illustration painting six+hex+colorful pictures like this sometimes need to change. Sterling catty. Creep,. Starling is sip via the intentional, want, not down В obtain / ------------------ Latin dance is more powerful, about the thing a slightly powerful beauty. Chinese dance is similar to classical dance and folk dance in that it is very soft. It can be described as a more traditional beauty. Like the ancient dances, it requires a soft line. Two dances, two styles, two beauties. Personally, I like Latin because I studied Latin. Although I have learned Chinese dance before, I still think that Latin will have a more unique temperament. Chinese dance is more suitable for those soft girls to learn. Latin dance shows most of the hips, and pay attention to the rhythm of the pace of the steps, there will be a basic dance steps. Rumba, cha-cha, samba, cowboys, bullfighting five kinds of dance, the focus of each dance is different, feeling is different; Chinese dance by many ethnic groups in China, as if there is no basic dance steps. Basic skills is to press the legs, waist, splits and so on will focus on the coordination of the limbs and the sense of beauty more performance of different dances choreographed by the story will generally be like in the storytelling, Latin dance can also be expressed in a story, but this is to wait for the level is relatively high when most of the professional when it is a matter of Latin, but there will be a combination of the same kind of dance is a different kind of dance choreographed by the. Are there a lot of interest classes in the Primary Section of the Sino-Australia Experimental School? Yes, there are a lot of interest classes in the Primary Division of the Tao Li International School. In order to uphold the school philosophy of "Wisdom School, Life Education", to educate the whole person as the direction of education, to cultivate future talents adapted to lifelong development as the goal, to build a school-based special literacy curriculum system based on cultivating students' core qualities for future development, the school has planned nine categories for the children (art, physical education, science and creativity, Chinese studies, physical and mental health, disciplinary interest, and other subjects), and the school has also organized a number of interest classes for the children, Physical and mental health, academic interests, boys' and girls' specialties, PBL projects, life and labor skills, and civic responsibility) of nearly 60 school-based special literacy courses for the children to promote the comprehensive and diversified development of students' comprehensive qualities, in order to realize the educational ideals of respecting people, discovering people, developing people, and accomplishing people. Art Courses: Chinese Dance, Monkey King Opera Dance, Ukulele, Piano, Body Ballet, Printmaking, Paper Art, Creative Line Drawing, Character Caricature, Comprehensive Handicrafts, Illustration, Decorative Painting; Boys' and Girls' Literacy Courses: Broadcasting and Hostessing, Yayi Ritual Club, and Formal Runway; Science and Creativity Courses: PBL Project-Based Learning, Playing with Science, Botanical Appreciation, VEX-IQ, Creative 3D Printing and Programming Cats; Sports Courses: Basketball, Golf, Soccer, Baseball, Men's Wushu, Women's Wushu, Taekwondo, Boxing, Cheerleading, Aerobics, Rock Climbing, Table Tennis; National Studies Courses: Little Host, Chinese Drama, Leadership Eloquence, Little Ancient Recitation, National Studies Chanting, Hard Handwriting Calligraphy, Chinese Idioms and Stories; Academic Courses: Smart Math, 24 Points, Kangaroo Math, Sudoku, English Writing, English Picture Book Reading, English Drama, Natural Spelling. English Drama, Natural Spelling. The hottest contemporary fashion illustrator! How was it made? He is the hottest illustrator and the best spokesperson for fashion David Downton. David Downton was born in London in 1959. As a child, the best hospitality he was offered was a large blank page. However, what David did not expect was that he would be able to make a living from his drawings a long time later. ▲David. David Downton was a young man when he was painting ▲The studio is a painting of its own, and it's as beautiful as Picasso's studio. ▲The "fun and interesting" workbench is the place where you can create amazing works of art. David originally studied graphic design and his first work was a cover for WhichComputer magazine in the early 1980s. ▲David. Fashion illustration by David Downton in New York in 1998. The material is ink and acetate paper. ▲David. David Downton's 1998 fashion illustration for Christian Lacroix. Fashion illustration by David Downton for Christian Lacroix in 1998, on ink and color box paper. For 15 years, David was a freelance illustrator. He enjoys the life of a freelance illustrator no matter what is going on. ▲David. David Downton was a freelance illustrator in 1999 for Jean. David Downton's 1999 illustration of Jean-Paul Gaultier's fashion designs. Gaultier's fashion illustrations. A black dress with black sunglasses is a nice touch. David used Kate Moss as his model. David modeled his illustration after Kate Moss, showing the classic glamour of fashion in a pop style. This work is well known in the fashion industry and is one of the most representative works in fashion illustration in recent years. ▲David Downton Downton's fashion illustration for Valentino in 1999. Similar to the style of Lacroix, Eric and others, his use of color is modern. ▲David Downton's 1999 London-based fashion illustrations for Valentino. David Downton's 1999 fashion illustration Paloma Picasso in London, on gouache and ink cartridge paper, laminated on acetate. ▲David Downton's 1999 London fashion illustration PalomaPicasso. David Downton's 1999 London cut-out bottle sticker, modeled by Iman, drawn in ink on Pantone paper laminated with acetate. David's works are simple and smooth lines, very textured, and the style is not pretentious, which can show the beautiful body very well. Because of this unique drawing style, some people began to invite him to produce fashion illustrations. Among them, there is the 85-year-old ageless myth of Carmen Dell'Orefice, who is also one of David's muses. ▲David. Downton's 2000 New York fashion illustration modeled by Carmen Dyer-Oliphants, one of David's muses. Dale Oliphant. Orpheus, with clothing designed by Thierry Mugler. This piece was first drawn with oil sticks on Pantone paper, laminated on acetate and then inked. ▲David. David Downton's 2001 portrait of Anna Peggy, editor-in-chief of Europe's leading fashion magazine. David Downton's 2001 portrait of Anna Peggy, the editor-in-chief of Europe's leading fashion magazine, captures the soul of the "godmother of fashion" with great success. The exaggerated color scheme, playful expression, and uninhibited attitude combined with the seemingly wild, yet very skillful brush strokes combine to perfection! ▲David. David Downton's 2002 portrait of Chanel's design director Amanda Harlequin. He has always been fascinated by Lacroix, L'Oréal, and the other two women in the world. He has always admired artists like Lacroix, Antonio and Eric. As a result, there were similarities in color and line in his early paintings, and in 1996 he illustrated couture shows for magazines, and in 1997 he became active in the Paris couture shows. At first he was dazzled and totally unprepared, but the Paris fashion shows are real and inspire an artist. Paris has the most beautiful women and the best design work. And everything here is mesmerizing. David never painted while the models were walking the runway. Because he found it impossible to do so, he simply photographed or watched from the sidelines and literally felt every moment that struck. He took every other opportunity to paint, and no moment when the model was still could escape his eye. For example, during a fitting, or sometimes even during a resting moment of a model at a presentation... ▲Cosmetics are also his tools, moving between the beginning and the end of the brush, both thick and light. David says, "When I first started painting, I thought it was my responsibility to restore the clothes themselves to the way they looked on the runway. However, the first time I attended a fashion show was at Versace, before Kate Moss disappeared. However, the first time I attended a fashion show was at Versace, and I was only able to draw Kate Moss's arms before she disappeared! So it's best to enjoy whatever details the model is showing at the moment." David believes that the most important thing is the feeling of the body underneath the clothes, and then the proportions, colors, and other details, which can be difficult to achieve. David draws countless sketches of his designs and picks out the best ones, and when he's almost done, he starts eliminating them, "breaking them down and rebuilding them". He continues to draw until they look natural. He has written about fashion for leading media outlets around the world, such as The Times, The Independent, and Harper's Bazaar (a.k.a. Australia). He has also held three solo exhibitions in London and one in New York. In recent years, he has also designed visual images for shopping centers in Hong Kong and illustrated for Vogue's women's fashion line. ▲David. David Downton's 2004 cover for the Saturday Evening Post. This work was created in Paris with gouache, watercolor and paper. ▲David. Downton's advertising poster for TopShop's September 2004 fashion show. This brand is for young designers. ▲David. David Downton's illustration Valention Fitting, commissioned by Vogue (China) in 2005. ink, gouache and paper on acetate. ▲David. David Downton's 2006 fashion illustration for YSL. The material is ink, watercolor and paper. ▲David. David Downton's 2006 fashion illustration for YSL, based on ink, gouache, charcoal and paper. ▲David. David Downton's 2007 fashion illustration commissioned by Madame Magazine (German edition). This work was first drawn with oil stick on paper, laminated with acetate paper, and then drawn with ink and gouache. ▲David. Downton's 2007 illustration commissioned by The Times, London. Ink, gouache and paper. ▲David. David Downton's 2008 illustration for his magazine PourquoiPas, modeled by Dita Ventis and dressed by Lacroix. The model is Tita Vantis and the clothes are designed by Lacroix, in ink, gouache and paper, laminated on acetate. David is not the best drawing of the dancer ~ to work hard to grind an iron bar into a needle ~ want to have the ability to go beyond what others have beyond, you have to cultivate the ability to the extreme!