Watercolor line drawing material is simple - How to use watercolor to paint a work of Chinese style (semi-original)

Painting a watercolor two-color red and yellow gradient moonflower~|Watercolor Studio No.3

Watercolor Studio

-No.00003-

>>> > Today's theme: red and yellow two-color gradient moonflower

Finished draft_Combined 2020.07.18.(Size: 270X270mm)

Watercolor studio is the personal painting project of spring and summer, only to do painting, material sharing and recording, not to be profound, just simple and casual. Painting was my first dream in childhood, and I have worked hard for it; now I pick up the brush again to paint and talk about watercolor with friends. I set a goal to paint No.999999 in my lifetime.

-Spring/Summer Spring/Summer

>>>Tools used

__Camphor: Turner Artists' 24-color watercolors in tubes;

__Shane Lien Lake brushes and Raphael brushes;

_Hands: Spillover watercolors, Raphael brushes. >___Hand:Overflow Noble 300g medium grain cotton 8K four sides sealed glue watercolor book;

___Risk-taking Pastoral:2B pencils, eraser, flat nylon pen, napkins.

>>>Learning focus

___Put the account to drive the arm neon chrysalis squeeze;

___Sh ash gray child Elsholtzsky, coverage of weak and transparent, generally from the picture of the white tone of the sub-part of the beginning.

>>> > before the painting to say

The two-color roses of the floral language is - for love to defy, pouring all.

This love, like the two-color roses themselves, open fast, short flowering period, like fireworks rainbow, beautiful and dazzling but short-lived. Even if the flower period is short, but also to be extremely gorgeous, love thoroughly.

The two-color rose (lace color) originated in France, later introduced into Yunnan, China, mainly used for the production of cut flowers, container cultivation.

The two-tone rose petals are light yellow below, the tip is red, the junction of you have me, I have you, especially suitable for watercolor wet painting.

This rose I painted a little long time, intermittent intermittent painting a day + 1 night, mainly because of the accident wasted a lot of time.

The first 2B pencil drawing line drawing, due to the details of a little more, the last overall handwriting is not light, due to the transparency of the watercolor, later coloring light watercolor can not cover the pencil handwriting, it is recommended that before coloring the playdough rolled a line drawing, the floating color roll away.

It is worth noting that the relationship between the surface and the surface of the line drawing must be clearly explained to facilitate the later coloring.

On the use of color:

This two-color gradient rose I used Turner Artists 24-color tube watercolor,

Red warm part of the main color is: 12 rose + 14 red + 16 vermilion;

Red cold part of the main color is: 12 rose + 14 red + 68 magenta (red), the dark part of the appropriate addition of 52 blue;

Yellow warm part of the main color is: 12 rose + 14 red + 68 magenta (red), dark appropriate addition of 52 azure;

Yellow warm part of the main color is: 12 rose + 14 red + 68 magenta;

Yellow warm part of the main color is: 73 Naples yellow + 24 permanent yellow + a little 12 rose;

Yellow cold part of the main color is: 73 Naples yellow + 24 permanent yellow + a little 12 rose and 52 azure;

Some brands of pigments do not have a 73 Naples yellow, you can also use the raw brown + lemon yellow + rose + azure to reconcile.

Painting to the last two dark leaves of the rose found a little degumming, and finally painted the background only to find that the degumming is serious, the background was intended to lay a dreamy purple, coloring found everywhere is thick black spots, stacked a few times the purple or can not cover those thick black spots, the color is getting deeper and deeper, due to the watercolor pigments of the transparent or can not cover the degumming of the place, the background looks like flowers! I'm not sure if I'm going to be able to get a good look at this, but I think I'm going to be able to get a good look at this.

>>> process picture

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>>> detailing

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The whole picture is dry, with a more pure 12 rose + 14 red + 16 vermilion swept the gray part to show the effect of the texture of the petals, the cold places appropriate plus 68 magenta.

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>>> > Painting Process Video Share

>>> Review Summary

In order to better wet articulation, the bright part of the area can be painted slightly larger, the heavy color can be covered by bright colors.

Pay attention to the whole picture of the spatial relationship and the relationship between warm and cold.

When the picture dries out, you need to spray it with a spray can.

After spraying, you must wait until the water is absorbed by the paper and there is no floating water on the surface.

To make the roses rich, the pigments must be blended to make them rich, that is, more color and less water.

Did you like your watercolor painting today?

To paint with friends,

With me to talk about watercolor, painting watercolor!

Spring planting, summer growing, fall harvesting, winter hiding

First set a small goal of 1000 paintings!

Watercolor|Super detailed watercolor succulent painting tutorials, worth collecting

Hello babies, this period to bring you the watercolor tutorial is the highest voice of the succulent gentleman ~

In this issue of watercolor classroom, the performance of succulent more than the dry painting method is based on the fact that seems to be difficult to express the succulent, in the mastery of the relevant techniques, and not imagined so difficult Oh. This article will be as detailed as possible to provide you with tutorials, quickly follow the Bu Bu teacher together with the painting up to it

Source Original

Step 1: Observation

■ Before you start painting, you should first learn to observe and think, which is especially important for the white man. This is especially important for the beginner. Observation is a constant, because there is no absolute perfect picture, and subjective adjustments are often needed based on the artist's aesthetic and theoretical knowledge.

■ For example, when Ai saw the original picture of the moment, has been attracted to the jewel blue pot body, but this is for the meat of what a sense of crisis. If according to the original picture one by one depiction, then the whole picture of the primary and secondary relationship will produce confusion, want to express things can not be expressed Oh ~ so we have to this large and colorful pot body subjective adjustment - let the pot body smaller, and let the color a little lighter!

■Yes, it's that simple, let's lock our eyes back on the meat, is what we want to show.

Second step: start type

■In order to keep the picture clean and save time, this time we use the sulfate paper copy type, will copy the type of flip, and then outline with a pencil once you get the line drawing below, you can copy the type of copy directly copy the flip chart will be more time-saving some.

■Type copy to the paper, after the plastic playdough pinch long strip, roll back and forth, roll, roll, roll .... Pencil marks will become very light, the picture will become very neat and tidy ~

(That said, Mr. Bu Bu's plastic playdough is so dark. . emm)

Step 3: Preparation

■Preparation before coloring should be done. Prepare two cups of water, one cup is water, one cup is brush water.

■Three pens are needed at the same time. A water pen, the other two were dipped in warm and cold colors, like this take the pen:

■Two pens in the hand can be switched at any time, (which is also painting the most commonly used techniques in the Chinese painting brush Oh) if you do not grasp the small partners can also be a hand to take a La ~

Step 4: color

■When we observe the succulent each petal of the meat of the color, it will be found that the color in the Near the edge of the succulent and the tip of the location of the color is generally warm, mostly yellow, orange, red; and the closer to the inner color is cooler, mainly green and blue.

■In each flap of flesh there will be a very bright position, this bright part we can choose to stay white, and finally you can choose to use the water pen dipped in a very small amount of lemon yellow for the transition.

■ As long as you grasp these characteristics, we painted in the heart of the bottom of it ~

Detailed steps

-- succulent -

■ From the upper left corner of the painting, with a cold color pen first painted succulent Near the inner position of the color (dipped in permanent light green + a small amount of lemon yellow + a small amount of water)

While not dry, quickly use another warm pen dipped in a small amount of red in the succulent outside the tip of the position of the point, so that the two colors naturally converge. In this way, the first flap of meat is so simple and brutal completion of the ~

■ ■ continue to observe, the right side of the two flaps of meat color compared to the first flap of meat is a little bluish. No need to wash the pen, you can directly use the cold color pen dipped in a small amount of phthalocyanine blue painting.

■Similarly, near the tip of the meat some warm orange, with a warm brush dipped in a bit of orange quickly painted on, so that the two colors naturally converge is the key Oh.

■Observed that the color of the meat below the three petals will be more blue in comparison, some deep. On the basis of yellow-green, phthalocyanine blue can add a little more, the edge of the position of the warm area can be appropriate to add a little purple. Note that if the painting heavy or edge is very hard, you need to use the water pen for transition, the bright part of the flesh can be directly left white Oh ~

■ Continue to the next, found that the color of the flesh will be more warm, but at the same time the purity of the color is also reduced a lot. Forever solid light green + a little orange-based, plus a little brown and red to reduce saturation, the tip of the location of the same point on a warm color up oh.

■ The last three petals of flesh color more red, because not light, the color will be more gray. In the middle of the position of the big red + a little brown color, the edge of the position of the transition of a little permanent light green, the tip of the position of the big red while wet dyed.

■In the first coloring is not too much concern about the changes in light and dark and volume relations, just focus on the color feeling on the good Oh

■Waiting for the first time before the color dries, we can first draw out the branches. With the earth yellow + yellow painting the bright part of the branch, with brown + a small amount of Payne gray painting the dark part of the branch of the color, while wet when you can point on a little texture, natural halo, after drying the effect will slowly come out.

■ Now the meat of the first color has dried, the color will become lighter. With the first coloring method only to the dark part of the succulent color to weight, with the water pen to assist the edge of the transition natural.

A cluster of succulent meat is completed~

(The tip of the position of the small white spots can be used to point out the highlighter Oh)

■After we can follow the above mentioned succulent warm and cold changes in the characteristics of the next three clusters of succulents to draw Oh.

■ The color of the small stone in the original picture is a little yellow, we can deal with the dark part of it to gray and white some, with phthalocyanine blue + a little Payne Gray point of the dark part of the bright part of the color can be dotted with a little yellow, to create the atmosphere of light.

■In order to enrich the picture, you can take advantage of the wet time in the small stone on the point of a little azure and purple, and so on the small stone after drying and then the second time on the color.

■ Flower pots need to use is the wet painting method, with a flat brush dipped in water evenly brushed in the flower pot position, the edge of the position to brush carefully, after wetting the side of the paper, check whether the water brush is even Oh.

■With a little phthalocyanine blue spot dyeing pots in the middle position, the edge can brush some cobalt blue, so that the color depends on the fluidity of the water naturally halo dyeing open, collision in the together.

■ Original planter contrast relationship is relatively strong, but we have to deal with it much lighter than the original picture, yo ~ like this with the two colors to the planter of the approximate dark and light relationship to deal with it.

■ flower pots at the bottom of the location of the color to be slightly deeper, blue can be distinguished, here used some of the blue.

■ Immediately after using a flat-tip pen dipped in a small amount of ultramarine color, while the picture is not dry, quickly card the edge of the position, the inside of the flower pot can be dyed some small texture, some changes.

■ pot body inside there will be a little orange, you can use the tip of the pen to point up some of the contrasting colors will make the blue look not so hard Oh.

■ Behind the rim of the pot position do not draw too heavy, if heavy can use toilet paper gently absorb it.

■The right side of the body of the pot is a little green and orange, while wet when you can add a stroke.

■This time the small stone has been completely dry, with Payne gray + phthalocyanine blue + a little purple, aggravate the dark part of the small stone.

■The overall effect slowly came out oh

■Then we use the same method, the remaining two clusters of meat painting it. I think it will not be difficult for you.

Hoo~Spread flowers

The key points of the classroom:

1. must learn to observe, subjective treatment of the picture, the color of the flower pot if the painting is too heavy, the picture will lose the primary and secondary;

2. the key to the dry painting method: be sure to wait for the first layer of the color dry, and then go to the modification or superimposed, if half-dry time to dry to modify the picture will be more and more worse;

2. the dry painting method: must wait for the first layer of the color dry, then go to modify or superimposed, if half-dry to modify the picture will be more and more worse;

3.

3. The key to the wet painting method: to take advantage of the picture when it is wet to paint, if the picture is dry or brush the water when not brushing the water evenly, the color will be spread unnatural;

4. Succulent two strokes of the warm and cold color articulation in order to be natural, the control of water is the key. To ensure that the water content of the two strokes "evenly matched", the color will not be washed away, this point should be more practice Oh.

5, as for the color sense, the color is not allowed to adjust the problem can be slowly cultivated exercise, adhere to a lot of practice is the fastest "shortcut" Oh

how to use watercolor painting out of the Chinese style of the brush (semi-original)

Holiday new paintings, update the process of a bar.

Continuing the series of ancient style, but no clue, do not know what to paint, searching for images of material saw the cranes, so the heart of a little spectrum.

The main part of the crane was copied from a painting on the Internet by "Art Heart". Because there are so many details, the painting is very similar to a brushstroke, and the line drawing is very complex and detailed. The coloring is still watercolor.

The feathers are layered from dark to light, using gray and brown, with one brush for color and one for water.

Feather detail part of the carving, add texture.

Tail feathers part, the tip of the brush to draw the feeling of fluffy. The eyes are colored with white reflections. The mouth and legs are colored in dark blue and gray, and the texture is drawn in.

This took one afternoon.

After the completion of the main part, how to paint the side, had a dinner, thought for a while, it is in the fall, is the painting of osmanthus flowers or pine and crane tradition with it. Asked the opinion of a small partner, the pine tree, then go to find material.

Find a lot of such pine material, look at the trunk, pine needles how to draw.

About the shape of the trunk and the outline of the pine needles, the pencil base.

And then use watercolor to color the base and erase the pencil marks.

Next, sketch the details. The trunk of the old pine has a lot of blocky, circular texture. The pine needles are layered, about three to four layers, each layer drying and continuing with the next layer, fan-shaped distribution, chicken claw shape. The use of light green, dark green, brown (echoing the main color).

Weird stone and auspicious clouds is also part of the original painting on the key down, stone, pay attention to the depth and perspective, plus a pine needle, echoing the upper part of the picture.

Two auspicious clouds to enrich the picture, the rest of the white, using very light green, blue, brown, red. The whole painting is completed.

This part took three hours at night.

Tools: Medium-rough round cotton pulp paper from Dover

Qiu Hong Zhai brushes: Ruoyin, Xiuyi, Xiao Xiao Dye

Old man's head brush

White Night watercolor paint