Traditional Culture Encyclopedia - Traditional stories - Seek the development history of the country
Seek the development history of the country
1953, China had the first color puppet film "Little Hero". By 1955, China's first color animation "Why is the crow black" was born; Then there are many paper-cut animations with China characteristics, such as pigs eating watermelons and so on.
Until 1960, the most impressive ink animation "Little Tadpole Looking for Mother" in Bian Xiao was born. Although I really want to brag, it is not a special topic. Ink and wash style animation is really classic.
196 1- 1964 China animation is recognized as the pinnacle of production-"Make a scene in Heaven", adapted from four classic novels, China. At that time, when the domestic animation conditions and talents were sufficient, this cartoon almost represented China animation.
But then, the Cultural Revolution, which began at 1966, led to political changes in China, which brought many economic and cultural losses. It is also a great pity that China animation, which was in a good period, also fell into a trough. China animation has been lost for ten years.
After the Cultural Revolution, 1979, Shanghai Animation Film Studio made a film "What Makes the Sea Noisy", and George W. Nezha played a full role in the animation. However, the production level and design are still following the example of "Make a scene in Heaven".
However, from then on, China animation began to slowly move towards the revival period. As before, many new animations began to increase slowly, but the Cultural Revolution brought great influence, which led to China's animation production level in the lower reaches of the world for a long time, and Shanghai Animation Film Studio was the representative of the whole animation in China.
Although Guo Man's production after the Cultural Revolution is very distinctive and its level is in the forefront, it has not been paid attention to and commercialized by relevant departments. In addition, after the reform and opening up, many foreign animations were introduced into China TV, such as Transformers, Smurfs and Rest. ......
Under the impact of the animation market in China, China can also try his best to produce some works that can compete with it, such as Hulu Brothers and Black Cat Sheriff produced by Shanghai Film and Television Art Studio. These animators are plump and delicate, and they are still the childhood memories of China after 1980s or 1990s.
However, there was not much capital injected into China animation at that time, and the delay of animation production cycle and brain drain led to backward technology, which gradually made it difficult for China animation to compete with foreign commercial animation. Gradually, China's animation began to lose its core culture, and all the animations were generally regarded as the product of youth and naivety by Chinese people, and once again entered a trough.
On the contrary, many foreign IPS were animated by China, and a lot of magic change was conducted. Among them, Etsushi Ogawa's "Little Master China" and Toriyama Akira's "Dragon Ball" are the representatives, which not only show the strong animation production level abroad, but also show the unique charm of China culture.
Here in Bian Xiao, there is a very good work to recommend The Biography of the Seven Heroes of Lan Tu. The plot is full of ups and downs and rich characters. At that time, it aroused my strong martial arts feelings. I want to see it now, but I still burst into tears.
At the beginning of the new era, China's animation is far less than that of this big country. The Japanese model is that the original author and several painters keep painting, and the average duration of each episode is about 22 to 30 minutes. In Japan, it is very troublesome to go from comics to animation. In this case, the production is not as fine as that in Japan, and the average collection time is only 5 to 12 minutes.
For example, works like "Brother Corpse". Of course, because of this sprout, China animation has a second spring. Many works of the same period stand out, such as 100,000 cold jokes with outstanding reputation, the following fox demon matchmaker, once upon a time there was a sword mountain and the battle of Luo Xiaohei, all of which made many new breakthroughs in production, and also made Chinese people look forward to the good works.
Extended data:
The connotation of China's traditional cartoons is very rich. Because of China's specific cultural origin and historical background, chinese comic is unique, which is different from western cartoons, cartoons and emerging animations (animation &; The image is different.
First of all, most of chinese comic's works were produced in the turbulent China society in modern times. The serious national crisis made chinese comic directly express its desire for democracy, freedom and peace. Accordingly, years of anti-aggression and anti-secession war have filled chinese comic with fighting capacity and resistance, and consciously shouldered the heavy responsibility of saving the country and the people.
This is essentially different from entertainment-oriented comics, animation and comics.
Secondly, chinese comic is unique in that he is good at digging up materials from China literature and using allusions and customs to express current things and phenomena; And quoted characters, expressed in a simple and easy-to-understand way, so it is easy for readers to accept, even readers with different educational levels.
In addition, China comic books are also created by using China's unique traditional ink and wash techniques, which are characterized by endless changes and distant artistic conception, showing the unique aesthetic value of China's painting art.
Throughout the history of chinese comic, it can be said that it was formed after thousands of years of historical precipitation, from ancient carvings such as stone carvings in the Han Dynasty (that is, humorous and interesting carvings) to satirical paintings in newspapers and periodicals in the late Qing Dynasty and the early Republic of China. While keeping close to the political climate, it also directly or indirectly recorded the social state and people's attitudes towards life at that time, thus forming a peculiar schema of China's modern history.
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