National exhibition award-winning lowercase calligraphy works

The lowercase fine and neat, very beautiful, in many exhibitions have won awards, in the National Exhibition won awards in the excellent lowercase calligraphy, in the end, how is the work? The following is my national exhibition for you to organize the award-winning lowercase calligraphy works, I hope you useful!

Appreciation of the State Exhibition Award-winning lowercase calligraphy works

Picture 1 of the State Exhibition Award-winning lowercase calligraphy works

Picture 2 of the State Exhibition Award-winning lowercase calligraphy works

Picture 2 of the State Exhibition Award-winning lowercase calligraphy works

Picture 3 of Award-winning Lowercase Calligraphy Works in the National Exhibition

Picture 4 of Award-winning Lowercase Calligraphy Works in the National Exhibition

Calligraphy is a culture, not a technique

All generations in China are attached great importance to culture. Confucius said: ? Aspire to the Tao, according to virtue, according to benevolence, play in art.? that art is a game, was ranked last.

Chinese people write and draw with a brush, and after official business to write and draw on rice paper. The Chinese literati regarded these as hobbies for self-indulgence.

Although the ancients did not want to be professional calligraphers, but the word is not written well is also quite embarrassing. The ancients valued calligraphy because it was learned. Su Dongpo said: ? On the painting to the shape of similarity, see and children neighbor? That is to say, if a painting is based only on resemblance, it is only a child's insight. I have proposed that art should have three characteristics: national, modern and personal, which is mainly for painting. But regardless of calligraphy and painting, without these three styles can not become a great man, so it seems that the three characteristics of calligraphy is also useful.

Calligraphy is a traditional culture of the Chinese nation. If there is no national character, there is no traditional foundation for the creation. After having the national characteristics, one should have the characteristics of the times. It is useless to copy all the things of the ancients, even if they resemble each other, because they are not the things of the present time, and there are no characteristics of the times. On the basis of national characteristics and characteristics of the times, there are also personal characteristics. The Tang Regular Script is the characteristic of the era, which is different from the Qin, Han and Wei Jin, and on the basis of the Tang Regular Script, there are the characteristics of Yan Zhenqing and Liu Gongquan. This personal characteristic is formed naturally on top of the foundation of the era, adding one's own things on top of the characteristics of the group. If detached from the national characteristics and the characteristics of the times, the personal style will produce grotesque forms.

Calligraphy must have a national tradition, that is to say, just writing words, can not form art. How to reflect the era of calligraphy is really a problem, I think, modern people write the Han Li and Tang Kai or belong to modern things, such as Qigong's calligraphy, both traditional and modern, but also personal style. If one's cultivation is up to scratch and one's characters are well written, one will definitely have these three characteristics. Don't try to write personal characteristics as soon as you pick up the pen, that will only make a pattern, and a pattern is not a characteristic, not a style. In order to achieve the national and traditional characteristics, it needs a very rich foundation, coupled with learning, and naturally there is a personality emerges.

The highest state of calligraphy is to be scattered and light. Scattering is to scatter the feelings, and lightness is to be natural, which is also based on cultivation and learning. Calligraphy and painting is actually a personal expression, and this personal expression should be analyzed comprehensively, not a personal expression of splashing with ink and waving with a big brush. To write well, it must be a combination of skills, temperament, demeanor and knowledge. If a person is learned, he will show his learning in his character, and if a person is honest, he will show his honesty in his character, which is a reflection of his mental state. If a person likes to drink and has a brash character, then he is suitable for painting in capitals and will not be very good at painting brushstrokes; on the contrary, a chronic, slow-tempered person will be spot on when he paints brushstrokes. Artwork in? Scattered What is the extent of the color? Light? to what extent, showing the personal cultivation and realm to what extent. The Wei and Jin dynasties were characterized by dashing and straightforward styles, while the Tang Dynasty was characterized by strictness and discipline, so the styles of calligraphy were completely different, and the realms reached were not the same. None of the calligraphic masters of the past dynasties have reached a high level because of their artifice and unnaturalness, which also reflects the dispersion and lightness.

To be successful in calligraphy, there is no good cultivation and broad-mindedness is not possible, if an era has a lot of great artists, indicating that the cultivation of this era and the mind is different. Therefore, calligraphy and painting are the refraction of an era, like a mirror, which can tell whether the era is marvelous or not, and reflect the spiritual outlook of a country and a nation. From this point of view, calligraphy and painting are again a big issue that cannot be ignored.

Calligraphers should be learned people. Just practicing skills, thinking of rushing to write the characters well, the result is still just not good. Calligraphy can not not speak of technique, but also can not speak of technique, always in the technique of work, will go to the evil way. Calligraphy skills, if you don't make a fuss about it, a day will be finished, but practicing is a lifelong thing. Without culture, the foundation of calligraphy can only get worse and worse. Now some people in their twenties and thirties to write the word very well, but the more they write the worse the original. This is because when you are young, you write well, plus you have vigor, naturally good. But when you are older, the vigor is gone, to engage in their own characteristics, if there is no learning, write the word but not before good, reflecting the mixed gas and old age.

Culture is the foundation of Chinese painting and calligraphy, like Yu Youren, Lin Sanzhi's calligraphy, are the embodiment of connotation and cultivation. Ancient people put efforts on culture, do study is to improve their moral cultivation, enrich themselves, work will be stable, calligraphy will naturally be good, reading can make the pen more connotation.

Now there are many people do not read, do not read the newspaper, do not care about national issues, they are thinking about competing for fame and fortune, the pen out of the realm of nature is not high. Some young people have enough skills, what is missing is the tradition of carefully read, and then melted into their own temperament. China is a unique country, this feature is inheritance, calligraphy is to inherit, no inheritance there is no calligraphy. To get the calligraphy right, do not engage in those strange things, as long as the tradition is good on the line.

Calligraphy and painting from ancient times to the present have not been so hot, never like today as many people engaged in calligraphy and painting. However, the big need to have great achievements, so read more, more to improve their own cultivation can change the surface of the phenomenon of overheating, the actual virtual phenomenon.