Old horse comics in the traditional state-owned enterprise compound

3. 1. The eldest sister of Under the Red Flag is (b) A. Urban poor B. Old-school citizens C. New-school citizens D. Decent citizens

3.2. Which citizen image created by Lao She thinks that being an official is "the only thing that honors our ancestors" (D) A. Qi Ruixuan B. Pony C. Zhang Dage D. Old horse

3.3. Which citizen image was created by Lao She with the sacred mission of "being a matchmaker and opposing divorce" (b) A. Old horse B. Zhang Dage C. Qi Tianyou D. Old cow

3.4. "Everything is screened by a small sieve and will never go to extremes; To go to extremes is to make your life out of balance instead of falling to the ground. " This is the principle of which character in Lao She's works (b) A. Old horse B. Zhang Dage C. Qi Tianyou D. Old cow

3.5. The characters who embody the fierce conflict between the old and the new in Four Generations under One roof are (b) A. Qi Laoren B. Qi Ruixuan C. Qian D.

3.6. What kind of characters does Lao She use to describe (a) A. New citizen B. Old citizen C. Decent citizen D. Urban poor

3.7. The chivalrous man in Divorce is (b) A. Zhao Ziri, B. Mr. Ding, C.D. Lee.

3.8. The following description of the new moon is wrong: (b) A. "I" is the image of the urban poor. B. Joy is the image of the urban poor. C describes the fate of an insulted and injured person who was thrown to the bottom of his life. D use the image of "crescent moon" to set off the miserable life and fate of weak women.

3.9. The tragedy of "valuables destroyed" is reflected in the tragedy of which of the following characters (b) A. Me in Crescent Moon B. Old Horse C. Zhang Dage D. Old Bull in Legend of Niu Tianci in Divorce.

3. 10. The mistakes in the description language of Lao She's novels are (c) A. Vulgar, simple, concise and powerful B. Vivid and humorous C. Delicate and vivid D. Able to understand fluent Beijing dialect.

3. 1. Lao She's image of the urban poor is (bcde)a b Xiangzi C. "I" D. Little Cui Qi.

3.2. Mr. Qi's description is correct (Abde) A. It shows the feudal backwardness that existed in old Beijing. B. Kind, ignorant, simple and secluded old-school citizens. C finally, he changed from a weak poet to a strong warrior. He talks about decency and ostentation everywhere. E finally, he bravely stood up and defended human dignity.

3.3. Zhi Ruixuan's description is correct (ACDE) A. The image of an old-school citizen B. He doesn't care about state affairs and family affairs, and has no ideals and pursuits C. He is an intellectual who can't get rid of traditional cultural ethics. He finally devoted himself to propaganda and the war of resistance.

3.4. The correct description of money is (ACD) A. It is an old poet with China classical charm B. It is an old-school citizen image C. It finally changed from a weak poet to a strong warrior D. It embodies the indomitable and self-sacrificing national spirit E. It was killed for assassinating a warlord.

3.5. The correct description of "I" in A Crescent Moon is (abce) A. The image of the urban poor B. An insulted and injured person is thrown to the bottom of life C. A prostitute with flesh and blood and soul D. A "beast" in a civilized city E. Exposing the darkness and cruelty of society.

3.6. The correct description of Xiangzi is (ABCD) A. He is a famous model of the image of urban lower-class workers in modern literature B. He eventually became a "beast" who lost his soul C. He was locked in a dark environment and a corrupt society and had to degenerate D. He truly reflected the miserable life of the lower-class citizens in old China. His tragedy is first of all a tragedy of character.

3.7. Which of the following tragedies reflects the tragedy of almost nothing (BCE) A. The tragedy of "I" in Crescent Moon B. The tragedy of Zhang Dage in Divorce C. The tragedy of Qi Ruixuan in Four Generations under One roof D. The tragedy of Xiangzi in Camel Xiangzi E. The tragedy of Ma Lao in Two Horses.

3.8. The tragedy of appearance is (Abde) A. Social tragedy B. Personality tragedy C. Fate tragedy D. Soul tragedy E. The common tragedy of the urban poor in the old society.

3.9. The characteristics of "Beijing flavor" in Lao She's novels are reflected in (ABCD) A. Description of Beijing residents' life scenes and world B. Revealing Beijing's cultural characteristics C. Communication between citizens' customs and citizens' hearts D. Language style E. "Transforming national character"

3. 10. Lao She summed up the "bureaucratic" characteristics of Beijing's citizenization, including (Abe) A. Paying attention to etiquette, sticking to the rules B. Taking care of face C. Being chivalrous D. Being hardworking and kind E. "The rich are really particular, and the poor who have no money are also particular."

3. 1. The outstanding contribution of Lao She's novels is that from the standpoint of (cultural criticism), it inherits the spiritual tradition of Lu Xun (transforming national character) and the artistic expression of Beijing civil society and figures he is familiar with.

3.2. (Lao She) is regarded as the most outstanding citizen poet in the history of modern literature in China.

3.3. The image of citizens in Lao She's works can be roughly divided into four image series: (the image of old-school citizens), (the image of new-school citizens), (the image of decent citizens) and (the image of urban poor).

3.4. (Lao She) is the "most important performer and critic" of China civil society.

3.5. Lao She's most outstanding and successful old-school citizen image is (Chinese sons and daughters).

3.6. Lao She's image as an old-school citizen in Ermayina is (old horse).

3.7. The image of the old-school citizen created by Lao She in The Legend of Niu Tianci is (an old cow).

3.8. In Divorce, the image of the old-school citizen created by Lao She is (Zhang Dage).

3.9. Mei Yun is an old-school citizen image created by Lao She in Four Generations under One roof.

3. 10. Qi Tianyou is an old-school citizen image created by Lao She in Four Generations under One roof.

3. 1 1. Old Newman is an old-school citizen image created by Lao She in The Biography of Niu Tianci.

3. 12. Sister-in-law Zhang is an (old-school) citizen image created by Lao She in Divorce.

3. 13. Mrs. Niu is a (conservative) citizen image created by Lao She in The Legend of Niu Tianci.

3. 14. In Two Horses, Lao She portrayed a superstitious, moderate, lazy and untidy slave image as an old horse.

3. 15. The story of two horses took place in London, England.

3. 16. In Divorce, (Brother Zhang) is happy, hidebound and beautiful as an adult.

3. 17. "Four generations under one roof" best reflects the character of the old-school citizens (Qi Laoren).

3. 18. "No matter how chaotic the world is, we Peiping people must never forget the etiquette", which comes from the mouth of "four generations under one roof" (Qi old people).

3. 19. In Four Generations under One roof, (Qi Ruixuan) went through a long period of confusion and drag out an ignoble existence, and finally devoted himself to anti-Japanese war propaganda.

3.20. In Two Horses, Lao She created a new citizen image (pony).

3.2 1. Zhang Tian is really a new citizen image created by Lao She in Divorce.

3.22. Mark Tong is a new citizen image created by Lao She in Divorce.

3.23. Teacher Zhao is a new citizen image created by Lao She in The Biography of Niu Tianci.

3.24. In Divorce, "I read three tabloids every day, but I don't know about state affairs, only remember the advertisements in the cinema" is (Zhang Tianzhen).

3.25. (Qi Ruifeng) In The Four Generations of a Family, he died shamefully under the selfish attack and revenge of the accomplices of traitors and lackeys.

3.26. Zhao Si is a (decent (ideal)) citizen image in Lao Zhang's philosophy.

3.27. Li Jingchun on Zhao Ziyue is a (decent (ideal)) citizen image.

3.28. Li is a (decent (ideal)) citizen image in Two Horses.

3.29. Mr. Ding is a (decent (ideal)) citizen image in Divorce.

3.30. Money is a decent citizen image in Four Generations under One roof.

3.3 1. In Zhao Ziyue, the politician who was assassinated was (Li Jingchun).

3.32. (Money) finally changed from a weak poet to a strong warrior in Four Generations under One roof.

3.33. Joy is the urban poor portrayed by Lao She in Camel Xiangzi.

3.34. Xiao Cui, a rickshaw driver, is an urban poor depicted by Lao She in Four Generations under One roof.

3.35. Xiaowen and his wife are the urban poor portrayed by Lao She in Four Generations under One roof.

3.36. ("I") in A Crescent Moon is the image of an urban poor.

3.37. The image of "Crescent Moon" sets off the tragic life and fate of a weak woman, which makes the novel have a strong lyrical atmosphere.

3.38. Lao She's description of (the urban poor) is full of lyrical and tragic colors.

3.39. "Destroy the valuable things in life for people to see" is the original words of (Lu Xun).

3.40. Lao She's novel (Crescent Moon) describes the tragic fate of how beautiful and pure girls are defiled and trampled in the dark.

3.4 1. From the psychological structure of the novel, Camel Xiangzi is a novel (exploring the soul).

3.42. Through Xiangzi's tragedy, Lao She discussed the conflict and harm to human nature (urban morbid civilization).

3.43. When portraying the image of the urban poor, Lao She's novels reflect the tragic characteristics of (something valuable is destroyed).

3.44. In shaping the image of the old-school citizens, Lao She's novels show (almost no tragedy) characteristics.

3.45. The Beijing flavor of Lao She's novels is first manifested in his description of Beijing citizens (life scenes) and (life world).

3.46. The Beijing flavor of Lao She's novels is also reflected in the revelation of Beijing's unique (cultural characteristics).

3.47。 Lao She likes to use (official accent) to summarize the characteristics of Beijing citizen culture.

3.48. There is a unique (cultural criticism) consciousness in the citizen world of Lao She's novels.

3. 1. Why is Lao She "the most important performer and critic of China civil society"?

3.2. Lao She's citizen images can be divided into several categories? What are their characteristics?

3.3. Analysis of the image of Zhang Dage in Divorce.

3.4. Analysis of the image of Qi Ruixuan in Four Generations under One roof.

3.5. Analysis of the new citizen image created by Lao She.

3.6. Analysis of the image of Qi Ruifeng in Four Generations under One roof.

3.7. Analysis of Lao She's image of a good citizen.

3.8. Analysis of the image of Yin in Four Generations under One roof.

3.9. Analysis of Lao She's image of the urban poor.

3. 10. A brief analysis of the tragic characteristics of two horses.

3. 1 1. On the tragic characteristics of divorce.

3. 12. On the revelation of Beijing culture in Lao She's novels.

3. 13. On the language art of Lao She's novels.

3. 1. Why is Lao She "the most important performer and critic of China civil society"? A: The outstanding contribution of Lao She's novels is to inherit Lu Xun's spiritual tradition of "transforming national character" from the standpoint of cultural criticism, and artistically express his familiar Beijing citizen character. Lao She's untiring creation throughout his life has left precious spiritual wealth for China literature. He has written Lao Zhang's Philosophy, Zhao Ziri, Ermayina, Divorce, Biography of Niu Tianci, Camel Xiangzi, Four Generations Living Together, as well as Crescent Moon, Broken Soul Gun, My Life and Liu Jia. Because of this, Lao She is regarded as the most outstanding citizen poet in the history of modern literature in China, and the "most important performer and critic" of China citizen class.

3.2. Lao She's citizen images can be divided into several categories? What are their characteristics? A: The image of citizens in Lao She's works can be roughly divided into four series: the image of old-school citizens, the image of new-school citizens, the image of decent citizens and the image of urban poor. (1) Old-school citizens are the laggards of the times, hidebound and timid, and they are China people deeply influenced by tradition. (2) Influenced by some new education and capitalist lifestyles, new citizens blindly pursue new trends, just pick up a few words from them to decorate themselves, inherit the reluctance and cowardice of their predecessors, and become a kind of people whose souls are deteriorating. (3) Most decent citizens are simple and kind urban civilians. Are chivalrous or doers. From these characters, people can see the life ideals of traditional ordinary citizens. (4) The urban poor live at the bottom of civil society, and their lives are extremely difficult. Their tragic fate fully illustrates the darkness and cruelty of society.

3.3. Analysis of the image of Zhang Dage in Divorce. A: Brother Zhang is a typical Beijinger. He is cheerful, knows how to live, sticks to the rules, has a good temper, is friendly, and is very beautiful as an adult. The sacred mission of Zhang Dage's life is to be a matchmaker and oppose divorce. As a clerk in the accounting office, I am busy all day, working hard for others and reconciling contradictions. Zhang Dage's principle of doing things is: "Everything is screened by a small sieve and will never go to extremes; To go to extremes is to make your life out of balance, but fall into dullness. Brother Zhang hates falling down. His clothes, hats, gloves, pipes and walking sticks are all used by modern people for half a year. Stubborn people dare to use them for three or two months and have to think of a good style. " His life is not ideal, and he has no extravagant hopes for his son. He only wants to graduate from college and become a clerk in a kind way. "Don't take things too seriously, you can have more extensive contacts, and you have a wife at home-it is best to be an old-school family. If you know some words, you will have a fat boy. " The author shows and satirizes the daily life philosophy and behavior mode of treating people from Zhang Dage.

3.4. Analysis of the image of Qi Ruixuan in Four Generations under One roof. A: Qi Ruixuan is an important figure living under one roof for four generations. He is the eldest grandson of this "four generations under one roof" old man Qi, who has received modern cultural education, patriotism and some modern consciousness. But he is also a descendant of a big family bred in the cultural atmosphere of old Beijing. Influenced by modern civilization, he has a longing for a bright future and free love, but he has inherited the burden of the ancient tradition, accepted the loveless marriage against his will for his parents and grandfather not to cry, and found some comfort for himself in loneliness and disappointment. He has a sincere patriotism, "It is better to eat meat under the sun than to eat dung under the national flag"! However, due to the heavy burden on the family, I can only encourage my third brother to serve the country faithfully, but also bear the burden of humiliation and filial piety for the family. He didn't want to go along with the traitors, but he couldn't be loyal to his country because of the burden of his family, and he constantly endured the pain of his soul. After being insulted by a foreign priest, he went to the British embassy to find a job to support his family. This is precisely the mental pain caused by intellectuals' inability to get rid of the shackles of traditional cultural ethics and to protect their families when the nation is in danger. Finally, with the help of his brother Ruiquan, after a long period of confusion and drag out an ignoble existence, Qi Ruixuan finally devoted himself to the anti-Japanese war propaganda. From him, we can see the fierce conflict between old and new cultural concepts and the anxiety and pain caused by this conflict in his soul.

3.5. Analysis of the new citizen image created by Lao She. A: The image of the new-school citizens in Lao She's works is relatively thin, mainly using a cartoon-like description technique, which is not as fleshy as the old-school figures. Such figures are (Erma), Zhang Tianzhen, Mark Tong (divorced), Niu Tianci, Teacher Zhao (biography of Niu Tianci), Qi Ruifeng (four generations under one roof) and so on. Like the old-school citizens, these figures grew up in the social soil of small feudal patriarchal producers and can be said to be descendants of the old-school citizens. However, influenced by some new education and capitalist lifestyles, they blindly pursue new trends, but only pick up a few words from them to decorate themselves, lose the honesty and enthusiasm of their ancestors and fathers, inherit the modesty and cowardice of their predecessors, and become a kind of people with declining souls.

3.6. Analysis of the image of Qi Ruifeng in Four Generations under One roof. A: Qi Ruifeng in Four Generations under One roof is a representative of the new citizen group, and he is the most shameful one of such people. When Lao She portrayed this character, she made a mockery without reservation. Ruifeng "looks dry as if there is no oil or water anywhere", so he pays special attention to decorating himself. "He spared no effort to restore nature by artificial means and decorate it devoutly" and tried his best to learn fashion and elegance. He never cares about state affairs and family trifles, and has no ideals and pursuits. "He always pays attention to the most practical things and problems." He "will never be the enemy of reality. If he dies, he will die. He must work hard to eat, drink and be merry, and watch the fun when he dies. Even if you eat it, there is nothing wrong with decapitation. " Life exists entirely for appetite, without the pursuit of spirit and ideals. Shortly after the fall of Peiping, such a boring man who was eager for enjoyment could not stand the hardships of life, and willingly acted as a lackey and accomplice who even the enemy looked down on him, adding a traitor flavor to the foreign atmosphere, and finally died shamefully under the self-interested attack and revenge of the accomplices of traitors and lackeys.

3.7. Analysis of Lao She's image of a good citizen. A: Lao She created a series of decent or ideal citizen images. While describing the ignorance and backwardness of the old-school citizens and the coldness and vulgarity of the new-school citizens, Lao She did not give up the pursuit of ideals, so he often conceived his ideal citizen character from a more traditional point of view. Such ideal citizens are (Lao Zhang's philosophy), (Zhao Ziri), Li (Erma), Ding (divorce) and Qian (four generations under one roof). Most of these characters are simple and kind urban civilians, all chivalrous or doers. From these characters, people can see the life ideals of traditional ordinary citizens.

3.8. Analysis of the image of Yin in Four Generations under One roof. A: Qian is an old poet with China classical charm. He likes Tao Yuanming's poems. Throughout his life, there were poems, paintings, flowers and trees, and wine. He leads an isolated rural life and seldom contacts with his neighbors. He is also a poet with national integrity. He deeply knows that he can live a quiet life for tJ because of the stability of the country. When the country suffered a disaster, he expressed his willingness to die for it. "Mr. Qian is a native of China, and a native of China, his poems, his gifts and his paintings will die for a belief." The Japanese invaders arrested him and put him in prison, ruined his family, turned him from a weak poet into a strong warrior, and engaged in secret anti-Japanese propaganda and assassination activities. In terms of money, writers began to consciously tap the strength of national spirit from traditional culture, and we saw the national integrity in China's traditional culture. In the author's view, this indomitable and self-sacrificing national spirit should become the spiritual force for the rejuvenation of our nation and country.

3.9. Analysis of the image of urban poor created by Lao She. A: The image series of urban poor plays an important role in Lao She's novels. This kind of citizen image includes Xiangzi, Huanxi (camel Xiangzi), I (crescent moon), Lao Wang's kannika nimtragol (Liu Jia Courtyard), foreign coachman Xiao Cui, hairdresser, Xiaowen couple (four generations under one roof) and so on. The description of the urban poor at the bottom is also the most plump and lyrical part of Lao She's novels. This is because Lao She's personal experience from the lowest level of society made him familiar with the living conditions of the lowest level of civil society, and made him more exposed to the darkness and cruelty of society and realized the hardships and tribulations of life, so the characters in his works were more vivid and touching.

3. 10. A brief analysis of the tragic characteristics of two horses. A: The tragedy of Ma Lao is a tragedy in which a character doesn't know his sadness. Mr. Ma Lao is an old-school citizen who grew up in the closed cultural tradition of old Beijing and an "old" member of the "old" country. When describing this character, the author put him in a different cultural environment. In a country where imperialist ethnic discrimination is very serious, he is obsessed with outdated rules, outdated ideals and worthless face, behind the jokes that make people laugh. However, there is a depressed sense of sadness, which makes people see that children in old China are still stale, dull and closed under the impact of the world trend, and there is a depressed sense of sadness, which reveals Lao She's profound thinking on traditional culture under the contrast between Chinese and western cultures.

3. 1 1. On the tragic characteristics of divorce. A: Divorce shows that tragic characters intentionally or unintentionally created other people's tragedies. Everyone's eldest brother, Zhang Dage, has been immersed in the flattering Beijing culture. His value was swallowed up, but he thought he was manipulating people's hearts and doing other similar things, so that his colleague Lao Li, who was dissatisfied with the old-style marriage, came to live with his family from the countryside, and let him return to the boring reality from the pursuit of "poetry". Finally, his son was put in prison, but he was helpless. After his son came out, Zhang Dage, as a good man, picked up that philosophy of life, like a duck to water, as if nothing had happened. Make the human body feel a tragic atmosphere that tramples on the alienated soul of life.

3. 12. On the revelation of Beijing culture in Lao She's novels. A: Lao She has a unique revelation of Beijing's cultural characteristics. Among his works, the description of the ordinary life of Beijing citizens, that is, the so-called life of old Beijing citizens, is the most prominent, which is reflected in his revelation of the unique cultural and psychological characteristics of old Beijing. Lao She likes to use "official accent" to summarize the characteristics of Beijing citizen culture. In this culture, paying attention to etiquette and obeying rules has become a common aspect in Lao She's novels. In the civil society of old Beijing, both rich and powerful aristocrats and ordinary people pay attention to etiquette and the rules set by their ancestors. In the lower class, paying attention to etiquette and rules has become their psychological characteristics. Businessmen and pawns pay attention to etiquette. In order to save face, the old horse paid for gifts and invited people to dinner. Lao Li's (divorced) family came to Beijing from the countryside to give gifts to colleagues, and Zhang Dage's son also had to give gifts when he was released from prison. Although Qi was born in poverty, he grew up in Beijing and was contaminated with many rules left by Manchu nobles. The culture of "Be polite in everything" and "No matter how chaotic the world is, Peiping people must never forget etiquette" has even influenced a new generation of intellectuals in Beijing. Qi Ruixuan is a contradictory character formed by the impact of new ideological trends in old Beijing culture. Beijing culture has formed his gentle and kind personality and gentle and graceful appearance, and he lacks the impulsiveness and excitement that young people should have.

3. 13. On the language art of Lao She's novels. A: Lao She devoted his life to forging his own language art, pursuing a simple, simple, concise and powerful language style, which is just suitable for the civil society he described. Lao She strives to "find the present movable type", "seek change and vividness in movable type", "mobilize the most common words vividly and forcefully" (words and style), and strive to "write everything vividly, just like a strong person, and his whole body's blood is so fresh and smooth." (scenery description). Lao She lived in Beijing for a long time, and Beijing dialect became the main source of his novel language. His language is clear and vivid, which is the true color of the times. Not only that, he is also good at skillfully using some common dialects to form his own unique Beijing style, and choosing some vivid and catchy dialects to increase the vividness and sense of humor of the language. It is also by using this language of Beijing flavor that Lao She constructed a lively and vivid citizen world, making Beijing flavor a major feature of Lao She's novels.

3. 1. On the image of the old-school citizen created by Lao She with the help of the old man Qi in Four Generations under One roof.

3.2. Combining the "I" in A Crescent Moon, talk about Lao She's portrayal of the urban poor.

3.3. Analysis of the tragic implication of Camel Xiangzi.

3.4. Analysis of the tragic color of Lao She's citizen world.

3.5. Analysis of the "Beijing flavor" characteristics of Lao She's novels.

3.6. Analyze the following passage: "I was born in Beiping, where I am familiar with the personnel, scenery, taste, shouts of selling sour plum soup and apricot tea. As soon as I closed my eyes, my Beiping was completely like a colorful picture scroll floating in my heart. I dare to paint boldly. " -"Write a self-report in three years"