Traditional Culture Encyclopedia - Traditional stories - My beautiful courtyard handbook
My beautiful courtyard handbook
The courtyard refers to the buildings (including pavilions, platforms, buildings, salads) before and after the right or left or surrounded by buildings in the field commonly known as the court or courtyard. That is, all the ancillary sites of a building, vegetation and so on.
Buildings are the most magnificent material products created by ancient mankind. It not only has the practical function of sheltering from wind and rain and satisfying people's daily production and life, but also expresses some kind of reverence and faith, as well as the spiritual function of dividing the social hierarchy, thus occupying a more important position in traditional Chinese culture.
While Zhouyi is initially a book of divination, it has retained a large number of historical materials about humanities and science and technology in ancient times, which is the source of traditional culture in China, and also the source of ancient architecture in China, of which there are not too many directly related to the history of ancient architecture, but because of the Yi science is an early book of ancient China's canonical doctrine, and thus these historical materials have a great importance to the study of ancient architecture in China. The study of ancient architecture has a precious value. This paper tries to discuss the influence of Yijing on Chinese traditional architecture with an exploratory attitude.
The pre-Qin and Han architectural style also focuses on the performance of masculine beauty, the image of the pursuit of "broad and lofty", the details of the pursuit of "wrong mining and skeletonizing", is complementary to the formal architecture, it should be demonstrated that the feminine beauty of the garden, but also the pursuit of scenery and scenery, the garden of the whole. The pursuit of scenery more scenery, the garden in the high platforms, flowers and rare birds are presented. As depicted in the former Han Fu, this time the garden garden garden grandiose, all-encompassing, as far as possible to show the luxury of wealth, but not the later generations of the garden of poetic and rhythmic subtlety, therefore, from the yin and Yang Hedei just and soft aesthetic concepts, at this time, the art of architecture is childish, overly revealing, is the external world of a more crude, material grasp. Historical development to the Wei, Jin and North and South Dynasties, the turbulent social and political so that a large number of scholars consciously keep a distance from the real world, the rise of the wind of the Xuanxuan, and respect for the "Zhou Yi", "Laozi", "Zhuangzi" for the three Xuanxuan, the flow of the wind, but also to the two Han Dynasty since the more orthodox and boring art theory injected a new life, reflected in the building, simple, elegant and clean, quiet and natural village gardens developed very quickly as a wide range of high halls and high rise buildings. Complementary, they properly expressed the beauty of the beautiful, natural feminine beauty.
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