How to combine tradition and contemporary, and how to promote the internationalization of China's plays?

First of all, we should inherit the tradition, protect the good parts of our traditional culture, and then discard the dross. To promote the internationalization of drama, we must have China's own characteristics, and the unique culture of our Chinese nation can represent our own things in China. We should inherit the core part of traditional drama and constantly bring forth the new. The core must be our own things in China. China traditional drama has a long history, rich varieties and high cultural value.

China's plays must be combined with modern elements, and elements with the characteristics of modern people's life and labor should be incorporated into China's plays. Anything traditional, if not combined with the present, is a dead end. We should cater to people's characteristics and tastes, create Peking Opera that meets our contemporary tastes, and innovate for modern audiences in terms of facial makeup and stage. It can even combine modern technology to present traditional dramas, such as reconstructing ancient Peking Opera with holographic technology and so on.

If China's plays want to go global, they must combine the international popular elements, and at the same time maintain the characteristics of China, the core of which is the characteristics of China, that is, "middle school is the body and western learning is the use". For example, it can absorb the elements of internationally popular operas and concerts, enrich the internal audit of China's plays, improve the cultural connotation of China's plays, and make China's plays have more elements, which will be recognized and accepted by more people in the world. Absorbing foreign pop elements can make China play on the next level, enhance people's cultural confidence in China, make China's traditional culture bloom again, and let China usher in the second spring.

The internationalization of China's plays has a long way to go, which requires our contemporary practitioners to innovate constantly, and we ordinary people to know more about China's plays and love China's plays. Only when more people participate can China's plays develop.