Chongming Museum of cultural relics

The Chongming County Museum now has "Chongming Island History and Ancient Ships", "Chongming Folklore" two basic displays, the theme is clear, clear, informative, rich exhibits. The display is arranged in the Dacheng Hall of the Academy Palace and the east and west hips, consisting of the prelude hall and six units of content. The display uses cultural relics, models, sculptures, sand tables, set boxes, pictures and advanced audio-visual means, popular and concise text description, truly reflects the formation of Chongming Island and its political, economic, transportation, water conservancy, culture and other aspects of development and construction achievements. Among them, the exhibition of the two Tang and Song ancient ship, is currently unique in the Shanghai area of precious cultural relics, known as the treasure of the museum; China's four major ship system, one of the Chongming sandboats, but also with its unique features known at home and abroad.

"Chongming Folklore" display arranged in the Zunjing Pavilion and Chongsheng Temple, mainly through the market towns, folk family rooms, farming, weaving and other vivid scenes, reproducing the hard work of the people of Chongming and simple life, giving a person the real feeling of immersion. Among them, there are vivid displays of the commercial scenes of Chongming's old streets at the end of the 19th century and the beginning of the 20th century, as well as realistic reproductions of Chongming's typical traditional houses, "Four Halls, Four Heads, Four Ditches," and their indoor home furnishings. Plowing and weaving part of the key to the people to show more than 30 pieces of different functions of the common production tools.

In addition, the Chongming County Museum also has the "Huang Pimu Art Museum" and other fixed exhibitions, displaying 60 beautiful prints created by the famous printmaker Mr. Huang Pimu (Chongming). The "History of Chongming Island and Ancient Ship" display is mainly arranged in the Dacheng Hall and the east and west hips of Chongming Academy Palace, which consists of a prelude hall (preface) and six units of content. The first unit is the formation of a thousand years of Chongming's ups and downs.

Chongming Island is the new Yangtze River Delta development process, its original location is the shallow sea outside the mouth of the Yangtze River. The Yangtze River runs down from west to east, flowing into the estuary area, due to the decrease in the specific drop, slowing down the flow rate and other reasons, held a large number of sediment in the river and sea junction gradually deposited. Over the years, the result is that the river and sea sediment in the north and south banks of the Yangtze River mouth on the one hand into the coastal plain, and on the other hand in the river to form scattered estuarine sandbars, Chongming Island is precisely in the rise and collapse of a typical estuarine sand island. It is from the surface of the water to the final formation of the motherland's third largest island, experienced more than a thousand years of up and down changes.

The early Tang Dynasty Wude years, that is, A.D. 618-626, in the Dongbuzhou (now Lvsi area) south of the waters, the mouth of the Yangtze River began to rise out of the two sandbars, the two continents separated by more than 50 miles of the water, east of the sea, west of the river to Taicang, south of the river to the port of Wusong, southeast of the Sheshan, south-west of the river to the Jiading County, the north-west of the river to the Wolf Mountain. At that time the name Dongsha and Xisha, which is the predecessor of Chongming Island.

1025 years, Dongsha northwest renewed Yao Liu sand (because Yao, Liu two surnames first lived and named), and border with Dongsha. 1101 years, Yao Liu sand northwest of 50 miles across the water out of the three sand. At the end of the Yuan and early Ming Dynasty, the East Sha collapsed, the West Sha collapsed few, Sansha north rise, Yao Liu Sha south collapsed north rise, gradually and Sansha even border. After that until the early Qing Dynasty, the Yangtze River estuary out of the water size of the sandbar had sixty. At the end of Ming and early Qing Dynasty, that is, around 1644, the scattered sandbars in the process of rising and collapsing and slowly rising into a piece, connected to the east from Gautousha, west to Pingyangsha, the longest length of 200 miles, the widest 40 miles of a large island. Today, Chongming has been an area of 1,200 square kilometers, nearly 600,000 people of the great island, perched at the mouth of the Yangtze River, east of the sea, south and Shanghai Jiading, Baoshan across the river, north of Jiangsu Haimen, Qidong, as if contained in the mouth of the Yangtze River dragon in a glittering pearl, vitality.

The Qing dynasty Guangxu "Chongming County Records", recorded Chongming East, two two sand out of the mouth of the Yangtze River as well as set up in the west of the town of Chongming geography, history of the situation: "Tang Wude, Wu County, more than 300 miles east of the city in the sea, suddenly surging two continents, known as the east and west of the two sands, and gradually accumulated a high and wide, fishermen and woodcutters rely on it, then into the field hut. Shenlong early, set Chongming town in two sand. The name of Chongming began this."

The Qing dynasty Guangxu "Chongming County Records", but also introduced Yao Liu sand and three sand islands and several other major sandbar up, collapse and the origin of the name: "Song Da Sheng three years, continue to rise a sand in the northwest, east and west of the two sands more than 50 miles apart. Yao Liu two surnames lived there first, so the name Yao Liu sand. Jianzhong, Jingguo early, east and west two sand collapsed, and then up a sand in the northeast, to three times superimposed up, for the name of three sand. Or Jurong Zhu, Chen, Zhang, three surnames live, because of the name Sansha."

According to legend, Chongming "Sansha" is the earliest by Jurong, Jiangsu Zhu, Chen, Zhang, three surnames to move over and get the name, Jurong still retains some of the Chongming-related relics, such as the "Chongming Temple," "Chongming Pagoda" and so on. According to the Qing Dynasty Guangxu "Jurong County Records" records, Jurong County in the Qing Dynasty was once bounded by East and West Main Street, south of the street for the town of Huayang, north of the street for the town of Chongming. And circulated in Chongming folk "Cai family tree", also quite detailed record of the Cai family in the Southern Song Dynasty moved to Chongming this history.

Chongming Island in history because of the frequent rise and collapse of sandbars, the state department, the county government and administrative divisions have changed repeatedly. According to county records, Chongming about the beginning of the Five Dynasties set up the town, the Southern Song Dynasty Jiading fifteen years (1222) in Sansha set up Tianzhi salt field, under the Tongzhou. In the 14th year of Yuan Yuan (1277), the field was upgraded to a state, and the state city was built in Yao Liu Sha, which was subordinate to Yangzhou Road. In the second year of Ming Hongwu (1369), the state was downgraded to a county, and since then, the establishment remained basically unchanged, attached to Yangzhou first, and then changed to be attached to Suzhou Prefecture, and also attached to Taicang Prefecture. During the Republic of China, it was attached to Nantong and Songjiang in Jiangsu Province (it was attached to Shanghai Special City during the fall of the Republic of China). After the liberation, it was first attached to Nantong Prefecture in Jiangsu Province, and on December 1, 1958, it was transferred to Shanghai Municipality. Chongming Island is surrounded by water on all sides, and the island to and from the island have always relied on boats, so the ancient Chongming shipbuilding industry and water transportation is very developed, the Yuan Dynasty, Chongming has been with the north of the sea trade. And suitable for sailing in the shallow dark sand Chongming sandboat, originating from Chongming and known throughout the country, is one of China's four major wooden sailing ship system.

According to the Qing Dynasty Qianlong "Chongming County Records" records: "sandboats from the Chongming sand and named." Chongming sandboat has a long history, as early as in the Yuan to Yuan thirteen years (1276), Chongming Zhu Qing and Jiading Zhang Xuan opened Chongming to Zhigu (now Tianjin) shipping routes, has been used sandboat cargo. Sand ships were shallow, wide, flat bottomed, square at the head and tail, with low center of gravity, fewer buildings on the surface of the ship, small wind area, smooth sailing, and the sand was not afraid of shoals. The ship has many masts and sails, and high sails, which is good for increasing the speed, and can make up for the lack of greater resistance due to the square head sailing. The two sides of the ship are equipped with a water trigger (commonly known as the scratch head), which can overcome the disadvantage of drifting sideways when sailing against the wind due to the shallow draught of the flat bottom. Sand boat adaptability, wide range of uses, can be used as a fishing boat, can also be used for freight transport, has long been an important water freight transport tools on Chongming Island, and is also a commonly used sailing boat along the coasts of Jiangsu, Zhejiang and Lu. According to statistics, during the Qianlong period of the Qing Dynasty, there were 3,500-3,600 sandboats in Shanghai, and the number increased to 5,000 in 1826, accounting for half of the total number of sandboats in the country. At that time, Chongming sandboat manufacturing and shipping in the country occupies a pivotal position in the Shanghai area, one-third of the sandboat industry for the Chongming people operated. 1872, Li Hongzhang founded the China Merchants Bureau, monopoly of the canal, after taking over the goods, Chongming sandboat industry due to the lack of freight, the lack of competitiveness and the beginning of the decline.

The Ming and Qing Dynasties, Chongming Island and the north and south coasts of the navigation between the main rely on the ferry. Chongming Island's ferry began in the early fifteenth century or earlier, when there were already boats ferrying with Taicang, Liuhe and other places. According to the Republic of China's Chongming County Records, "The official ferry began in the thirty-first year of the Wanli reign of the Ming Dynasty, when the county governor, Zhang Shichen, set up two boats, one from the Shiqiao River to Taicang's Nanguan, known as the Long Ferry, and the other from the Nankang River to the Liujia River, known as the Short Ferry."

Qing Guangxu twenty-second (1896), between Chonghu began to open a passenger route, while in the South Gate Harbor built the earliest port wheel port on Chongming Island. From the early Republic of China to the 1980s, Chongming has 29 ferries, of which 12 along the south bank of the river, now all abandoned, replaced by modern port terminals; 17 along the north bank of the river with ferries, now there are still 5. Today, Chongming Island has five major passenger terminals and ten cargo ports in a dense water transportation network, the former small sampan gradually transitioned to motor sailboats, catamarans and even cushion boats, fast boats. "

Zhu Qing in the Yuan Dynasty, Shen Ting Yang in the Ming Dynasty, and Chen Gan Qing in the modern era made the most significant contribution to the cause of China's navigation.

Zhu Qing (1236-1303) was very familiar with the situation of the North and South Sea Lanes because of his frequent trips to and from the sea for selling private salt, as well as his occasional robberies of rich families and ships. At most, he had gathered nearly 1,000 pirates and 500 ships, constantly harassing rich families along the coast, from Tonghai in the south to Jiaolei in the north (Jiaodong Peninsula and Laizhou Bay), all of which were the scope of his activities. The court was very helpless as he flitted from place to place. In the twelfth year of the Yuan Dynasty (1275), the Yuan general Meng Wu led a southward expedition to Zhenjiang and defeated the Song army at the foot of Jiao Mountain. Soon after, the Yuan Prime Minister Bo Yan attacked Lin'an (present-day Hangzhou) in three different directions, and ordered the Recruiting Minister Wang Shiqiang to recruit pirates, so Zhu Qing led the people to surrender to the Yuan Dynasty, and was appointed as the acting military governor. In the next year, Zhu Qing was ordered by Bo Yan to sail a ship to take the sea route from Hangzhou to Metropolis, which is now Beijing, to transport the books of the Southern Song Dynasty. After the success of the trial voyage, Zhu Qing also suggested to the court from the sea to transport grain to the north, was allowed to finally opened up by the south of Taicang Liujiagang departure, through the East China Sea, the Yellow Sea directly to the north of the north of the North-South sea canal shipping channel, and make it become an important channel for the Yuan Dynasty south grain north, for the development of China's ancient maritime transportation industry has made an important contribution. Later, Zhu Qing also dredged Loujiang direct channel to the East China Sea, opened up China and Japan, Goryeo and Ryukyu and other countries of the sea trade road. Zhu Qing founded shipping, rich and famous, the family moved to Taicang, open Liu Jiagang sea channel to Zhigu, Taicang, Liu Jiagang, a collection of merchant ships, the poor countryside into a huge city, the Ryukyus, Japan, Goryeo and other countries, merchant ships are into the port of trade, Liu Jiagang, thus enjoying the "dock of the six countries," the name. Zhu Qing himself was also a powerful man, widely owned wealth, can be said to be the crown of Jiangnan. Zhu Qing was promoted to be the left minister of Jiangnan province in 1300, and was in charge of the transportation of the Yuan Dynasty. 1303, Zhu Qing was framed and committed suicide.

Shen Tingyang (1594-1647) was a generous and chivalrous man. At the end of the Ming Dynasty, wars broke out all over the world, and the water transportation between Jiangsu and Huaihuai was often blocked. Shen Tingyang submitted a petition to the court, suggesting that the sea transportation pioneered by Zhu Qing should be restored, and that it should be carried out directly from Liuhe River in Taicang to Tianjin, which would be more convenient than the canal transportation and save costs; he also submitted five volumes of the book of sea transportation and the map of sea transportation, and prepared his own ships to try the sea transportation, which was a success. From then on, the "south grain north transportation" will begin to sail along this sea channel. 1642, the Qing Emperor Huang taiji led an invasion of the south, stationed in Songshan (Jinxian County, Liaoning Province) of the Ming army was trapped and emergency. The Ming Dynasty sent Shen Tingyang, the Minister of War, to plan grain and grass to reinforce the front line. Shen Tingyang personally led the grain ship, Liu River from Taicang, day and night, within half a month to complete the task. 1643, Shi Kefa, Governor of the Cao Transportation recommended Shen Tingyang as the young Secretary of the Guanglu Temple, Chongzhen Emperor Shen is also very valued, once said: "the official as much as Shen Tingyang, the world is not difficult to rule!" In 1644, the Ming dynasty fell. Shen Ting Yang should be ordered by the Southern Ming regime, the destruction of the family gathered boat, turn to fight the lower reaches of the Yangtze River, to prevent the Qing army southward. 1647, Shen Ting Yang, together with Zhang Mingzhen, Zhang Huangyan and other famous generals of the Qing dynasty, from the base of Zhoushan, led the boat division along the Yangtze River westward, to seize the lost territory of Jiangnan. In Luyuan, Fushan and other places, and the Qing soldiers fought for four days and nights, giving the Qing army a heavy blow. the night of April 14, the gale, Shen Tingyang warships subverted, soldiers suffered heavy casualties. Remaining warships drifted aground in Xu Liu Jing, surrounded by the Qing army. The Qing soldiers shouted: "Those who shave their hair and surrender will be spared from death!" Some people advised Shen Tingyang to mix with the surrendered soldiers and escape. Shen righteously replied, "I am an imperial official of the Ming Dynasty, I cannot die without a backbone!" In the end, he and his 700 men were captured by the Qing army and taken to Suzhou. Qing dynasty governor Tu Guobao, surrendered Chancellor Hong Chengchou, Zhou Lianggong and other repeatedly persuade to surrender, Shen Tingyang righteousness, determined not to surrender: "for the country and die, die without regret!" He died in the end, and was killed in the battle.

Chen Ganqing (1891-1953), also known as Chen Heng, is a famous maritime figure in China's modern history. Chen Ganqing, who had honed his sailing skills over a long period of time, graduated from the Tongli Merchant Marine Specialized School in 1914. At that time, China's maritime sovereignty was controlled by Britain, and Chinese people could only work as sailors and other hard laborers on ocean liners, and the important positions of captain, first mate, second mate, and chief engineers were all held by foreigners. Chen Ganqing was extremely dissatisfied with this status quo, he made up his mind to fight for the status of the Chinese in the navigation industry, so he studied hard and familiarized himself with the shipping lanes through practice, and finally made his debut in the navigation industry. 1921, he broke through the obstruction of the foreigners who held the power of China's shipping with his excellent navigational skills and business knowledge and became the first captain of China's foreign ships, which was the first Chinese foreign ship to be controlled by Britain. In 1921, he broke through the obstacles of foreigners who held the power of Chinese shipping and became the captain of "Shengli ship", which was the first Chinese captain of an ocean liner in China, thus ending the situation of foreigners holding and monopolizing the power of ocean liner navigation in our country for a long time, and in 1924, he was promoted to be the chief captain of Zhaoxing Shipping Company, with more than 30 ships in his hands, and he became the first Chinese to serve as the chief captain. Chen Ganqing knew that it was not easy for Chinese people to get this kind of treatment, so he paid special attention to the cultivation of talents and actively introduced Chinese crews to the company. 1926, Chen Ganqing prepared to establish the China Merchant Navy Pilots' Association in order to safeguard the interests of Chinese seafarers and fight for the autonomy of navigation and was elected as the president of the association. 1929, Chen Ganqing was recommended by the China General Chamber of Commerce as the Chinese delegate to the 13th International Labor Conference, which was dedicated to discussing the international maritime issues. In 1929, he was recommended by the Chinese General Chamber of Commerce to attend the 13th International Labor Conference, which was devoted to international maritime issues. He put forward the proposal of "to improve the treatment of seafarers, member states must respect each other's sovereignty over navigation in territorial waters and inland rivers", which played a role in exposing and protesting against imperialist infringement of China's territorial waters and fully reflected Chen Ganqing's consistent patriotic heart. During the war, Shanghai fell, Chen Ganqing in order to maintain national integrity, indignantly resigned from his post. The Ministry of Transportation and Communications of the Wang Dynasty invited him to be the Chief of the Department of Navigation with generous remuneration, to which he replied, "The lifespan of a person is at most a hundred years, and rather than being rich and stinking for ten thousand years, it would be better for him to be poor and have a good reputation for the rest of his life." It was not until after the victory in the war of resistance that he once again devoted himself to the cause of navigation. Chen Ganqing life passionate about the development of hometown shipping business, has personally designed, supervised the construction of the "heavenly ship" and other ships, in 1946, also founded the "Huichong" shipping company.

Folk houses with island elements

Chongming was historically subordinate to Tongzhou and Yangzhou in the north of the Yangtze River, and Suzhou and Taicang in the south of the Yangtze River, and most of the initial residents came from the areas of Huizhe and Jurong, and their customs were greatly influenced by the various places, which were all-inclusive and mixed up with the folk styles and folklore of the south of the Yangtze River and the north of the Yangtze River. Coupled with the environmental constraints of being surrounded by the river on three sides and facing the sea on the other side, the inconvenient transportation and poor information have contributed to the accumulation of folk customs on the island over the years, gradually forming a unique and distinctive characteristics of the island. Layout in the Chongming Palace Zunjing Pavilion, Chong Sheng Shrine in the "Chongming Folklore" display, a large number of physical and real scenes, artfully demonstrated the old Chongming Island, urban and rural residents of the production, the life of the picture, from one side of the reproduction of the history of the island of Chongming Island, which, Chongming's folk dwellings are the most distinctive.

Historically, Chongming Island has long been isolated in the river and overseas, the residents for the defense of thieves, accustomed to the same clan living together, since a house. In the old days, the poor family to build a ring of reed fence cave house shelter, a little better-off live in the straw house, and then some of the better live in the reed wall tile braid and brick wall tile braid half-tile house (rafters on the paved reed fence, paved tiles), not many pure brick houses. The structure of the house has a three-way head (with three beams, the following analogous), five-way head, seven-way head, nine-way head. The houses are mostly oriented to the south, followed by the east. The layout of houses is in the form of a zigzag, corner, three-roomed houses, and three-entry, two-field centers, etc. Generally, there are five rooms in Zheng Dai. Generally, there are five main dai, or seven, with the hall in the middle, commonly known as the "front house", for relatives of the same house **** there; the front of the main dai on both sides of the opposite side of the compartment, with two compartments, built parallel to the main dai of the front dai, which forms a four-compartment house; the front dai in the middle of the hall, or called the outer gateway, flanked by the study; such as the development of the front dai, and built If the house develops further, there will be compartments and an outer hall, and the house will become a "three-entry, two-field center" with two wall doors inside and outside; the toilet is usually built in the northeast or southwest corner of the house. Farmers' houses are often surrounded by ditches, planted with thorns, called "house ditch", fish farming in the ditch, bridges on the ditch, planting fruit trees, elms, willows along the ditch, planting bamboo behind the house, and the outermost enclosure is surrounded by poplars. An ordinary farm house by such a treatment, as if in the green mountains and green water in the embrace, interesting and rich local characteristics. According to historical records, the past Chongming area of the countryside, "its industry cultivators, in the field of hut, hut next to the ditch ring, between planting bamboo and trees, the family from the village". "Chongming Folklore" on display in the residential model, is a typical of the old Chongming countryside, four into three courtyard-style residential, that is, commonly known as the "four halls head house ditch".

The halls of Chongming homes in the past were generally decorated with a variety of old-fashioned furniture, including plaques, couplings, warped head cases, eight immortal tables, tai shi chairs, coffee tables and so on. In the "hall" scene of the "Chongming Folklore" display, there is a plaque named "Yiqing Hall", which was inscribed by Zhang Jian, a scholar in the late Qing Dynasty, for Mr. Cai Shenfu, a famous patriot in Chongming.

The display also includes the kitchen, bedroom and study of a common people's family, with a wide variety of living utensils, which can not only delight the eyes of those who have been living in the city for a long time and increase their knowledge, but also let those who grew up in the countryside evoke the memories of the past life, and let the current generation of young people understand the living environment of their fathers and grandparents in the past. Among them, the kitchen displays traditional two-eyed seven-star stoves, stoves murals, chimneys, stoves including pots, lids, soup cans, engraved, spoons, shovels, well rings, buckets and other well utensils, as well as small square tables, skirted stools, squeezed stools, cake molds, tea lids, buckets, oil lamps, etc. The bedrooms are decorated with latticed latticework, and the bedrooms are decorated with a variety of other items. The bedroom is decorated with a latticed wooden door, displaying the traditional Chongming Batu Warm Bed, the three-waisted flower cupboard which was an essential item for brides in the old days, as well as a standing cupboard, a mirror table, an official box, a clothes rack, a dressing box, a money box, a square stool, a lamp, a hand stove, a foot stove, a foot-high basin, a basin, a wooden shelf, a hand-washing pail, a toilet, a toilet roll, a straw paper pail, and a copper spittoon. Inside the study room, there are display cases, chairs, four treasures (pen, ink, paper, inkstone), thread-bound books and boxes, pen holders, examination boxes, inkstone wooden tray, water pot, pen holder, paperweight, Bo Gu Shelf and so on.

Prints engraved with the charm of the water town

"Huang Pimu Prints Showroom" is located in the Yi Gate of Chongming Academy Palace. 1996, Mr. Huang Pimu selected 60 prints from the hundreds of prints he had created over the past 50 years and donated them to the Chongming Museum, where he held the "Huang Pimu Prints Showroom" on September 16th.

Mr. Huang Pimu selected 60 prints from the hundreds of prints he created over the past 50 years and donated them to Chongming County Museum, and on September 16th of that year, the opening ceremony of "Huang Pimu Prints Donation Ceremony and 25th Exhibition" was held in the museum to show his love for his hometown and his heart to support the cultural construction of his hometown.

Mr. Huang Pimu is a famous printmaker in China, and also a printmaker with international influence, he was the first one to hold the individual exhibition of watermark woodcut in China, the first one to hold the individual exhibition of mainland China in Taiwan, and also the first one to hold the individual exhibition of watermark woodcut in Japan. Huang Pimu was born in 1925 in Chongming, was the executive director of the Chinese Printmakers Association, vice president of the Jiangsu Printmakers Association, vice chairman of the Nanjing Federation of Literature and Artists Association, chairman of the Nanjing Artists Association. 1940's to 1950's, mainly engaged in the creation of black and white woodcuts and oil-printed overlay woodcuts, and from the 1960's onwards, specializing in watermark woodcuts.

As an excellent and prolific printmaker, Mr. Huang Pimu's art is y rooted in the soil of life. The sea, fishing villages, water towns, is his initial cradle of life, most of his works show this kind of theme. 1960s, he ran all over the north and south of the Yangtze River, the coast of the Yellow Sea; 70s, 80s, he often go to the factory, the countryside, in-depth life, and successively went to fujian, zhejiang, guangxi, sichuan and so on to visit, sketching, to broaden the horizons, to stimulate the inspiration, to create a masterpieces of the times with a strong sense of the strong flavor of life. He created a masterpiece with a strong sense of the times and a rich flavor of life. For example, created in the 60's "yellow sea fishermen return", 70's "far and wide", 80's "spring breeze and spring water south of the river" and other works, all on behalf of the innovation and development of his watermark woodcut has achieved considerable artistic achievements, to the fusion of the new opportunity to reach a new and unique point.

Huang Pimu's prints are highly lyrical. Whether it's the steep and elevated mountains or the magnificent sea; whether it's the beautiful water towns in the south of the Yangtze River or the boiling construction sites, all of them are filled with the painter's deep love and heart. Over the past decades, Mr. Huang Pimu has been expressing his feelings for the people, the motherland and the times with a heart of passion. His works are rich in emotion, break through the constraints of time and space, and achieve the artistic realm of blending scenes. Appreciating an elegant and beautiful picture of Jiangnan under the painter's brush, we can feel that these prints are not only eulogizing the mountains and rivers of nature, the people's livelihood and the construction of the motherland, but also a true portrayal of Mr. Huang Pimu's lifelong pursuit of truth, goodness and beauty as an artist.

Mr. Huang Pimu is good at taking the spirit of Chinese painting into the body of printmaking, and while rigorously grasping the structure of printmaking, he boldly sets up colors, abandons lines, pays attention to the combination of color blocks and the articulation between color phases, and creatively gives play to the language of color in printmaking, so his works are thickly made up and lightened up, bright and refreshing, which makes people feel relaxed and happy after reading them. At the same time, the artist also skillfully draws on the western painting techniques which are famous for expressing light, color and texture, and fully draws on its rich nutrients. After continuous exploration and attempts, the artist fully utilizes the contrasting techniques of wet and dry, light and dark, and real and imaginary, so that the works have both the freshness and moistness, the ink and wash drenched with the temperament of capitalism, and also have the beauty of the bright, strong, and thick printmaking knife power; not only can they delineate the characters in the close-up shots, but also can manage the complex compositions of the scenes in the life, so as to make the works fresh and fresh, with the new art of printmaking. With the brand-new artistic language of printmaking, he expresses life and creates moods. Therefore, his works have great momentum, wide capacity, new chapter style, heavy structure, fine engraving, flavor, and are readable.

Huang Pimu's most representative masterpieces, "Spring Breeze and Spring Water in Jiangnan" and "Rippling Water of Taihu Lake in a Fishing Village", are both based on the real-life scenes of the water towns in the south of the Yangtze River, and the pictures are full of rich capacity of life, but are not restricted to copying and reproducing a certain scene. The artist utilizes the technique of time and space conversion to artistically reproduce his overall impression of life in a fishing village in the south of the Yangtze River. The composition of the work is novel and unique, with white walls and black tiles against each other, thick and light and reality, serenity and rhythm, unity of change and vitality, which is very life-like tension to pull the readers' heartstrings, making people open their hearts and feel relaxed and happy. In addition, his portrayal of points, scenery, people and objects is also very elaborate. In the piece of work "the glistening fishing village of Taihu Lake", there are more than one hundred characters with different postures on the screen, which is subtle and intriguing, and through the big scene, panoramic composition, steady color tone, modernized features of the scenery, the work is full of distinctive sense of the times, which shows his high skill in mastering the big scene.