Characteristics of traditional culture handwritten newspaper

Traditional culture is a kind of popularization that reflects national characteristics and features, and it is the overall representation of various ideological cultures and ideologies in national history. Below, I collected handwritten newspapers about traditional culture for your reference.

Overview of China Traditional Culture

China's traditional culture is a kind of national culture that reflects national characteristics and features, and it is the overall representative of various ideological cultures and ideologies in national history. It refers to the culture with distinctive national characteristics, long history, profound connotation and excellent traditions, which was created by the Chinese nation and its ancestors living in China and passed down from generation to generation. To put it simply, it is the general name of various national civilizations, customs and spirits expressed through different cultural forms. The traditional culture of China is the crystallization of thousands of years of civilization in China. In addition to the core content of Confucian culture, it also includes other cultural forms, such as Taoist culture and Buddhist culture.

When it comes to traditional culture, most modern people who grew up in the cultural fault period have no clear concept. People who have dabbled in it may sigh: China's traditional culture is profound and has a long history; Tolerance, harmony but difference. From Hong Xiuquan's jintian uprising, Ceng Li's Westernization Movement, Kang Liang's Reform and Reform, He Ziyuan's educational innovation, to Sun Yat-sen's democratic revolution, from using swords and guns, learning from foreigners, writing on buses, sabotaging imperial examinations, to armed uprising, until the collapse of the Manchu dynasty, there were both stormy revolutions and gentle drizzle changes, but in the end they all achieved the same goal-only one goal:

Some people may say: in today's era, traditional culture is out of date. Among the four ancient civilizations in human history, only China culture, as the main body of culture, has been preserved to this day. China, based on traditional culture, has existed in the world for five thousand years. Compared with the Roman Empire, which has been powerful for more than a thousand years in history, it has long since ceased to exist. However, in the past century, China's traditional culture has been suppressed and abandoned as never before. In the era when traditional culture is deeply rooted in people's hearts, people are physically and mentally stable, living a life of not closing their doors at night and not taking roads; However, nowadays people lock themselves in bars and are threatened by frequent vicious incidents in social activities. A famous professor in Peking University once lamented that there was no moral bottom line for human behavior in the early 20th century.

Traditional culture handwritten newspaper content 1

China's 5,000-year splendid civilization and unparalleled rich written records have been recognized by the world. In this profound historical river, China's calligraphy and painting art reproduces this historical evolution process with its unique artistic form and artistic language. In the historical evolution, calligraphy and painting, a sister art, explained the traditional cultural connotation of China with its complementarity and independence. Because the tools and materials used in the creation of books and paintings are the same.

When talking about the origin of ancient Chinese characters and paintings in China, he said: "At that time, books and paintings were the same, but there was no difference. The image system is too subtle to convey its meaning, so there are books; There is no way to see its shape, so there are paintings. " Although calligraphy and painting are homologous and comparable, their future development and changes are complementary and independent. The formation and development of China's calligraphy art is closely related to the emergence and evolution of Chinese characters. So what exactly is "calligraphy"? We can understand it from its nature, aesthetic characteristics, source and unique performance. Calligraphy is an abstract symbolic art based on Chinese characters and written with a brush, which has four-dimensional characteristics. It embodies the basic law of the "unity of opposites" of all things, and reflects the spirit, temperament, knowledge and cultivation of people as the main body.

China's writing originated very early, and it developed the writing of writing into an aesthetic stage-it integrated the creator's ideas, thinking and spirit, and it can stimulate the aesthetic feeling of the aesthetic object (that is, the formation of a real sense of calligraphy). Records can be traced from the end of Han Dynasty to Wei and Jin Dynasties (about the second half of the 2nd century to the 4th century). However, this is not to ignore, dilute or even deny the artistic value and historical position of the previous calligraphy art form. The origin of China's characters and the appearance of early works with artistic characteristics have their particularity and times. As far as calligraphy is concerned, although there were pictographic characters-Oracle Bone Inscriptions in the early characters, the complexity and simplicity of the same character were different, and the strokes were also different. However, there is a law of symmetrical balance, and there are also some regular factors such as pen (knife), word knot and composition. Moreover, in the organization of lines, the beginning and end of strokes change, showing the meaning of calligraphy and strokes. Therefore, it can be said that the emergence and existence of the previous generation of calligraphy art not only belongs to the category of calligraphy history, but also is an important example for future generations to learn from and think about in the development and evolution of art forms. Therefore, the basis of calligraphy is "stippling" and "shelf structure"

China's historical civilization is a diachronic and linear process, and China's calligraphy art shows its development under such a background. In the embryonic period of calligraphy (from Yin Shang Dynasty to the late Han Dynasty), writing experienced the evolution of Oracle Bone Inscriptions, ancient prose (bronze inscriptions), Da Zhuan (bronze inscriptions), Xiao Zhuan, Li Shu (eight points), cursive script, running script and original works. In the heyday of calligraphy (Jin, Southern and Northern Dynasties to Sui and Tang Dynasties), the art of calligraphy entered a new realm. From seal script to simple cursive script and real calligraphy, it became the mainstream style in this period. The appearance of Wang Xizhi, a great calligrapher, made the art of calligraphy shine brilliantly, and his artistic achievements were highly respected in the Tang Dynasty. At the same time, a number of calligraphers appeared in the Tang Dynasty, such as Yu Shinan, Ou Yangxun, Jun Yiliang, Yan Zhenqing and Liu Gongquan. In calligraphy attainments, each has his own merits and diverse styles. After the Song, Yuan, Ming and Qing Dynasties, China's calligraphy became a national symbol, representing the profoundness of China culture and the eternal charm of national culture. Calligraphy always follows: stand at attention, walk like a walk, grass like a fly.

Traditional culture handwritten newspaper content II

Cantonese opera, also known as "Grand Drama" or "Guangdong Grand Drama", is a kind of Han opera. Cantonese opera is a major drama in southern China, which combines Haiyan, Yiyang, Kunshan and Bangzi that have flowed into Guangdong since Ming and Qing Dynasties, and absorbs folk music from the Pearl River Delta. Bangzi (Peking Opera is called Xipi) and Huanger are the main operas. Cantonese opera originated from southern opera, and began to appear in Guangdong and Guangxi during Jiajing period of Ming Dynasty. It is a performing art of mixing chorus, musicians playing music, stage costumes and abstract forms. The original language of the performance was Zhongyuan phonology, also called Opera House Mandarin [1]. By the end of the Qing Dynasty, in order to publicize the revolution, cultural people changed their singing language to Cantonese, making it easier for Guangzhou people to understand. Cantonese opera was included in the first batch of 5 18 national intangible cultural heritage list published on May 20, 2006. On September 30th, 20 15, Cantonese Opera was recognized by UNESCO and included in the list of intangible cultural heritage of mankind.

Cantonese Opera English Cantonese Opera; Cantonese opera pinyin Yuèjù；; Cantonese opera, also known as "Grand Drama" or "Guangdong Grand Drama", combines Haiyan, Yiyang and Kunshan.

Bangzi and so on. It also absorbs the folk music of the Pearl River Delta, and is the main drama in southern China, with Bangzi (Peking Opera called Xipi) and Huanger as the main operas. Popular in Guangdong, Guangxi, Taiwan Province, Hongkong and Macau. Cantonese opera is performed in Singapore, Malaysia, Vietnam, Myanmar, Cambodia, Philippines, Indonesia, Australia, the United States, Canada, Mexico, Cuba, Central and South America and other areas where overseas Chinese in Guangdong live in concentrated communities. Cantonese opera was included in the first batch of 5 18 national intangible cultural heritage list published on May 20, 2006. 20 15, 1012, Guangdong, Hong Kong and Macao jointly declared that Cantonese opera has successfully become a world intangible cultural heritage.

Cantonese opera originated from Southern Opera, formerly known as Guangfu Opera, and originated from Foshan [2]. The name of Cantonese opera is interesting, which seems to be the first name given abroad. As early as the Han Dynasty, the performing arts in Foshan were very popular. Jiajing period of Ming Dynasty began to appear in Guangdong and Guangxi. It is a performing art of mixing chorus, musicians playing music, stage costumes and abstract forms. The language of the original performance was Zhongyuan phonology, also known as Opera House Mandarin. /kloc-In the 1940s, Guangfu Opera opened in Hong Kong and spread to Singapore and Malaysia in Southeast Asia. Since then, Xingma's Cantonese opera has flourished, so Singapore is called "the second hometown of Cantonese opera". Guangfu Opera went abroad, and westerners called it Cantonese Opera. By the end of the Qing Dynasty, in order to publicize the revolution, cultural people changed their singing language to Cantonese, making it easier for Guangzhou people to understand.

Founded in the middle of Ming Dynasty, Foshan Qionghua Guild Hall is the earliest Cantonese opera industry organization. Up to now, there is still a saying that "there is no eight harmony, first auspicious celebration, then Qionghua". In the Ming Dynasty, folk performances flourished in Foshan, and local troupes appeared one after another. During Jiajing period (1522 ~ 1566), a troupe guild hall was established, located in Dajiwei, Foshan, also known as Qionghua Palace, for rehearsing and teaching local troupe artists. Set up a stone tablet near the wading head of the clubhouse and carve the words "Qionghua wading". Yiling fell into a theater box on the water and took a boat to perform everywhere. Qionghua Guild Hall, as a guild of Cantonese Opera, has a strict management system. There are eight halls in the hall, such as Shenhe, Zhao He, Qinghe, Fuhe, Xinhe, Yonghe, Dehe and Puhe, which are in charge of their respective congregations. The appearance of Qionghua Guild Hall shows that Foshan has become the center of the development of Cantonese opera at that time.

Although the name of Cantonese opera only appeared in Guangxu period of Qing Dynasty, its origin can be traced back to the middle of Ming Dynasty more than 400 years ago. In the 30 years before the founding of the People's Republic of China, Cantonese opera was basically divided into two factions: the provincial and port classes and the mountain-crossing classes (or the rural classes). Li, the "son of the king", is the only person in the history of world drama who became the leader of peasant uprising by an artist. Kuang Xinhua, the first head of the "Eight Harmony Hall" of Cantonese Opera, is not only a representative of "Tongzhi Zhongxing", but also a famous civil and military veteran. He has performed such famous repertoires as Shepherd in Su Wu, Taibai He Fan and Chen Qing in Li Mi. At the end of the Qing Dynasty and the beginning of the Republic of China, there were many famous actresses, such as Li Ju, Li Xiang Jr., Xiao Cong, Zhou Lingli and Li Xuefang, which were well-known at home and abroad. Maxima is known as "King of Hua Dan", while Li Xuefang is known as "Southern Snow and Northern Plum" by Kang Youwei, and is mentioned with Mei Lanfang. In the 1930s, in the history of Cantonese opera, it was called the era of "learning from horses for heroes". Xue Juexian, who is close to the style of Peking Opera and has comprehensive performance skills, has been dubbed "the all-round old man". However, Ma Shi won the Clown Award for his outstanding role as a minor and his representative works including Hu Bugui and other four tragedies. He exposed the ugliness of feudal rich capitalists in a group drama featuring "lonely and cold species" (miser), which was quite Moliere's style. Not only in Guangdong, Hong Kong, Macao and Southeast Asia, but also in the United States for many years.