Traditional Culture Encyclopedia - Traditional stories - What are the Chinese classical music
What are the Chinese classical music
"High Mountains and Flowing Water" - Legend has it that the pre-Qin qin master Bo Ya once played the qin in a deserted mountain wilderness, and Zhong Ziqi, a woodcutter, was able to comprehend the meaning of high mountains and flowing water in the song. The woodcutter Zhong Ziqi was able to understand the meaning of the song, and Bo Ya was astonished and said, "My heart is the same as mine." After Ziqi's death, Bo Ya lost his soulmate, dropped his zither and stopped playing for the rest of his life, hence the song "High Mountains and Flowing Water".
"Plum Blossom Three Lane"--This piece of music is to praise people with noble sentiments through the white, fragrant and cold-resistant plum blossom, etc. The tune is repeated three times in different micro-positions, which is why it is called "Three Lane".
"Moonlit Night on the Spring River" - the original is a pipa solo piece, also known as "sunset pipa drum", "Xunyang pipa", "Xunyang night and moon", "Xunyang song". It was later adapted into a national orchestral piece. Deeply cherished by domestic and foreign listeners. Music through the euphemistic and simple melody, smooth and varied rhythms, image depicts the charming scenery of the moonlit night of the Spring River, praising the style of the Jiangnan water town.
The Autumn Moon in the Palace of Han - Pipa Song of the Chongming School. The "Autumn Moon in the Han Palace" is intended to express the sadness and sorrow of the oppressed court ladies in ancient times, and to arouse people's sympathy for their unfortunate sufferings.
"White Snow in Yangchun" - an excellent pipa solo ancient piece widely circulated. With its fresh and fluent melody and lively rhythm, it vividly expresses the early spring scene in which the winter is over and the earth is recovering and everything is flourishing and full of vitality.
Fisherman and Woodcutter's Question and Answer--This piece has more than thirty versions in the genealogy of the generations, some of which are accompanied by lyrics. The music expresses the fun of fishermen and woodcutters enjoying themselves in the middle of green mountains and waters.
The Eighteen Beats of Hu Jia--At the end of Han Dynasty, Cai Yan (Wen Ji), the daughter of Cai Yong, a famous writer and qin master, was captured by Xiong Nu during the military turmoil, and stayed in South Xiong Nu to be the consort of the King of Zuohyun, and gave birth to two children. When Cao Cao sent someone to bring her back, she wrote a long poem about her tragic life and her homesickness for her son. The poem is sad and emotional, and is quite touching. Eighteen Beats is the meaning of Eighteen Songs. Because the poem was composed by her because of the mournful sound of Hu Jia, it was named "Eighteen Beats of Hu Jia" or "Hu Jia Song".
Guangling San--also known as "Stopping at Guangling". Legend has it that it was originally a folk music popularized in Guangling area at the end of Eastern Han Dynasty. Now only surviving guqin music, to the "magical secret score" recorded the earliest. There is no record of its content in the early days, and most zither players now interpret it according to the folk legend of Nie Zheng stabbing the King of Han. According to the "Qin Exercises", Nie Zheng, a native of Korea during the Warring States period, was killed when his father missed the deadline for casting a sword for the King of Korea. In order to avenge his father's death, he went to Taishan Mountain to learn the qin diligently for ten years, and then he swallowed charcoal, changed his voice and returned to Korea, where he played the qin not far away from the palace, and his excellent qin skills stopped the pedestrians from walking and the cows and horses from hoofbeating. When the king of Han was informed of this, he summoned him to the palace to play the zither, but Nie Zheng took advantage of his surprise and stabbed the king to death with a dagger drawn from the belly of the zither. In order not to involve his mother, he disfigured himself and killed himself.
Fallen Geese in Flat Sand - also known as Fallen Geese in Flat Sand or Flat Sand, the author is unknown. After its release, the piece has been popular among zither players and has been widely circulated, and there are many versions of the piece, making it one of the most popular zither pieces in the world. Some of the compositions depict the autumn scenery; some contain the aspirations of the swan; and some express the sentiment that the world is not as dangerous as the wild geese. The tone tone is quiet and beautiful, with movement in the stillness, and the melody ebbs and flows, stretching on and on, beautiful and moving;
The Ambush on Ten Sides - one of the traditional pipa songs, also known as Huaiyang Pingchu. In the Ming Dynasty's "Four Shining Halls Collection - Tang Pipa Biography", it is recorded that the pipa artist Tang Ying had played "Chu and Han": "? The duel between the two armies is, the sound of heaven and earth, the roof tiles if flying down, Xu and check, there is the sound of gold, drums, gold, the sound of the sword, horses and men group easy sound, and then there is no sound. A long time, there are complaints and hard to understand for the sound of the Chu song; poignant and strong for the king of Xiang song of generosity, don't Ji sound; trapped in Dazhe, there is the sound of chasing riders; to the Wujiang River, there is the sound of the king of Xiang cut his own throat, the rest of the riders trampled on the sound of the king of Xiang. So that those who hear the beginning of the excitement, and then sad, and finally snot and tears of no way out of it, its adult so." The scene, sound and color of the painting is very similar to today's "Ambush on Ten Faces".
The benefits of listening to classical music 1, the development of children's noble sentiments and feelings of fraternity classical music is the art of beauty, is the nature, the universe, the beauty of life, the beauty of the human mind and personality of the outflow, which contains the softness of human nature and the world's magnificent, like classical music is the excellence of the wisdom of the noble and personality.
2, to promote the health of children's minds music is the art of emotion, classical music has a beautiful melody, rich emotions and slow and orderly rhythm, and children's inner emotions produce **** song, and along with the rhythm of the music, dance, and so the body and mind of the pleasure, stretching, health.
3, open children's imagination and creativity classical music is not only the art of sound, but also the art of spirituality, rich musical language is the most abstract expression of human reason and emotion. It can make up for the deficiencies of language and text education and science education, enlighten and expand children's concepts of time and space, and thus cultivate children's extraordinary imagination and creativity.
4, cultivate children's intuitive ability music is the art of intuition. The reason why music is the art of intuition is that music directly understands and abstractly expresses the laws of nature, the universe, and the inner harmony of life, and the qualities required by science are precisely expressed in the sensitivity and grasp of the laws of this harmony, which is the intuition of science, which is compatible with music. Classical music is one of the best ways to open children's intuitive ability.
5, let life colorful music comes from life, is the beautification and purification of life. Music in life is like the summer breeze, pleasant and refreshing, like the winter sun, warm and bright. Once a child develops the habit of listening to classical music, it is like having a confidant and a playmate in life, and all the interests of life can be integrated into it, and they can get unlimited inspiration and happiness from it.
6, perfect auditory art children need classical music, especially infants. At the beginning of life, the development and growth of the auditory nerve determines the level of intelligence of children. At this time, especially the need for a lot of sound stimulation, wind, rain and other sounds of nature and the human voice, supplemented by the volume of moderate music sound, is the most natural and effective way of education. The infant and toddler period is the key period for the development of human habits and temperament, and this period of musical enlightenment will become his lifelong interests and hobbies, so that he will benefit from it for a lifetime.
7, can cultivate children's meticulous thinking ability on the surface, music seems to be jumping inspiration, but between the movement and the movement, between the phrase and the phrase, between the vocal part and the vocal part, the instrument with all reflects the meticulous logic. In a full symphony, the development, progression, and interaction of the different movements, and the interplay of instruments all demonstrate the rationality of music. Therefore, letting children listen to a full symphony can invariably transmit this rationality to them, which will help them improve their thinking ability.
8, easy to develop children in the middle, modest and elegant temperament of classical music is born out of religion, although it softens the human emotional elements, but he is still full of religious feelings. If we put aside the mysterious side of religion, we can feel that it contains the human nature, the universe of reverence, expressed in music is the harmonious sound of man and nature. No wonder the music of early classical music (Herr, Mozart, Haydn, etc.) flows with such charming grace, although there is no lack of secular emotions, but they are all in line with the "middle way" - the so-called "happiness, anger, sadness and joy". "Like the Chinese guqin, this music is suitable for cultivating the simple and refined temperament of children. (It should be noted that the later classical music, such as Beethoven, Tchaikovsky and other masters of music gradually detached from the religious elements, and more primitive emotions, although their works also belong to the classical music, but their works are full of emotional ups and downs and strong cathartic personality over-expansion, deviating from the middle way, and is not suitable for children's music enlightenment teaching materials.)
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