Traditional Culture Encyclopedia - Traditional stories - Mi's artistic thought and work style
Mi's artistic thought and work style
In Mi's oil painting series "Peking Opera Characters", she absorbed the expression of modern western oil painting and the essence of China folk traditional art, and described the Peking Opera characters in China's national quintessence by combining Chinese and western methods. From her paintings, imaginative stage costumes and costumes, and the traditional Chinese opera language presented by her hands, eyes, body, hair and steps, it is not difficult to find that Mi Qiao Ming is not only pursuing the form and spirit of the characters. The young painter Mi tried to break the boundary between Chinese and Western arts and create a universal artistic language. While enjoying her exquisite paintings, people seem to be in the powerful atmosphere of Beijing opera art, sighing and dumping for it.
Young painter Mi created a series of Peking Opera figures, but also created many excellent landscape and landscape works. She uses realistic techniques to reflect the artistic conception and texture in the painting, which is colorful but harmonious and unified, jumping on the canvas. Mi's oil paintings use the tension of color blocks to express the inner feeling and texture of objects. Her clever brushwork subtly and simply expresses the theme of her works, giving people a sense of tranquility and refreshment. The composition space, color and image are integrated into one, with outstanding realm and exquisite attainments, which is intoxicating.
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