Scientific Research Culture of Shanghai Museum

Since 1976, Shanghai Museum has jointly published 12 kinds of large-scale catalogues and monographs, such as Shanghai Museum, Blue and White Glazed Red of Shanghai Museum and Treasure Record, with Yugoslav Youth Publishing House, Japan Talk Club, Hong Kong Sanlian Bookstore, Japan NHK Broadcasting Association Press, Japan Pingfan Society and Hong Kong Daye Company.

Since 1985, 28 kinds of overseas exhibition catalogues have been published, including comprehensive exposition, detailed introduction of various exhibits and partial versions. In addition, 92 catalogues and monographs have been published, including paintings, bronzes, porcelain, calligraphy and Ming and Qing dynasties in Shanghai Museum.

1987, in order to celebrate its 35th anniversary, Shanghai Museum published 65438+ such as purplish blue Bronze Mirror of Shanghai Museum, Red Porcelain in Blue and White Glaze, Atlas of Yunnan Tianci Painting and Calligraphy, China Painter's Seal Carving and Collection, Songze-Special Report on Excavation of Neolithic Sites, etc.

1990 published a large-scale catalogue of Four Eminent Monks in the Early Qing Dynasty.

1994 published the Catalogue of Coins Collected in Shanghai Museum in 8 volumes. 1985- 1988, 14 foreign natural science and cultural relics archaeological technical information materials are compiled and published.

65438-0989 founded the magazine "Cultural Relics Protection and Archaeology Science", which is not only the research bulletin of the laboratory, but also the only academic journal of cultural relics protection technology in China. During the period of 1958, the Shanghai Museum set up a cultural relic restoration studio, which mainly restored and copied its treasures, and also restored cultural relics and mounted paintings and calligraphy for other museums and foreign museums. By the end of 1995, more than 400 pieces of bronzes and ceramics in the collection 1400, such as Ding Ge, the ancestor of Shang Dynasty, who was broken into more than 70 pieces with thunder patterns in the Western Zhou Dynasty, and a pair of dragon ear statues that were severely damaged in the early Spring and Autumn Period and rescued from waste copper, have all been restored to their original appearance.

The studio also mounted more than 65,438+0,800 paintings and calligraphy in the collection, many of which are important cultural relics handed down to this day, such as Wang Xizhi's Shang Yu Tie and Tang's Gao Yi Tu Juan, all of which have been carefully mounted and properly protected. In particular, the Ming Chenghua rap book, which was still a "book cake" when it was unearthed, was perfectly preserved through the joint efforts of cultural relics protection technicians and painting and calligraphy framers. Shanghai Museum has organized more than 20 cultural relics knowledge counseling for international travel agencies and taught more than 600 cultural relics classes for more than 400 schools. Jointly set up the "Humanities Landscape Course" with the secondary school affiliated to Shanghai Normal University and Shanghai Experimental School, taking the Shanghai Museum as an important cultural landscape point, and organizing classes to teach in the showroom in batches.

During the summer vacation, the activities of "Archaeological Summer Camp" and "Cultural Relics Summer Camp" were held to let students feel the elegance of ancient civilization in China, and the activities of "Investigation Group of Cultural Relics Museum for Middle School Students in Jiangsu, Zhejiang and Shanghai" were organized, and 32 winners were selected from the essay contest of "Museum and Me" in Jiangsu, Zhejiang and Shanghai.

Hold "Cultural Relics Knowledge Contest" and "Museum in My Mind" essay contest to enhance middle school students' cultural relics awareness and make students deeply educated in patriotism and revolutionary tradition.

Shanghai Museum has also organized mass organizations such as "Friends of the Museum" and "Friends of Cultural Relics" to unite cultural relics collectors and enthusiasts at home and abroad around the museum and made contributions to the development of cultural relics museums. In particular, it donated more than 9 million US dollars as decoration funds for 18 specialized museums and rooms for the construction of the new Shanghai World Expo Museum. Shanghai Museum's cultural exchanges with foreign countries began in 1950s and 1960s, and basically included receiving tourists and exhibitions. Since 1970s, professional exchanges, academic lectures and foreign exhibitions have been organized in Shanghai.

From 65438 to 0980, 34 exhibitions were organized, including the Shanghai Museum Chinese Bronze Exhibition, China Blue and White Porcelain Exhibition, China Calligraphy Masters Exhibition, Dong Qichang Century Exhibition, Shanghai Museum Handicrafts Exhibition and Shanghai Museum Liangzhu Cultural Treasures Exhibition, which were distributed to the United States, Japan, Italy, France, the Federal Republic of Germany, Spain and the Netherlands. The "China Six Thousand Years Art Exhibition" was held in San Francisco, Chicago and Houston.

Assist in holding foreign exhibitions and joint exhibitions: Since 1978, the Shanghai Museum has exhibited 15 exhibitions, such as "Cultural Relics Unearthed in Carthage, Tunisia", "American Indian Cultural Relics and Works by Famous Western Painters", "China-Japan Currency Exhibition" and "Japanese Print Exhibition".

The 20th anniversary of Shanghai Museum12 held large-scale exhibitions such as "Deep Blue Soul-Yuan Blue and White Exhibition" and "Painting and Calligraphy Exhibition of the Five Dynasties Song and Yuan Dynasties in China and the United States".

In 20 13, Shanghai Museum and Turkish Cultural Department jointly held "Congo River-Sculpture Art Exhibition in Central Africa", "From barbizon to Impressionism: French Painting Exhibition of Clark Art Collection" and "Anatolian Civilization: From Neolithic Age to Ottoman Empire".