What are the similarities between the aesthetic theme and ideological theme of western traditional literature in the 20th century?

The problem of literary tradition is a basic problem of western literary theory in the 20th century. From the literary theories of important schools such as Russian formalism, British and American new criticism, archetypal criticism, structuralism and reception aesthetics, we can see that the traditional literary theory has always occupied a central position and is a formalistic tendency that runs through it and forms its own characteristics. However, this powerful wave of formalism has planted the seeds that will lead to its dissolution in the future from the beginning. At the turn of the century, the reverse movement of "outward turn" of western literary theory is the final result of a whole century of brewing and gaining momentum.

There were Pythagoras School, Heraclitus, democritus and Socrates in ancient Greece, and then there were two great men, Plato and Aristotle. Rome has Horace, Lang Girnus and Plotinos; The Middle Ages were Augustine, Thomas Aquinas and Dante; The Renaissance was Boccaccio, Leonardo da Vinci and castel Vitro. French classicism includes Descartes and Boylau; British empiricism includes Bacon, Hobbes, Locke, shaftesbury, hutcheson, Hume and Burke. The French Enlightenment included Voltaire, Rousseau and Diderot; The German Enlightenment included Saint Gotha Shelley, Baum Tong Jia, Winckelmann and Lessing. The Italian historical school has Vico; German classical aesthetics include Kant, Goethe, Schiller and Hegel; Russian revolutionary democracy and realism are different from Billings and Chernyshevski. The aesthetic transfer schools in late 2009 and early 2000 include Fisher, Lipps, Gullers, Li Fulong and Ebashi, and finally Croce.

This big structure is first manifested in the coexistence of two historical views. One is the historical view of * * * and the previous paragraph, which is influenced by the historical model of the former Soviet Union. Under this historical view, the main tide of the whole western world, from ancient Greece, through the Middle Ages, the Renaissance to the Enlightenment, to ancient German aesthetics, and then to Russian democratic aesthetics, has reached its highest point, which shows such a historical landscape.