Traditional Culture Encyclopedia - Traditional stories - Meaning of the song No Borders with the Nine Realms

Meaning of the song No Borders with the Nine Realms

With the country without borders means without borders like the country. The original text is from the book written in the late Qing Dynasty. The original text is as follows:

Ren Gong said: The one who creates today's oldest China is the wrongdoing of China's old man. The one who makes the future young China is the responsibility of the young Chinese. His old man is not enough to say, he is not far from the day of goodbye to the world, and I am a young man is new to the world for the sake of the edge. Like a taxpayer, he will move to another place tomorrow, and I am entering this room today. It is not surprising that those who will move to another place do not take care of their windows and bars and do not clean their huts! If I were a young man, I would have a great future ahead of me and no idea what to do afterward. China and for the cattle for the horse for the slave for the subordinate, then cooking meat flogging the cruelty, only my youth when it. China, such as the domination of the world, the main alliance of the earth, the command of the honor and glory, only my youth to enjoy. In their breath is dying and ghosts as neighbors, why not? They are indifferent to it, but also can be said. I, on the other hand, am indifferent to it, and cannot speak of it. So that the country's young people and fruit for young people, then I China for the future of the country, its progress is not measurable. If all the young people in the country are the oldest, then China is a country of the past, and its drain away can be awaited. Therefore, the responsibility of today lies not in others, but in my youth. If the young man is wise, the country will be wise; if the young man is rich, the country will be rich; if the young man is strong, the country will be strong; if the young man is independent, the country will be independent; if the young man is free, the country will be free; if the young man is progressing, the country will be progressing; if the young man is better than Europe, the country will be better than Europe; if the young man is more powerful than the earth, the country will be more powerful than the earth. The beginning of the first rise, its path is bright. The river flows out of the ambush, a cascade of the ocean. The submerged dragon rises to the abyss, its scales and claws flying. The tiger whistles in the valley, shaking with fear. The falcon tries its wings, and the wind and dust open and close. The strange flower is first born, elegant and grand. The dry will be whetstone, have made its mane. The sky wears its gray, the earth walks on its yellow. There is a thousand years in the past, and eight wastelands across the land. The future looks like the sea, and the days ahead are long. The beauty of China's youth is that it does not age with the sky! I am a young man of China, and my country has no boundaries! Translation: Say: It is the sins of China's senile and corrupt people that have created today's senile and corrupt China. It is the responsibility of China's youthful generation to create the youthful China of the future. What can be said of those old and corrupt people, whose farewell to the world is not far off, while we young people are the newcomers and will be bound to the world? Like those who rent a house, they will move to another place tomorrow, while we are moving into this house today. Is it any wonder that those who are moving to another place do not take care of the windows of this house or clean the corridors of the courtyard of this house? As for young men like us, our future is vast and far-reaching, and our retrospect is vast and far-reaching. If China becomes a slave of cattle and horses, only we young people will have to endure the cruelty of being cooked, slaughtered and whipped. If China dominates the world, dominates the earth, then the dignity and glory of giving orders and looking to the right and to the left will only be enjoyed by us young people; what does it matter to those dying old men who will be neighbors with dead ghosts? They may be justified in treating the question with indifference. It would not be justifiable if we were indifferent to it. If the youth of the nation really become full of vigor, then China's progress as a future nation will be unlimited; if the youth of the nation also become old and corrupt, then China will become the same nation as before, and its demise will soon come. Therefore, the responsibility of today is not on others, but on our youth. If the young man is smart, my country will be smart; if the young man is rich, my country will be rich; if the young man is strong, my country will be strong; if the young man is independent, my country will be independent; if the young man is free, my country will be free; if the young man is progressing, my country will be progressing; if the young man is better than Europe, my country will be better than Europe; if the young man is superior to the world, my country will be superior to the world. The red sun has just risen, and the road is full of haze; the Yellow River emerges from the ground, raging and rushing with great vigor; the submerged dragon leaps up from the abyss, and its scales and claws dance and fly; the little tiger roars in the valley, and all are afraid and alarmed, the eagle and the falcon and the bird raise their wings and want to fly, and the wind and the dust roll high and fly; the strange flower has just begun to conceive buds, and it is splendid and bright and luxuriant and thriving; and the dry sword of the General is newly sharpened and flashing with rays of light. Head over the sky, feet on the earth, from the vertical time to see a long history, from the horizontal space to see a vast territory. The future is as wide as the sea, and the days ahead are infinitely long. Beautiful, my young China, will live on with heaven and earth! My young China, will live with the motherland for a long time!

Expanded Information:

Original Appreciation: "Junior China Said" was written in 1900, being after the author Liang Qichao when he went into exile in Japan. That year was the year of gengzi, at that time, due to the invasion of imperialism, China broke out in the Boxer Rebellion patriotic movement. The imperialists united, formed, colluded, suppressed and sacked Tianjin and Beijing and other places. At that time, the Eight-Power Allied Forces created public opinion, stigmatizing China as "the oldest empire", "the sick man of East Asia", and "a piece of scattered sand", unable to stand on its own feet, and could only be governed or divided up by the Great Powers ****. And Chinese people, there are some ignorant mediocrity, also followed the clamor "China is not dead is no God" "any of the powers within three days can be destroyed China", spread pessimism, the national crisis is unprecedentedly serious. The failure of the Hundred Days' Reform forced Liang Qichao to flee to Japan, but he did not give up his efforts to change the law and strive for strength, and founded in the same year he arrived in Japan, and tried his best to promote the continuation of the Restoration Movement through the media. At that time, the imperialists were creating public opinion and stigmatizing China as "the oldest empire". In order to refute the shameless and abusive words of the imperialists, but also to correct some people in the country to give up on themselves, worship foreign countries and pander to the slavish mentality, to arouse the people's patriotic fervor, and to stimulate the national self-esteem and self-confidence, Liang Qichao timely wrote this "young China said". In the article, he praised the youth's vigor, pointed out that China under feudal rule is the "old empire", and fervently hoped that the emergence of "young China", to invigorate the people's spirit. The article is informal, with many metaphors and a strong sense of encouragement. It has a strong enterprising spirit and expresses the author's love and expectation for the young China. The article begins with the refutation of Japan and the Western powers' stigmatization of our country as "the oldest empire", which shows that China is a young China that is growing up. The "country" referred to in this article is the ideal **** and country. The article that the feudal authoritarian system and feudal officials have been corrupted, hope in the Chinese youth, and firmly believe that China's youth will be ambitious, can make the country rich and strong, and stood on the earth. It reflects the author's patriotic thoughts and positive and optimistic national self-confidence that he longs for the prosperity of his country. The article is tightly focused on the theme, the use of syntax, layer by layer to promote, one by one to explain, written with great emotion, great momentum. The article is one of Liang Qichao's masterpieces, a famous article published in the Qingdao Newspaper at that time. This article has a great influence and is a long political essay. The author stands on the position of the bourgeois reformist, in which he contrasts the feudal and ancient China with the young China in his mind, praises the young man's courageous spirit of reform, encourages people to take up the important task of building a young China, and expresses the wish for a prosperous and strong motherland and the spirit of positive and enterprising spirit. It is recognized as the most positive chapter in Liang Qichao's writings in terms of ideological significance and emotional color, and the author himself regarded it as his masterpiece of "opening up a new style of writing and stirring up the dark tide of the people". The opening chapter of "Sayings of Young China" refutes the Western powers and the insulting name of "my China", "the old empire", and introduces Liang Qichao's far-reaching and beautiful political ideals--"Young China", which is the most positive and emotional chapter. "Young China". Writers with a broad vision, broad-minded, looking back to the past, in counting the Tang Yu Zhizhi, Xiongjie, Han and Tang Rongsheng, Kangqian martial arts based on the pen, a turn to the feelings: categories of the past has been with the flow of time for the traces of the past, "and now decadent old age"! Stormy, broken mountains and rivers, people's lives are in danger, not to worry about the future: the country for the country to die, the people for the people to die. Between the lines is full of heartbreaking deep anxiety and sadness. Afterwards, the writer points out from the statesman's foresight that the root cause of the country's decline is "China's old age", i.e. the system's inheritance and the officials' old-fashionedness. Then, the writer points out that the power to create a young China lies in the "Chinese youth" - a generation of new nationals with innovative spirit and patriotic aspirations. At the same time, the writer reveals the different responsibilities of the Chinese old man and the Chinese youth towards the nation and the times. In the stark and grim contrast, the writer puts forward the political proposition that "the responsibility of today lies not in others, but in my youth". On this basis, Liang Qichao with passionate and full of poetic strokes depicted a Chinese teenagers to work hard and the heroic rise of China's young people's aspirations, exciting picture: the beauty of my China, and the sky does not grow old; strong China's young people, and the country without boundaries! Ideologically speaking, "Young China Speaks" has a strong lyricism. On the one hand, the article is very critical of the strength of China's "old empire" layer by layer dissection, and those who hold the state of the country and the psychological state of the old and rotten people mercilessly criticized. On the other hand, the author's repeated description of "Young China" is also the author's desire for the motherland's prosperity of patriotic thinking and positive and optimistic national self-confidence, also has a strong lyrical quality. Therefore, Liang Qichao's "new style of writing" political essays tend to be lyrical out of the political theory of the pen.

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