Shanghai style detailed data collection

Shanghai style has many meanings. The first one refers to the achievements and fashions of a group of painters who were active in Shanghai from the middle of the 9th century to the beginning of the 20th century. Second, it refers to the performance style of Beijing Opera represented by Shanghai; third, it refers to the literary genre that mainly reflects the urban culture and commercial color; and fourth, it refers to the personnel who have been sent back to China by overseas multinational companies or overseas institutions as representatives of institutions in China or middle and senior managers.

Basic introduction Chinese name: representative of Shanghai school: the most dynamic local culture in China since modern times: the achievements of painting creation and the significance of fashion: basic introduction of Beijing opera performance style represented by Shanghai, noun analysis, writers, initial characteristics, comments, Shanghai school, performance genre, representative famous artists, Qingkou, jade carving genre, Beijing opera genre, Taiwan Province province, transnational personnel, network new language, basic introduction of Shanghai school (Shanghai dialect pinyin:) It has a great influence and leading role on China's modern culture and national spirit. It still affects the culture of China today. The publication of the word "Shanghai School" remains to be verified, and it is generally considered to be related to the "Shanghai School of Painting" in the late Qing Dynasty and the early Republic of China. The source of marine painting school is Songjiang School represented by Dong Qichang. Later, with the prosperity of business in Shanghai, more and more people began to sell paintings for a living. From the perspective of orthodox culture, Shanghai's prosperity is just deviant, so Zuo called "The Sea" "the end of rogue literati in Jiangsu and Zhejiang". Therefore, the name of the maritime painting school came into being. One of the most famous is the "Four Items", headed by Ren Xiong who is good at flowers and birds, figures, portraits and landscapes, including Ren Xun, Ren Bonian and Yu Ren. In addition, there are famous painters such as Zhao, Wu Changshuo and Xu Gu. Then came the rise of Shanghai-style Peking Opera. The rise of the maritime literary world has pushed the Shanghai culture to a new peak. According to statistics, during the fifteen years from 1902 to 19 16, there were 57 new literature periodicals in China. Among them, 29 are named after novels, and Shanghai monopolizes 22 of them. At that time, there were no novels and magazines in Beijing. After the May 4th Movement, the New Culture Movement sprang up all over China, which was called the "Renaissance" in China. The New Culture Movement has made great progress in both Beijing and Shanghai. Although its early backbones, such as Hu Shi, Lu Xun, Qian and Liu Bannong, became troops in Peking University, their cultural energy originated in Shanghai. In the first decade of the New Culture Movement, Beijing and Shanghai were roughly equally divided. From 65438 to the early 1920s, apart from the Literature Research Association, two other famous literary societies with Professor Peking University as the core were formed in Beijing. Qian, Liu Bannong, Zhou Zuoren and Gu Jiegang. Who is the main author of Yusi, which was published in June? The other school is the Hushi school represented by the Anglo-American school. Modern Review, founded by Xu Zhimo, Jiang Yanfu and Liang Shiqiu, is characterized by liberalism. Lin Yutang is an exception. He didn't take part in Modern Review, but joined Yus. Later, the backbone of modern criticism organized the Crescent School. From 65438 to 0926, Zhang went to Beijing to exert cultural pressure. University professors have gone south, and Beijing's cultural circles have fallen into decline. Shanghai became the base camp of the New Culture Movement. Subsequently, with the rise of "Left-wing Alliance" and "Island Literature", Shanghai's literary world experienced sustained prosperity. Shanghai is one of the cultural centers of China. Shanghai culture is called "Shanghai culture". The main body of Shanghai-style culture is rooted in the traditional Wu Yue culture in the south of the Yangtze River. Since its opening to the outside world, it has merged with cultures from Western Europe and the United States, and gradually formed a unique culture that is different from other parts of China and belongs to Shanghai. Shanghai culture has had an important influence on modern social life in China. Before 1949, Shanghai was even the cultural and artistic center of the Far East. After 1949, for many reasons, Shanghai's status as a literary fashion center declined, but it is still the literary center of Chinese mainland. Nowadays, as the fashion frontier of Chinese mainland, Shanghai * * * holds many cultural and artistic activities every year. At the same time, folk cultural exchanges have flourished, and international and domestic exchanges, visits and performances have continued, making it the first choice for many well-known international and domestic performing groups and cultural institutions to land in China. Shanghai school in noun analysis literature refers to "modern" Shanghai school, which is different from Yuanyang Butterfly School. It refers to a literary school that looks at Shanghai from the standpoint of modern urban civilization and commercial culture and tells the story of Shanghai in the tone of modern Shanghainese. Shanghai-style novelists are mainly composed of three parts: First, Zhang Ziping, Zeng, Zeng, (non-Beijing Pailin) and others who broke away from the May 4th literature and went to the urban masses. Second, Mu Shiying, Liu Naou, Shi Zhecun, Black Hawk, Du Heng, Xu Xiacun and He Jin, who were popular among Shanghai urban readers in 1930s, were called the second generation Shanghai School. Thirdly, Zhang Ailing, Su Qing, Xu Luan, Yu Qi, Anonymous and others emerged in the 1940s. The initial characteristics are first, secularization and commercialization. Early Shanghai novels were mainly commercialized, with the aim of making money. They tend to stay away from the mainstream literature that reflects real life by catering to the tastes of citizens, and simply describe the basic necessities of life of citizens, which is mediocre and secular. Secondly, love novels became the main creative tendency of early Shanghai writers. Shanghai writers' novels reflect the love and marriage of modern young people, show their pursuit of love, and are full of democratic spirit. However, their love novels are mostly of low style, and in the process of pursuing love and happiness, they are often mixed with old ideas of chastity and humble possessiveness, and sometimes they are even shoddy and vulgar. Third, pay attention to the innovation of novel form. Early Shanghai writers were able to skillfully use Xiao Changlai to speak my vernacular, paying attention to the description of sexual psychology, and some tried to change the narrative perspective with psychoanalysis, which showed the exploration spirit and vanguard of early Shanghai writers. Representative works Zhang Ziping: Flying Sheep, Terry Ye Lingfeng: Sisters' wedding night, Nu Wa's legacy, Moga's temptation, Wang Ming Liu Naou: Urban scenery Shi Zhecun: On the Lantern Festival, Kumarajiva, General Mu Shiying: Lu Xun pointed out: "However, on the whole, the Beijing school is an official gang, and the Shanghai school is a business gang." There is a saying of "Shanghai School" literature in the field of literary history research, but there is no creative group holding high the banner of "Shanghai School" in literary history. There are various writers who are included in Shanghai literature, including the Saturday School, which is rejected by new literature writers, some members of the later creative society (revolutionary romanticism), modernism and aestheticism, and Shanghai writers who cannot be classified into any genre, such as Zhang Ailing, Su Qing and Yu He. From the perspective of artistic schools, only the "New Sensation School" represented by Shi Zhecun, Liu Naou and Mu Shiying is keen to reveal the colorful beauty of urban life, express the rhythm and artistic conception of commercial civilization, and has fan publications, which truly embodies the characteristics of this school. Short for Shanghai maritime painting school. One of Chinese painting schools. Formed in modern times, that is, after Shanghai became a commercial port in the late Qing Dynasty, some literati from all over the world lived in Shanghai and made a living by selling paintings. After a long time, they became the center of painting activities. The performance school represents the famous artists "Old Funny" Wang (1892- 1933 in Jiangsu), "Social Funny" Jiang Xiaoxiao (1900-65438 in Hangzhou, Zhejiang) and "Current Funny" respectively (1933). Shanghai), Yi (1891-kloc-0/960 Shaoxing, Zhejiang), Cheng Xiaoting (1908- 1965438, Shanghai), and cold noodles are funny. Shanghai), "dialect funny" Bao Yifei (191-kloc-0/9965438, Shaoxing, Zhejiang), "elder funny" Zhang Qiaonong (1910-/. Shanghai), (1922—2008, Shanghai), Tang (1913-19665438, Jiaxing, Zhejiang), (6544). Shanghai), "child prodigy funny" grinning (19 19-2006, Wuxian, Jiangsu), "vest funny" Wen Binbin (191972, Nanjing, Jiangsu), and Hangzhou, Zhejiang), Gong Yifei (1929-2003, Shanghai), Tian Lili (66438 Zhenjiang, Jiangsu), Yang Xiaofeng (19 18- 1994, Changzhou, Jiangsu), Yang Huasheng (/kloc-0). Wuxi, Jiangsu), Wu Meimei (1918-2012, Nanjing, Jiangsu), Populus davidiana (1922, Zhenhai, Zhejiang), Nenniang (1926, Shanghai), Lin, Yan Yu (/. Jiangdu, Jiangsu), Xu Shuangfei (1930, Shanghai), Liu Chunshan Jr. (1926, Shanghai), Wang Rugang (1952, Shanghai), Qian Cheng (1962). Shanghai), Chen Guoqing (1953, Shanghai), (1949, Shanghai), (195 1, Shanghai), (65438+ Shanghai), Xu Shili (1. Qingkou is a person who performs on the stage, talks about all social hotspots and focuses, and conveys a happy lifestyle with the actor's own interpretation. Jade Carving School shanghai jade carving is one of the four schools of jade carving in China. It was formed at the end of 19 and the beginning of the 20th century, and it has a great influence on the current jade carving art. It is a school of jade carving art with Shanghai as the center. Shanghai jade carving's real contribution lies in "Heiner" and "Seiko". Its "Haina" is all-encompassing-painting, sculpture, calligraphy, stone carving, folk shadow play and paper-cutting, and contemporary abstract art. As long as it is beautiful and good, it is not far from the origin. What is commendable is that the Henna is still "slim" after digestion. The Peking Opera School, represented by Shanghai, first refers to the school of culture and art, which originated from the Shanghai School of Painting in the late Qing Dynasty and the early Republic of China, and later extended to architecture, furniture, clothing and style. It has formed a Shanghai-style culture characterized by commerce, openness, pluralism, popularity, novelty and all rivers run into the sea. Taiwan Province Province is in Taiwan Province Province, and "Shanghai School" means generous atmosphere. Transnational personnel refer to the personnel sent back by overseas multinational companies or overseas institutions to serve as representatives or middle and senior managers of institutions in China. Generally speaking, these people study business administration more. After graduation, they have worked in the headquarters of multinational companies or other well-known multinational organizations. After returning to China, they can be independent and have better treatment. The network neologism "Shanghai School" is still the "happiness" in network language, because "Shanghai School" is the homonym of "happiness".