Traditional Culture Encyclopedia - Traditional stories - Liu Zhenlin-Huo Chunyang Traditional Art Research Association teaching hosts
Liu Zhenlin-Huo Chunyang Traditional Art Research Association teaching hosts
Tutor of the Traditional Bird and Flower Class of the Advanced Study Program of Painting and Calligraphy of Tsinghua Academy of Fine Arts.
Assistant tutor of Huo Chunyang's art theory class at Tsinghua Academy of Fine Arts, Director of Bird and Flower Painting Teaching and Research Department.
He is a member of the China Artists Association and a national artist.
Deputy Secretary General of the National Painting Art Committee of the Chinese Painting and Calligraphy Creation Base of the Ministry of Culture.
Appreciation collection hotline 15674918888, WeChat the same number.
Art style - ethereal
"Look at Mr. Liu's paintings make people feel relaxed and happy," said a student involuntarily at Liu Zhenlin's solo exhibition not long ago. He said the ethereal beauty of Mr. Liu's paintings gives people an indescribable comfort. Emptiness is an important idea in Chinese aesthetics, and it comes from the Buddhist term of realm. But Liu Zhenlin believes that the picture of the ethereal is a feeling, it is based on the thick ink and brush, no thick ink and brush work of the painting empty may be empty, the spirit is not necessarily spiritual ah. He said with a smile to the students, ethereal is a high degree of simplicity of the object of the pen and ink program performance, but also a painter's comprehensive quality of the concentration of the manifestation of this, in addition to practicing more pen and ink work, but also read more books, especially the philosophy of the books to read more, the Wei Jin and the North and South Dynasties, China's aesthetic thought has been very mature, to learn more, look at the classics, read poetry, are of great benefit.
Teachers
Liu Zhenlin's mentor is the famous flower and bird painting, Mr. Huo Chunyang, over the years, he followed Mr. around, hard work, the road solid. Mr. Huo taught him to learn more about the ancients, read more classics. He is down-to-earth and willing to work, and has already had many new experiences over the years, and has set an example in promoting traditional culture. At the same time, his painting career was also instructed by Li Kui Zheng, Chen Yupu, Chen Shouxiang, Cheng Dali and others. It strengthened his belief in studying traditional painting in depth.
Liu Zhenlin's paintings have the realm of the Song Dynasty. ---Huo Chunyang
Liu Zhenlin studied under Mr. Huo Chunyang in Tianjin, not only in the technical aspects of bird and flower painting, but also in its concept of inheritance of the mantle, for the study of traditional bird and flower painting is also a unique insight. His preference for the Yuan and Ming schools is often reflected in his paintings. The vividness of Zhao Mengfu and the sharpness of Wen Zhengming are evident in the structure of his brushwork. His works are poetic and at the same time extremely bibliophilic. He disregards the pursuit of epic exhibition hall templates, and favors the hall secret play of exquisite brushwork and ink, which shows that he is transcendent and has a great style of Wei and Jin dynasties. His ink and brushwork is loose and sparse, and is gradually maturing. I think he has already gotten rid of the traces of "Huo Jia Quan" in appearance, while the essence of the spirit remains. ---Song Wei Yuan
Liu Zhenlin's paintings have been truly transmitted by Mr. Huo! It is not easy for him to be free from the influence of the world's trend and to do research quietly, which is not easy nowadays, and his works have reached the point of dialoguing with the ancients. --- Mei Mo Sheng
Liu Zhenlin's works have the charm of the Song and Yuan dynasties, learning from the ancients but not stick to the ancients. It is very valuable. --- Li Kui Zheng
He has a good grasp of the flavor of his works, and is very good at creating a scene, as well as the continuity of his brushwork and ink. --- Chen Yupo
Liu Zhenlin's paintings are fresh and elegant, with a strong sense of antiquity. His freedom in brush and ink is extremely rare among young painters. --- Li Wenliang
Mr. Shi Tao, the founder of Hunan Returned Collection Culture, took a group photo with Mr. Liu Zhenlin at the site of Rongbaozhai's solo exhibition, and Mr. Shi Tao was honored to collect the original artwork for the cover of his exhibition and book.
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